Gang of Four, 77-81, March 12 (vinyl), April 23 (CD)
I don’t need this boxed set. I already have Entertainment! and Solid Gold on vinyl. But I want this boxed set because of the ephemera that goes along with it, including an actual cassette tape of demos. I’m glad I still have my TASCAM 424 to play it.
MONO, Beyond the Past: Live in London with Platinum Anniversary Orchestra, March 19
I don’t think I ever got around to listening to Holy Ground: Live in NYC with the Wordless Music Orchestra. (NOTE: I’m listening to it now as I write this entry.) As much as the orchestra is important to MONO’s studio recordings, it’s not terribly important in a live setting. I have seen the band enough times not to miss it. Still — I’d love to see them perform with one.
Princess Goes to the Butterfly Museum, Thanks for Coming, May 7
I’m usually skeptical when Hollywood actors form bands, but Michael C. Hall (Six Feet Under, Dexter) played the title role of Hedwig and the Angry Inch, which is enough cred for me. Also, I’m definitely the target market for the trio’s post-new wave sound. I liked the self-titled EP enough, but I’m curious to see what they can do over the length of a full album. Thanks for Coming is already available on digital platforms.
PJ Harvey, Stories from the City, Stories from the Sea, Feb. 26
Yeah. This reissue is the one for which I’ve been waiting. I’m even going to get the accompanying disc of demos released separately. Next target: Let England Shake.
Bad Brains, Bad Brains, April 22
Because … Bad Brains.
Death Cab for Cutie, The Georgia EP, July 30
Death Cab for Cutie made this covers EP available for one day on Bandcamp to raise money for Fair Fight. With Senators Warnock and Ossoff now sworn in, the band is making it available on vinyl.
SUPERCAR’s vinyl reissue campaign from 2017-2018 gave me an excuse to explore the band’s first three albums. The campaign didn’t include a pair of albums released in 1999, OOKeah!! and OOYeah!! So they’ve escaped my attention till now. I prefer OOKeah!! over OOYeah!!, although the latter include “Be”, a song with a darkly humorous video that can only come from Japan.
So, when can we get these albums reissued on vinyl?
Kylie Minogue, DISCO
Kiss Me Once was one of the last albums I downloaded from eMusic, and I skipped Golden altogether. So I approached DISCO with a fair amount of caution. Oh, she’s back.
PJ Harvey, Dry
Friends tried to get me into PJ Harvey by playing To Give You My Love. I would have gotten on board much sooner if they had played Rid of Me or Dry instead. I am, however, eagerly waiting news for a vinyl reissue of Stories from the City, Stories from the Sea.
Drive-By Truckers, Plan 9 Records, July 13, 2006
I’ve subjected myself to 3-LP live albums before, but this one is a scorcher from start to finish. I still see some copies of this Record Store Day exclusive in the wild, so you should get it if you spot it.
Whitney Houston, Whitney Houston
I disliked Whitney Houston growing up. Her songs were played to death on the radio, and just about every track on this album was released as a single. So how did I end up liking it more than 30 years later? The non-single tracks are actually pretty decent. Paired with the big showstoppers, Houston’s self-titled debut holds together exceptionally well. I didn’t even mind hearing the old singles again.
Tokyo Jihen introduced me to Ned Doheny with a blistering cover of “Give It Up for Love”. Doheny’s original is far mellower but epitomizes his blue-eyed soul. This album wasn’t a success at the time, but the collector’s market all but demanded a reissue.
Soundtrack, Schoolhouse Rock: Grammar Rock
When I was a kid, I dug the Schoolhouse Rock shorts between cartoons because they were catchy. As an adult, I find the Schoolhouse Rock songs rather sophisticated. Strip the didacticism from the songs, and you get pop music every bit as durable as anything in the American songbook.
PJ Harvey, 4-Track Demos
I have a TASCAM four-track recorder from 1991 that still works, but I’ve never really perceived it as a very robust tool. Then I heard this album, and I wonder if I can push it’s capabilities. I’m nowhere near the performer of Polly Jean, though.
Mr. Bungle, The Raging Wrath of the Easter Bunny Demo
My interest in Mr. Bungle pretty much started and ended with the self-titled debut, although I did own California for a brief time. But I couldn’t pass up hearing the band’s earliest work re-recorded with Slayer’s Dave Lombardo and Anthrax’s Scott Ian.
Propellerheads was one and done, but Decksandrumsandrockandroll was good enough to garner a Mercury Prize nomination. My introduction to the band happened in a gay bar in Chicago.
I don’t really care for the album cover, but it doesn’t take away from the music.
Camouflage, Methods of Silence
For some reason, I had it in my head that this album was boring compared to Voices and Images, but I was mistaken.
SARS-CoV2. Silicon Valley companies would give their left tits to emulate the kind of disruption you’ve wrought.
The spring release schedule was slowly coming together when the virus shredded the calendar. Dates have always been subject to change, albeit never with this level of uncertainty.
Mandy Barnett, A Nashville Songbook , Aug. 21
Barnett has a wonderful voice that often has served unspectacular music, so the things that would sink this album are uninspired arrangements. A single of “It’s Now or Never” bodes none too well.
Johnny Hates Jazz, Wide Awake, Aug. 21
Magnetized was a favorite in 2013, so I’m looking forward to this long-awaited follow-up.
Prince, Sign O the Times (Deluxe Edition), Sept. 25
I’m actually going to settle for the remastered regular edition. I’m still waiting for any news on the Love Symbol album.
Jónsi, Shiver, Oct. 2
Does Sigur Rós even record albums any more? I know they’ve released collaborative projects, but what about a boring, traditional album with at least 10 tracks and a total running time around 40 minutes? No? I guess a Jónsi solo album it is.
The Replacements, Pleased to Meet Me (Deluxe Edition), Oct. 25
I might check this one out, but I’m totally dropping cash on deluxe editions for Tim and Let It Be.
Kylie Minogue, DISCO, Nov. 6
Intriguing though the idea of Kylie in Nashville may have been, I couldn’t actually bring myself to get Golden. In fact, I’ve passed over the last two albums. I’m hoping DISCO is not the third.
Guided by Voices, Alien Lanes (25th Anniversary), Aug. 21
I had this album on CD, but I didn’t keep it. Then I downloaded it from eMusic. Why am I interested in this vinyl edition?
PJ Harvey, Rid of Me, Aug. 21
I nearly bought a bootleg version of this album on vinyl.
I bought this album back in high school, before I had any inkling of how to listen to jazz. I didn’t understand it and sold it for cash. Now that I’ve had rudimentary schooling in jazz, I picked it up again at the library book sale. I get it now.
Johnny Cash, American Recordings
I remember the accolades heaped upon this album at the time of its release, but I hadn’t gotten into country music yet. So I had no interest in Johnny Cash. Now that I know more about his life and music, I see what all the fuss was about.
This album was listed in the book 1,000 Albums You Must Hear Before You Die. I found a copy of it at the thrift store. I liked it enough.
PJ Harvey, Rid of Me
To Bring You My Love gets the highest praise among PJ Harvey’s albums, but I couldn’t get into it. I much prefer Rid of Me.
Pop Will Eat Itself, This Is the Day … This Is the Hour … This Is This!
This album got good reviews in all the magazines I read as a teenager, but I hesitated on getting it. I would eventually find a ratty vinyl copy selling for cheap decades later. Teenaged self should have been the one to take that plunge.
Sly and the Family Stone, Stand!
Too many tracks on this album have been licensed to sell products, but somehow, that doesn’t seem to diminish them. Or maybe we’re just more chill about music licensing these days.
Tom Tom Club, Tom Tom Club
I totally forgot that “Wordy Rappinghood” was a Tom Tom Club track. I dug that track so much as a kid, I annoyed everyone around me by singing it.
Weezer, Weezer (Teal Album)
The meticulousness this covers album takes in reproducing the originals is ridiculous and admirable.