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Purchase log, 2020-10-13

[Schoolhouse Rock - Grammar Rock]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Kronos Quartet, Long Time Passing
  • Mikami Chisako, Emergence

Catalog

CD
  • Calexico, Feast of Wire
  • Fischerspooner, #1
  • M. Ward, Post War
  • Surfer Blood, Astro Coast
  • Soundtrack, A Single Man
  • Soundtrack, Schoolhouse Rock: Grammar Rock
Vinyl
  • Alice In Chains, Facelift

Reissues

CD
  • Tears for Fears, The Seeds of Love (Deluxe Edition)

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Looking ahead, Sept.-Oct. 2020

[Emmylou Harris - Wrecking Ball]

Mikami Chisako, Emergence, Oct. 7

Mikami reset her post-fra-foa solo career in 2018 with a second debut album, confidently titled I AM Ready! This album looks like a continuation of its predecessor’s brighter sound.

Kronos Quartet, Long Time Passing, Oct. 9

Subtitled “Kronos Quartet and Friends Celebrate Pete Seeger”, this album looks like a follow-up to 2017’s Folk Songs, with fewer Nonesuch label mates collaborating.

Tears for Fears, The Seeds of Love (Deluxe Edition), Oct. 9

This album didn’t take off in the same manner as Songs from the Big Chair, but I liked it nonetheless. The 4-disc super deluxe edition is tempting, but I’m fine with the 2-disc version. I don’t need the vinyl reissue because I bought it the first time around.

Sam Amidon, Sam Amidon, Oct. 23

Amidon returns to mostly traditional material on this self-titled album, described as “the fullest realization to date of his artistic vision.”

Mr. Bungle, The Raging Wrath of the Easter Bunny Demo, Oct. 30

Mr. Bungle goes back in time to re-record their first demo tape.

U2, All That You Can’t Leave Behind (Deluxe Edition), Oct, 30

I really liked this album when it came out, mostly because Pop was insufferable. I revisited it with the vinyl reissue and found it doesn’t age well. I will probably still get some version of this deluxe edition.

Duran Duran featuring Andy Wicket, Dreaming of Your Cars: 1979 Demos Pt. 2, Oct. 30

The first set of demos with Andy Wickett on vocals featured embryonic versions of what would become Duran Duran canon. On this follow-up, “Tel Aviv” is the only recognizable title, which doesn’t mean it sounds remotely familiar. Colored vinyl is already available for order, but a CD release is slated for October.

Vinyl

Emmylou Harris, Wrecking Ball, Oct. 16

The deluxe edition of Wrecking Ball was released during Record Store Day. This reissue serves up just the album and is available as part of Rhino’s Rocktober series.

Peter Gabriel, Secret World Live, Nov. 6

I couldn’t make the leap of following Paula Cole’s solo career, but her backing vocals on this live album is the real highlight

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Purchase log, 2019-05-14

[Kalapana - Kalapana]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Anthony De Mare, John Cage / Meredith Monk: Piano and Voices
  • Beck, One Foot in the Grave
  • Camille Saint-Saëns / Olivier Messiaen, Saint-Saëns: Symphony No. 3 / Messiaen: L’ascension (Orchestre de l’Opéra Bastille, Myung-Whun Chung)
  • David Bowie, Space Oddity
  • Death Cab for Cutie, You Can Play These Songs with Chords
  • Def Leppard, Pyromania
  • Dolly Parton, The Very Best of Dolly Parton
  • Elliott Smith, Either/Or
  • Godspeed You! Black Emperor, Lift Yr. Skinny Fists Like Antennas to Heaven!
  • Grace Jones, Inside Story
  • Iggy Pop, Lust for Life
  • John Luther Adams, Red Arc / Blue Veil
  • Justin Timberlake, Futuresex/LoveSounds
  • Justin Timberlake, Justified
  • Kacey Musgraves, Same Trailer Different Park
  • Puffy Ami Yumi, An Illustrated History
  • Talk Talk, It’s My Life
  • Tears for Fears, Everybody Loves a Happy Ending
  • The American Analog Set, From Our Living Room to Yours
  • The Beatles, Let It Be
  • The Magnetic Fields, 69 Love Songs
  • The Mountain Goats, Get Lonely
  • The Mountain Goats, The Sunset Tree
  • The Mountain Goats, We Shall All Be Healed
  • Toto, Hydra
  • Soundtrack, Eternal Sunshine of the Spotless Mind
  • Soundtrack, Lost in Translation
  • Soundtrack, Multiplication Rock
Vinyl
  • C.C.C.P., “American Soviets”
  • Kalapana, Kalapana

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Favorite Edition Rewind: 1989

[De La Soul - 3 Feet And and Rising]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

It shouldn’t be a surprise the largest expansion in my collection focuses on the late 1980s, i.e. my high school years. The Favorite 10 list from these years won’t see much change, as 1989 demonstrates, but the expanded lists risk becoming ridiculously long.

  1. The B-52’s, Cosmic Thing
  2. Camper Van Beethoven, Key Lime Pie
  3. Julee Cruise, Floating Into the Night
  4. Faith No More, The Real Thing
  5. Steve Reich, Different Trains/Electric Counterpoint
  6. Fugazi, 13 Songs
  7. Emmylou Harris, Bluebird
  8. Tears for Fears, The Seeds of Love
  9. Madonna, Like a Prayer
  10. Janet Jackson, Rhythm Nation 1814

Other favorites from the year:

  • The Replacements, Don’t Tell a Soul
  • Hoodoo Gurus, Magnum Cum Louder
  • All About Eve, Scarlet and Other Stories
  • XTC, Oranges and Lemons
  • De La Soul, 3 Feet High and Rising
  • Nirvana, Bleach
  • Pixies, Doolittle
  • Wayne Horvitz / The President, Bring Yr Camera
  • John Zorn, Spy Vs. Spy
  • Bulgarian State Radio and Television Female Vocal Choir, Le Mystère de Voix Bulgares, Vol. 2
  • Nakamori Akina, CRUISE
  • Depeche Mode, 101

Fugazi displaces The Replacements, who made a shot for the charts by cleaning up their sound.

I saw this ad in Pulse magazine and scoffed at it:

[I came in for U2. I came out with De La Soul]

Today, I nod my head and say, “Yeah, that’s about right.” But it took 30 years before I had enough life experience to understand how breathtaking 3 Feet High and Rising is.

Nevermind introduced me to Nirvana like the rest of the world, but I prefer Bleach.

The events in Nakamori Akina’s life at the time CRUISE was released overshadowed the maturity of the album. It’s not ground-breaking the way Fushigi is, but it’s an album that could have only been recorded after it.

I saw Depeche Mode in concert in 2017, and 101 ruined my experience of it. I had been listening to 101 in the weeks leading up to the concert, and understandably, the band stacked the set list more toward recent work than “the hits”.

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Favorite Edition Rewind: 1995

[Tracy Chapman - New Beginning]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I had trouble coming up with a Favorite 10 of 1995, so I left it at nine. I’ve since had time to fill the remaining spot with an album I shouldn’t have let go.

  1. Emmylou Harris, Wrecking Ball
  2. The Klezmatics, Jews with Horns
  3. John Zorn/Masada, Hei
  4. Värttinä, Aitara
  5. Björk, Post
  6. Enya, The Memory of Trees
  7. Kronos Quartet, Performs Philip Glass
  8. Alanis Morissette, Jagged Little Pill
  9. Tears for Fears, Raoul and the Kings of Spain
  10. Tracy Chapman, New Beginning

Other favorites from the year:

  • Prince, The Gold Experience
  • Bang on a Can All-Stars, Industry
  • Janet Jackson, Design of a Decade, 1986-1996
  • Fugazi, Red Medicine
  • Radiohead, The Bends
  • Ned’s Atomic Dustbin, Brainbloodvolume
  • John Zorn, Elegy and Kristallnacht

A year-end list at the time would have included Tracy Chapman, but New Beginning got cut in purge before the original list was compiled. It took the discovery of her second album, Crossroads, for me to revisit New Beginning and realizing what a mistake I’d made.

The Gold Experience is a surprising entry in the extended list. The era when Prince was known by the Love Symbol was a creatively fraught time, so it overshadows just how good The Gold Experience is.

I’ve attempted to explore Radiohead in the past few years to understand my general ambivalence to them. So far, The Bends is the only album I really like, which is of course an obvious choice. Modern classical musicians all seem to love them, which surprises me. Café Tacuba does far more interesting work.

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