- PJ Harvey, Is This Desire?
- Salt ‘N’ Pepa, Blacks’ Magic
- Taylor Swift, Fearless
- Willie Nelson, Spirit
- The Notwist, Neon Golden
- Bad Brains, Bad Brains
I don’t need this boxed set. I already have Entertainment! and Solid Gold on vinyl. But I want this boxed set because of the ephemera that goes along with it, including an actual cassette tape of demos. I’m glad I still have my TASCAM 424 to play it.
I don’t think I ever got around to listening to Holy Ground: Live in NYC with the Wordless Music Orchestra. (NOTE: I’m listening to it now as I write this entry.) As much as the orchestra is important to MONO’s studio recordings, it’s not terribly important in a live setting. I have seen the band enough times not to miss it. Still — I’d love to see them perform with one.
I’m usually skeptical when Hollywood actors form bands, but Michael C. Hall (Six Feet Under, Dexter) played the title role of Hedwig and the Angry Inch, which is enough cred for me. Also, I’m definitely the target market for the trio’s post-new wave sound. I liked the self-titled EP enough, but I’m curious to see what they can do over the length of a full album. Thanks for Coming is already available on digital platforms.
Yeah. This reissue is the one for which I’ve been waiting. I’m even going to get the accompanying disc of demos released separately. Next target: Let England Shake.
Because … Bad Brains.
Death Cab for Cutie made this covers EP available for one day on Bandcamp to raise money for Fair Fight. With Senators Warnock and Ossoff now sworn in, the band is making it available on vinyl.
SUPERCAR’s vinyl reissue campaign from 2017-2018 gave me an excuse to explore the band’s first three albums. The campaign didn’t include a pair of albums released in 1999, OOKeah!! and OOYeah!! So they’ve escaped my attention till now. I prefer OOKeah!! over OOYeah!!, although the latter include “Be”, a song with a darkly humorous video that can only come from Japan.
So, when can we get these albums reissued on vinyl?
Kiss Me Once was one of the last albums I downloaded from eMusic, and I skipped Golden altogether. So I approached DISCO with a fair amount of caution. Oh, she’s back.
Friends tried to get me into PJ Harvey by playing To Give You My Love. I would have gotten on board much sooner if they had played Rid of Me or Dry instead. I am, however, eagerly waiting news for a vinyl reissue of Stories from the City, Stories from the Sea.
I’ve subjected myself to 3-LP live albums before, but this one is a scorcher from start to finish. I still see some copies of this Record Store Day exclusive in the wild, so you should get it if you spot it.
I disliked Whitney Houston growing up. Her songs were played to death on the radio, and just about every track on this album was released as a single. So how did I end up liking it more than 30 years later? The non-single tracks are actually pretty decent. Paired with the big showstoppers, Houston’s self-titled debut holds together exceptionally well. I didn’t even mind hearing the old singles again.
Tags: andrew lloyd webber, chanticleer, dixie chicks, eponymous 4, gustav mahler, midnight oil, mr. bungle, pj harvey, propellerheads, purchase log, roger daltrey, sam smith, soundtrack, the old 97s, u2, whitney houston
Tokyo Jihen introduced me to Ned Doheny with a blistering cover of “Give It Up for Love”. Doheny’s original is far mellower but epitomizes his blue-eyed soul. This album wasn’t a success at the time, but the collector’s market all but demanded a reissue.
When I was a kid, I dug the Schoolhouse Rock shorts between cartoons because they were catchy. As an adult, I find the Schoolhouse Rock songs rather sophisticated. Strip the didacticism from the songs, and you get pop music every bit as durable as anything in the American songbook.
I have a TASCAM four-track recorder from 1991 that still works, but I’ve never really perceived it as a very robust tool. Then I heard this album, and I wonder if I can push it’s capabilities. I’m nowhere near the performer of Polly Jean, though.
My interest in Mr. Bungle pretty much started and ended with the self-titled debut, although I did own California for a brief time. But I couldn’t pass up hearing the band’s earliest work re-recorded with Slayer’s Dave Lombardo and Anthrax’s Scott Ian.
Propellerheads was one and done, but Decksandrumsandrockandroll was good enough to garner a Mercury Prize nomination. My introduction to the band happened in a gay bar in Chicago.
I don’t really care for the album cover, but it doesn’t take away from the music.
For some reason, I had it in my head that this album was boring compared to Voices and Images, but I was mistaken.
SARS-CoV2. Silicon Valley companies would give their left tits to emulate the kind of disruption you’ve wrought.
The spring release schedule was slowly coming together when the virus shredded the calendar. Dates have always been subject to change, albeit never with this level of uncertainty.
Barnett has a wonderful voice that often has served unspectacular music, so the things that would sink this album are uninspired arrangements. A single of “It’s Now or Never” bodes none too well.
Magnetized was a favorite in 2013, so I’m looking forward to this long-awaited follow-up.
I’m actually going to settle for the remastered regular edition. I’m still waiting for any news on the Love Symbol album.
Does Sigur Rós even record albums any more? I know they’ve released collaborative projects, but what about a boring, traditional album with at least 10 tracks and a total running time around 40 minutes? No? I guess a Jónsi solo album it is.
I might check this one out, but I’m totally dropping cash on deluxe editions for Tim and Let It Be.
Intriguing though the idea of Kylie in Nashville may have been, I couldn’t actually bring myself to get Golden. In fact, I’ve passed over the last two albums. I’m hoping DISCO is not the third.
I had this album on CD, but I didn’t keep it. Then I downloaded it from eMusic. Why am I interested in this vinyl edition?
I nearly bought a bootleg version of this album on vinyl.