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Purchase log, 2019-08-20

[Sleater-Kinney - The Center Won't Hold]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Sleater-Kinney, The Center Won’t Hold

Catalog

CD
  • Andrew Lloyd Webber, Jesus Christ Superstar (Original Broadway Cast)
  • Bill Frisell, Good Dog, Happy Man
  • Branford Marsalis Quartet, Requiem
  • Bruce Springsteen, The Wild, The Innocent and the E Street Shuffle
  • CHVRCHES, The Bones of What You Believe
  • Devo, Greatest Hits
  • Don Byron, Bug Music
  • Information Society, Peace and Love, Inc.
  • LFO, LFO
  • Lisa Lisa and Cult Jam, Spanish Fly
  • Los Amigos Invisibles, Arepa 3000: A Venezuelan Journey into Space
  • Mr. Lif, I Phantom
  • Queen, A Night at the Opera
  • Wye Oak, Civilian
Vinyl
  • Béla Bartók, Mikrokosmos, Vol. 6 / Out of Doors / Sonatina (Stephen Bishop-Kovacevich)
  • Fugazi, End Hits
  • George Crumb, Makrokosmos, Vol. II (Robert Miller)
  • George Crumb, Music for a Summer Evening (Makrokosmos III)
  • Grizzly Bear, Shields
  • My Bloody Valentine, Isn’t Anything
  • Nico Muhly and Teitur, Confessions
  • Re-Flex, The Politics of Dancing
  • Run DMC, Raising Hell
  • Ryan Stout, Touché
  • Sting, 57th and Ninth
  • The Beach Boys, Pet Sounds

Reissues

Vinyl
  • Explosions in the Sky, How Strange Innocence
  • Explosions in the Sky, The Rescue
  • NUMBER GIRL, NUM-HEAVYMETALLIC
  • NUMBER GIRL, SAPPUKEI
  • NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT

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Looking ahead: July-August 2019

[Re-Flex - The Politics of Dancing]

Janet Jackson, Control: The Remixes, July 26

I would not have been interested in remixes when Control came out, but I bet I’ve heard them without realizing I have.

Re-Flex, Politics of Dancing (Deluxe Edition), July 26

The title track alone is probably worth the price of the entire album. It’s a collection of reliably-80s synth pop, heavy on the beats and big on melody. I found this album on CD at the thrift store, and I’m actually heartened to see it reissued.

Sleater-Kinney, The Center Won’t Hold, Aug. 16

I don’t even listen to St. Vincent, and I was excited to hear she was producing the new Sleater-Kinney album. Is that weird?

Ty Herndon, Got It Covered, Aug. 23

Herndon had already teased this album, posting short videos on Instagram of the recording process. He’s already changed the gender references on his big hit, “What Mattered Most.” I’m hoping he doesn’t stop there.

Kronos Quartet, Terry Riley: Sun Rings, Aug. 30

It’s a Terry Riley anniversary year! So of course Kronos commemorates it with a release of a piece they’ve performed in concert for at least a decade.

BBMak, Powerstation, late August

OK, guys, you’ve announced a title and a track list. What about an actual release date?? Part of me wished this album was a track-by-track cover of The Power Station, i.e. the Duran Duran site project with Robert Palmer and Tony Thompson of Chic.

Vinyl

Janet Jackson, Rhythm Nation, July 26
Janet Jackson, The Velvet Rope, July 26

I already have an original pressing of Rhythm Nation, but the length of the album doesn’t allow it to fit well on a single disc. So I would welcome a double LP with improved sound.

The Velvet Rope is Janet’s most underrated album and deserves more attention.

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Favorite Edition Rewind: 1996

[Café Tacuba - Avalancha de Exitos]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1996 was my final year in college, a year before I would earn the kind of disposable income that would go into building a music collection. While the Favorite 10 of 1996 remains mostly unchanged, the extended list includes many more discoveries I couldn’t afford to hear at the time.

  1. Soundtrack, William Shakespeare’s Romeo + Juliet
  2. Värttinä, Kokko
  3. Soundtrack, Robotech Perfect Collection
  4. Asylum Street Spankers, Spanks for the Memories
  5. Various Composers, Gay American Composers
  6. Original Cast Recording, Rent
  7. Marilyn Manson, Antichrist Superstar
  8. Everything But the Girl, Walking Wounded
  9. Shawn Colvin, A Few Small Repairs
  10. Robin Holcomb, Little Three

Other favorites from the year:

  • Midnight Oil, Breathe
  • Dead Can Dance, Spiritchaser
  • Emmylou Harris, Portraits
  • Kronos Quartet, Howl USA
  • UA, 11
  • Yen Town Band, Montage
  • Neutral Milk Hotel, On Avery Island
  • Aphex Twin, Richard D. James Album
  • Weezer, Pinkerton
  • Sleater-Kinney, Call the Doctor
  • Clannad, Lore
  • Café Tacuba, Avalancha de Exitos

I could actually add more titles from Wilco, Helmet, Gillian Welch, DJ Shadow and Amuro Namie to the extended list, but I haven’t lived with them as long as the ones I’ve already added.

I owned the Richard D. James album at one point. It was a promo from the student newspaper, but I was such a neophyte with EDM that I couldn’t make heads or tails of it. As it turns out nobody could really make heads or tails of it.

The original extended list didn’t include Lore because it had already fallen victim to a collection purge. I rediscovered the album after the death of Padraig Duggan.

Avalancha de Exitos was the first album by Café Tacuba I would encounter, but I wouldn’t purchase it till many years later. I borrowed it from a friend and liked it. But I stayed away from it because it’s a cover album of music of which I had no reference.

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Favorite Edition Rewind: 1997

[Janet Jackson - The Velvet Rope]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1998 and 1999 were probably the most productive years of the ’90s. 1997 slightly less so. That said, there isn’t much change from the original list, a few shuffles aside.

  1. Cocco, Bougainvillia
  2. Duran Duran, Medazzaland
  3. The Old ’97s, Too Far to Care
  4. Björk, Homogeneic
  5. 10,000 Maniacs, Love Among the Ruins
  6. Soundtrack, The Simpsons: Songs in the Key of Springfield
  7. Molotov, ¿Dónde Jugarán las Niñas?
  8. Bill Frisell, Nashville
  9. Pizzicato Five, Happy End of the World
  10. Prodigy, Fat of the Land

Other favorites from the year:

  • Janet Jackson, The Velvet Rope
  • China Digs, Looking for George …
  • John Taylor, Feelings are Good and Other Lies
  • Jack Ingram, Livin’ and Dyin’
  • Kronos Quartet, Early Music (Lachrymæ Antiquæ)
  • 8 1/2 Souvenirs, Souvonica
  • Sleater-Kinney, Dig Me Out
  • Missy Elliott, Supa Dupa Fly
  • David Bowie, Earthling

I wouldn’t rediscover The Velvet Rope till 2014. I disliked its predecessor, janet., but I was also disappointed Janet didn’t switch up her theme. I’ve come to realize The Velvet Rope was the album I wished janet. would have been.

Earthling is the very first album by David Bowie I’ve ever owned. I actually liked it at the time, but I didn’t love it. So it got cut during a collection purge. My recent deep dive into the his work made me revisit Earthling, and as unlikely as an EDM Bowie album might sound, he makes it work.

Sleater-Kinney and Missy Eliott are retroactive additions to the list. I didn’t explore their works until recently.

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Favorite Edition Rewind: 2000

[Tomosaka Rie - Shoujo Robot]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.

  1. Shiina Ringo, Shouso Strip
  2. Cocco, Rapunzel
  3. NUMBER GIRL, SAPPUKEI
  4. SUPERCAR, Futurama
  5. eX-Girl, Big When Far, Small When Close
  6. Sleater-Kinney, All Hands on the Bad One
  7. Idlewild, 100 Broken Windows
  8. FEED, Make Every Stardust Shimmer!
  9. Tomosaka Rie, “Shoujo Robot”
  10. Sade, Lovers Rock

Other favorites from the year:

  • Do As Infinity, Break of Dawn
  • Yaida Hitomi, daiya-monde
  • PJ Harvey, Stories from the City, Stories from the Sea
  • OBLIVION DUST, Butterfly Head
  • At the Drive-In, Relationship of Command
  • L’Arc~en~Ciel, REAL
  • Bonnie Pink, Let Go
  • MISSILE GIRL SCOOT, Fiesta!
  • Smashing Pumpkins, MACHINA/The Machine of God
  • m-flo, Planet Shining
  • Juanes, Fíate Bien
  • Emmylou Harris, Red Dirt Girl
  • U2, All That You Can’t Leave Behind
  • La Ley, Uno
  • Sinéad O’Connor, Faith and Courage
  • Soundtrack, High Fidelity
  • BBMak, Sooner or Later

At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.

Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯

Idlewild’s 1000 Broken Windows takes the spot vacated by U2.

Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.

I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.

The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.

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Favorite Edition Rewind: 2002

[Quruli - THE WORLD IS MINE]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

If you want an explanation for the length of this list, see 2002: An important year in music for the 2000s. This 2002 list has gone through a few ranking changes and added even more titles.

  1. Hem, Rabbit Songs
  2. … And You Will Know Us by the Trail Of Dead, Source Code and Tags
  3. Kronos Quartet, Nuevo
  4. The Streets, Original Pirate Material
  5. Hajime Chitose, Hainumikaze
  6. NUMBER GIRL, NUM-HEAVYMETALLIC
  7. Quruli, THE WORLD IS MINE
  8. Zoobombs, love is funky
  9. Hatakeyama Miyuki, Diving into your mind
  10. Patty Griffin, 1,000 Kisses

Other favorites from the year:

  • UA, Dorobou
  • Queens of the Stone Age, Songs for the Deaf
  • Damien Jurado and Gathered In Song, I Break Chairs
  • Pedro the Lion, Control
  • Wilco, Yankee Hotel Foxtrot
  • Missy Elliott, Under Construction
  • The Decemberists, Castaways and Cutouts
  • Sonic Youth, Murray Street
  • Sleater-Kinney, One Beat
  • Kylie Minogue, Fever
  • The Roots, Phrenology
  • ISIS, Oceanic
  • The White Stripes, White Blood Cells
  • The Hives, Veni Vidi Vicious
  • Catilin Cary, While You Weren’t Looking
  • BUGY CRAXONE, Northern Hymns
  • N.E.R.D., In Search Of …
  • The Books, Thought for Food
  • Nappy Roots, Watermelon, Chicken & Gritz
  • Minako, Suck It till Your Life Ends mata wa Shine Made Sono Mama Yatte Iro
  • The Flaming Lips, Yoshimi Battles the Pink Robot
  • Shiratori Maika, Hanazono
  • The Back Horn, Shinzou Orchestra
  • Joan Jeanrenaud, Metamorphosis

I picked up Original Pirate Material for $1 at Lifelong Thrift Shop, and now I understand why it was all over the place in 2002. I couldn’t open a music magazine without seeing Mike Skinner mentioned in it. I’m pretty sure the sample of Dvorak’s Symphony No. 9 sealed my admiration for the album.

THE WORLD IS MINE is something of a mea culpa. At the time of its release, I recognized the album as being Quruli’s most complex, but I just couldn’t get into it. I probably felt that it didn’t go far enough if it was going to be ambitious.

Well, the joke’s on me. I listened to it again before its reissue on vinyl, and I really dug it, much more than Antenna, which I praised effusively at the time. So it knocked Minako’s one and only album off the Favorite 10. UA also had to make room for the Streets.

The extended list includes albums I originally dismissed: Murray Street by Sonic Youth and One Beat by Sleater-Kinney.

I remember stocking Nappy Roots during my shifts at Waterloo Records and wondering what the big deal was. A $1 copy from Lifelong Thrift Shop  16 years later educated me. I probably wouldn’t have been exposed to Nappy Roots, The Decemberists or ISIS without having worked at Waterloo.

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Favorite Edition Rewind: 2005

[Antony and the Johnsons - I Am a Bird Now]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I remember not being much impressed with 2005. So much so, I made a half-arsed attempt at a Favorite Edition list and didn’t even call it such. It’s taken a lot of sifting to arrive at the present form of the list.

  1. Sigur Ros, Takk …
  2. Antony and the Johnston, I Am a Bird Now
  3. Ann-Sally, Brand-New Orleans
  4. Kate Bush, Aerial
  5. … And You Will Know Us by the Trail of Dead, Worlds Apart
  6. Bob Mould, Body of Song
  7. Sleater-Kinney, The Woods
  8. Yorico, Cocoon
  9. Duran Duran, Beautiful Colours
  10. Kawai Kenji, TV Animation BLEACH Original Soundtrack 1

Other favorites of the year:

  • Enya, Amarantine
  • Grizzly Bear, Horn of Plenty
  • Levi Kreis, One of the Ones
  • Madonna, Confessions on a Dancefloor

The list goes through much shuffling due to some late discoveries. I didn’t pick up Anthony and the Johnsons till 2006 and Ann-Sally much later. BLEACH wouldn’t be appointment viewing till the following year.

The extended list gets pared down a lot. Fuji Fabric, Sasagawa Miwa and toddle make room for Grizzly Bear and Levi Kreis.

I was so desperate to find entries, I included catalog titles from Gang of Four and John Zorn. In hindsight, that was the signal my priorities were starting to shift.

Toward the end of 2005, I relaunched this site as a traditional blog instead of the interactive zine it had been. My interest in Japanese popular music started to wane, and I reached an age where the music of my youth was being reimagined — some would say misinterpreted — by up and coming bands.

2005 marked the beginning of the end of Musicwhore.org ver. 1.0.

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Favorite Edition Rewind: 2015

[Gaytheist / Rabbits - Gay*Bits]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

2015 started strong with the return of Sleater-Kinney, and it stayed strong all the way through the release of the Hamilton cast recording. That said, the list goes through quite a number of changes, consolidating some stragglers and bouncing a few titles off.

  1. Lin-Manuel Miranda, Hamilton: An American Musical
  2. Kendrick Lamar, To Pimp a Butterfly
  3. Sleater-Kinney, No Cities to Love
  4. Jason Isbell, Something More Than Free
  5. Torche, Restarter
  6. Björk, Vulnicura
  7. Deebs and Jarell Perry, Shift
  8. Steve Grand, All-American Boy
  9. Janet Jackson, Unbreakable
  10. Gaytheist/Rabbits, Gay*Bits

Other favorites from the year:

  • Software Giant, We Are Overcome
  • Miguel, Wildheart
  • Madonna, Rebel Heart
  • Duran Duran, Paper Gods
  • Enya, Dark Sky Island
  • The Weeknd, Beauty Behind the Madness
  • Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit
  • ASIAN KUNG-FU GENERATION, Wonder Future
  • Andrew Norman, Play
  • Troye Sivan, Blue Neighborhood

The Favorite 10 sees one title switched out — Gaytheist and Rabbit’s split EP for Miguel’s Wildheart. Father John Misty, Takaakira Goto, Seattle Symphony and Kronos Quartet make way for Andrew Norman, Troye Sivan and Software Giant.

Eight years into 2010s, 2015 is so far turning out to be my favorite year for the decade. The hierarchy of the list gives a false sense of preference — some of the albums outside of the Favorite 10 got as much play time as those at the top of the list.

Duran Duran and Enya could have occupied spots in the Favorite 10 if the field weren’t so crowded.

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45 Albums for 45 Years: A Birthday Retrospective (2010s)

[Jarell Perry - Simple Things]

This month, I turn 45 years old. The music that influenced me as a teen-ager is being reissued in 30th anniversary deluxe editions. The turn of the 20th century is roughly four years away from being 20 years behind us. I’m five years away from 50.

In 2016, I wrote about the various twists and turns my listening habits took over the course of four decades. Now, I’m pinpointing specific albums that mark each decade for me, starting with the current one.

The pop culture identity of a decade doesn’t really establish itself till two years into it, and my age puts me at such a distance from that zeitgeist that I have no clue what this decade means. Or perhaps the culture has moved on from rallying around music, streaming services allowing us to explore everything conforming to our highly-optimized filter bubbles.

I wonder if this list will even grow much beyond this year.

Sturgill Simpson, A Sailor’s Guide to Earth

I see A Sailor’s Guide to Earth as something of a cap to the Obama era of progress. Even after signing to a major label, the fiercely independent Simpson crafted a thoroughly-composed work. It can’t be sliced up into singles, or the architecture of the album would crumble. Would this kind album flourished under the current leadership in Washington, D.C.? I doubt it.

Sleater-Kinney, No Cities to Love

So far, 2015 has been the creative pinnacle of this decade. Sleater-Kinney ushered it in with an album that barely acknowledged the decade-long gap from its predecessor, and Jason Isbell, Kendrick Lamar and Lin-Manuel Miranda followed in their wake. Madonna, Janet Jackson and Enya even showed up with some of their best work in years.

John Luther Adams, Become Ocean

I haven’t mentioned that I’ve been taking music theory courses at the University of Washington, where I work. Seattle Symphony reconnected me with classical music, and the orchestra’s advocacy of new music inspired me to fill in the gaps of my undergraduate classical training.

Jarell Perry, Simple Things

I didn’t know PBR&B was a thing till I tried to figure out just what Jarell Perry, Solange, Shaprece and the Weeknd were doing with R&B. Hip-hop has its underground tract, and evidently, so does R&B. Of course, PBR&B is a terrible term.

Jason Isbell, Southeastern

You’re not supposed to judge media by their cover art, but it’s hard not to sense something pretty intense in Isbell’s gaze on the cover of Southeastern. I don’t know if I would have listened to this album otherwise.

Kuriyama Chiaki, CIRCUS

Kuriyama Chiaki could have gotten someone like Perfume producer Nakata Yasutaka to fashion a hit-making album, but she tossed her hat into a ring that included Shiina Ringo and Asai Kenichi. I discovered she played Gogo Yubari in Kill Bill, Vol. 1 only after I listened to the album.

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Looking ahead: January 2017-March 2017

The moment I announced I’m taking a break, a whole bunch of new releases appear on the schedule. I’d be remiss not to preview them.

Royal Wood, Ghost Light, Jan. 27

Ghost Light was released in Canada back in April 2016, but an international release had to wait till now. The cover for this edition — Wood in silhouette — matches the title, but I prefer the Canadian cover because Wood looks hotter in a t-shirt.

Sleater-Kinney, Live in Paris, Jan. 27

I’m still kicking myself for missing the band’s three-night run in Seattle.

Onitsuka Chihiro, Syndrome, Feb. 1

I haven’t paid much attention to Onitsuka Chihiro since her lackluster cover album FAMOUS MICROPHONE. So it was a surprise to find out she’s on yet another new label, and she released an independent album with a band in 2014.

Deee-Lite, World Clique (Deluxe Edition), March 3

Yeah, it’s about time this album got the reissue treatment.

George Michael, Listen Without Prejudice, Vol. 1 (Deluxe Edition), March 3

I’ll deal with George Michael’s untimely death in a future entry. I didn’t pick up this album till after I heard the news, and I can understand both the initial underwhelming reception and its subsequent critical acclaim.

Cocco, 20 Shuunen Request Best + Rare Track, March 21

What? I’ve been listening to Cocco for 20 years now?

Vinyl

The Old 97s, Too Far to Care, Jan. 13

When I first started buying up vinyl in 2013, I considered getting the reissue of Too Far to Care. I decided against it because I wanted to track down titles preceding the CD era first. By the time I was ready to get it, all the copies had been snatched up. I snagged a used copy two weeks before I saw Music on Vinyl would reissue the original album without the bonus tracks. *sigh*

MONO, Under the Pipal Tree, Jan. 20

I don’t think MONO really topped this debut album till Hymn to the Immortal Wind.

Madonna, The Immaculate Collection (Colored Vinyl), Jan. 24

Am I really going to drop cash on a compilation where I have most of the tracks on other vinyl releases? Evidently.

Eurythmics, Greatest Hits, Jan. 27

I still have all the Eurythmics albums I bought back in the ’80s. I only had to flesh out my collection with In the Garden and We Too Are One.

Madonna, Confessions on the Dance Floor, Jan. 31

This album was really welcome after a pair of back-to-back disappointments with Music and American Life.

Eluvium, Copia, Feb. 3

I would be so on board with a reissue of An Accidental Memory in Case of Death.

Duran Duran, The Wedding Album, Feb. 10

Let’s see if this release date sticks. I think it’ll have been nearly a year since this reissue popped up on the schedule.

John Zorn, Spy Vs. Spy: Music of Ornette Coleman, March 3

I found an original Nonesuch pressing of this album many months back, but it’s a definite recommendation for anyone who loves Naked City.

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