Archives

Purchase log, 2022-11-15

[Meredith Monk - The Recordings]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Christine and the Queens, Redcar les adorable etoiles
Vinyl
  • Björk, Fossora
  • Hilary Hahn, Eclipse (Andres Orozco-Estrada, Frankfurt Radio Orchestra)

Catalog

CD
  • Frederic Chopin, Nocturnes: Complete Recordings (Daniel Barenboim)
  • Johannes Brahms, Violin Concerto in D, Op. 77 (Nigel Kennedy, Klaus Tennstedt, London Philharmonic)
  • NSync, No Strings Attached
  • Pat Metheny Group, Still Life (Talking)
  • Rush, Signals
  • Sō Percussion, Amid the Noise
  • Stephen Wilson, Grace for Drowning
  • The Roots, The Roots Come Alive
  • The Style Council, Cafe Bleu
  • Soundtrack, BLEACH BEAT COLLECTION
Vinyl
  • Caroline Shaw and Sō Percussion, Let the Soil Play Its Simple Part

Reissues

CD
  • Guns N’ Roses, Use Your Illusion I (Deluxe Edition)
  • Guns N’ Roses, Use Your Illusion II (Deluxe Edition)
Boxed Set
  • Meredith Monk, The Recordings
Vinyl
  • Ride, Nowhere

Tags: , , , , , , , , , , , , , , , , ,

Purchase log, 2022-02-01

[Ray Chen - The Golden Age]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Carol Nethen, A View from the Bridge
  • Caroline Shaw and So Percussion, Let the Soil Play Its Simple Part
  • Daft Punk, Human After All
  • Frederic Chopin, Etudes (Maurizo Pollini)
  • Lianne La Havas, Lianne La Havas
  • Pizzicato Five, Five By Five
  • Ray Chen, The Golden Age
  • Seawind, Seawind
  • Sarah Kirkland Snider, Mass for the Endangered
  • Stevie Wonder, Music of My Mind
  • System of a Down, Hypnotize
  • The Smiths, The Peel Sessions
  • The White Stripes, Icky Thump
  • Tristan Perich, Drift Multiply
  • Vagabon, Vagabon
  • Yola, Walk Through Fire
  • Soundtrack, Top Gun

Reissues

Vinyl
  • Enya, “May It Be”
  • PJ Harvey, Let England Shake

Tags: , , , , , , , , , , , , , , , , , , ,

Concert Edition 2016

[Sturgill Simpson, Paramount Theatre, Nov. 11, 2016]

Sturgill Simpson posted a photo of the crowd at his Seattle show on Nov. 11, 2016. I was standing pretty close to the stage, and sure enough, I spotted myself in the pic. His show capped yet another active year of concerts, which included a trip to Portland and two weeks of modern American symphonic music.

Sō Percussion, Jan. 31, 2016

Like Kronos Quartet before it, Sō Percussion commissions original works that often push technological boundaries as much as musical ones. The first time I saw Sō in Austin, the quartet performed Dan Trueman’s neither Anvil nor Pulley, which required performers to use old game console controllers to manipulate a Bach keyboard piece.

For this concert, Bryce Dessner’s Music for Wood and Strings features the Chordstick, a custom instrument that combines a hammered dulcimer with an electric guitar.

Seattle Symphony, [untitled 2], Feb. 5

The big piece performed at this concert of mid-20th Century New York City composers was Rothko Chapel by Morton Feldman. 2016 would eventually find Seattle Symphony programming four Feldman pieces in various concerts. Crowd reaction, of course, ranged from the usual restlessness to outright departure.

Seattle Symphony, Berio: Sinfonia, Feb. 6

I hadn’t planned on attending this concert till my music theory professor devoted an entire class on the piece. The fact Roomful of Teeth performed with the symphony was another incentive.

Kronos Quartet, Feb. 20

Sorry, the live performance of Beyond Zero: 1914-1918 did not convince me to pick up the DVD, but it’s always nice to hear Franghiz Ali-Zade’s Mugam Sayagi.

Ty Herndon, Feb. 25

It was a sparse crowd at El Corazon, and Herndon played a stripped down set of his hits. He also previewed “If You” and mentioned his new album would be out in May. House of Fire arrived in September, albeit with a larger promotional splash.

Jeremy Denk, March 18

The Goldberg Variations and Ligeti Etudes in a single night. Yeah, it was a good concert.

John Adams, Scheherezade.2, March 19

Oh wow, did Leila Josefowicz bring her A-game. I picked up the Nonesuch recording of this work when it was released because it’s an amazing display of athleticism. I think I like this work more than Adams’ first Violin Concerto.

Stephen Sondheim, Assassins, Feb. 26

As much of a Stephen Sondheim fan that I am, I’ve so far only seen two of his works on stage. Honolulu Community Theatre did Sunday in the Park with George back in the early ’90s. ACT Theatre did Assassins. That’s a show that will test your startle response.

Rhye, Apr. 21

Seattle Theatre Group scheduled Rhye and Courtney Barnett for the same night, and I wanted to see both of them equally. I ended up going to Rhye because Barnett’s show sold out. Despite illness, Milosh sounded awesome.

Santigold, May 14

I couldn’t decide who I wanted to see more — Santigold or the SG1 Dancers. It turned out I loved them both.

Seattle Symphony, Beethoven and Gershwin, June 11

A scheduling conflict prevented me from attending the first [untitled] concert of the season, so I traded the ticket for a program of Beethoven and Gershwin works. The evening started with the Seattle premiere of Anna Clyne’s This Midnight Hour, which the crowd seemed surprised to enjoy.

Seattle Symphony, Tuning Up!, June 17-July 2

After years of attending SXSW, I decided I was going to stay away from Bumbershoot. Then Seattle Symphony announced a two-week summer festival of American modern works, and I couldn’t part with my money fast enough. The clerks at David and Co. thought I was a performer because I was there for every concert. George Perle, Morton Feldman, Philip Glass, Julia Wolfe — I was definitely the target market for this festival.

Matt Alber, June 26

A bout of pneumonia prevented me from seeing Matt Alber in 2014, so his show in June was a nice way to participate in at least one gay pride event this year.

Explosions in the Sky, Sept. 2

I thought it was odd Explosions in the Sky announced a whole bunch of Pacific Northwest dates without including Seattle, so I opted to travel down to Portland and catch them at the wonderful Crystal Ballroom. The day after I bought my ticket, the band announced its Bumbershoot date. Bullet dodged.

Sigur Rós, Sept. 20

The last time Sigur Rós performed in Seattle was in 2012, and the show sold out by the time I could access the Seattle Theatre Group site. This time, I got into the pre-sale. The amazing light show was equal parts Einstein on the Beach and TRON.

Seattle Symphony, Prokofiev and Beethoven, Sept. 24

For this concert, the symphony premiered a piece by Gabriel Prokofiev and included The Love of Three Oranges by his grandfather, Sergei. It had been so long since I listened to Three Oranges that I anticipated Peter and the Wolf instead.

Seattle Symphony, [untitled 1], Oct. 28

I’m not as versed in the works of Witold Lutoslawski, but then who is?

Sturgill Simpson, Nov. 11

Sturgill Simpson doesn’t do encores, and why should he when he plays two hours straight? That show pretty much made me wonder why I’m still going to rock concerts in my mid-40s. How could Simpson have the endurance to do those shows for six months, when just watching him exhausted me?

Tags: , , , , , , , , , , , ,