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Purchase log, 2022-09-20

[Omar Apollo - Ivory]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Freedy Johnston, Right Back on the Road to You
  • Omar Apollo, Ivory
Vinyl
  • Santigold, Spirituals

Catalog

CD
  • Brooklyn Rider, Passport
  • Danish String Quartet, Prism II
  • easy life, Life’s a Beach
  • Kyuss, Blues for the Red Sun
  • Sergei Prokofiev, Works for Piano, Vol. V (Frederic Chiu)

Reissues

Vinyl
  • … And You Will Know Us By the Trail of Dead, IX

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Looking ahead, August-September 2022

[Charlie Puth - CHARLIE]

Swing Out Sister, Blue Mood, Breakout and Beyond: The Early Years, Aug. 12

This 8-disc boxed set covers Swing Out Sister’s first three albums, supplementing them with B-sides, remixes and a live album. I like two of the three albums from that era — It’s Better to Travel and Kaleidoscope World — so I’m curious but not entirely tempted.

R.E.M., Chronic Town EP, Aug. 19

This 40th anniversary edition would be the first time the Chronic Town EP is released as its own separate CD. It was previously released as part of Dead Letter Office, a compilation of B-sides and rare tracks. I have to admit I didn’t find Dead Letter Office compelling, save for the Chronic Town tracks. So I welcome this reissue.

Madonna, Finally Enough Love: 50 Number Ones, Aug. 19

Madonna returns to Warner Bros., bringing along the albums she recorded during her time away from the label. This compilation of remixes marks the new business arrangement.

Blondie, Against the Odds: 1974-1982, Aug. 26

Blondie has always struck me as a band for which I am the target market, but I own only Parallel Lines and The Best of Blondie. This boxed set includes all six studio albums, plus a few extra discs of rarities. I’ve been on a boxed set kick lately, so … sure why not?

Santigold, Spirituals, Sept. 9

Santigold releases her first full album since 99 Cents, which was released in 2016, and I Don’t Want: The Gold Fire Sessions, a mixed tape released in 2018. It’s also the first release of her own label, Little Jerk Records.

Death Cab for Cutie, Asphalt Meadows, Sept. 16

I passed on Death Cab’s previous album, Thank You for Today. Given the band’s Pacific Northwest roots, they’re still something of a big deal in the area, but I do find myself reacting to this album news similar to a non-Duranie learning about a new Duran Duran album.

Steve Reich, Runner / Music for Ensemble and Orchestra, Sept. 30

Runner would be the second Steve Reich release on Nonesuch in 2022. I can’t say Reich / Richter really grabbed my attention. Nonesuch hinted that a boxed set similar to John Adams’ Collected Works is in the works for Reich.

Charlie Puth, CHARLIE, Oct. 7

I still can’t believe a Subway commercial got me into Charlie Puth.

Christine and the Queens, Redcar les adorables etoiles, Oct. 28

TIL the translation of this album title is “Redcar the adorable star”, and Redcar is an alter ego of Christine.

Vinyl

David Bowie, Earthlng, Aug. 12

I hadn’t yet done a deep dive into the works of David Bowie when this album was reissued for Record Store Day. So yes, I missed out. But I bided my time. For a figure as large as Bowie, these things don’t stay out of print forever.

Moby, Everything Is Wrong, Aug. 12

Moby is reissuing a number of early albums on colored vinyl, and while I like Everything Is Wrong, I’m more of a fan of Animal Rights. So I was a bit surprised to see Animal Rights was left out. Then I visited Moby’s online store and discovered it still sold the 2016 reissue of Animal Rights. Yeah, I ordered it. And yeah, I’m probably going to pick this one up as well.

… And You Will Us Know By the Trail of Dead, IX, Sept. 9

Music on Vinyl reissues are always hit or miss when it comes to availability in the US.

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Purchase log, 2019-05-28

[Talking Heads - The Name of This Band Is Talking Heads]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Beck, Midnite Vultures
  • Cannibal Ox, The Cold Vein
  • Electronic, Release the Pressure
  • Frida, Something’s Going On
  • Sparta, Wiretap Scars
  • Talking Heads, The Name of This Band Is Talking Heads
  • The Beatles, Help!
  • The Jesus and Mary Chain, Darklands
  • The Police, Live!
  • The Temptations, All the Million-Sellers
  • Soundtrack, The Rocky Horror Picture Show
Vinyl
  • Abe Vigoda, Crush
  • Fleetwood Mac, Rumours
  • Giovanni Palestrina, Masses and Motets
  • Iannis Xenakis, Metastasis / Pithorprakta / Enota
  • Josquin Desprez, Missa La So Fa Re Mi / Motets / Chansons / Instrumental Music
  • Matsuda Seiko, Tinker Bell
  • Murray Head, Nigel Lived
  • New Order, Brotherhood
  • New Order, Low-Life
  • Santigold, Master of My Make Believe

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Purchase log, 2019-04-16

[Duran Duran - As the Lights Go Down]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Another Record Store Day is in the books, and this year, I found everything I wanted and a few things I didn’t know I wanted.

New releases

Vinyl
  • a-ha, Hunting High and Low: The Early Alternate Takes
  • Bingo Hand Job (i.e. R.E.M.), Live at the Borderline 1991
  • Fleetwood Mac, The Alternate Fleetwood Mac
  • Leann Rimes, Live at Gruene Hall
  • Prince, His Majesty’s Pop Life: The Purple Mix Club
  • Sly and the Family Stone, Woodstock Sunday, August 17, 1969
  • Townes Van Zandt, The Best of Townes Van Zandt
  • U2, The Europa EP

Catalog

CD
  • Boris, Smile
  • Boris with Michio Kurihara, Rainbow
  • Hapa, Hapa
  • Hiroshima, Hiroshima
  • Huey Lewis and the News, Time Flies … The Best of Huey Lewis and the News
  • Peter Gabriel, Peter Gabriel (Security)
  • Sly and the Family Stone, There’s a Riot Goin’ On
  • The Dave Brubeck Quartet, Time Out
  • The Dave Brubeck Quartet, Time Further Out
  • The Who, Quadrophenia
Vinyl
  • Lou Reed, Transformer

Reissues

Vinyl
  • Bruce Robison, Wrapped
  • Duran Duran, As the Lights Go Down
  • Santigold, I Don’t Want: The Gold Fire Sessions
  • Weezer, Weezer (Teal Album)
  • Yaz, Reconnected Live
  • Soundtrack, Hidden Figures
  • Soundtrack, Multiplication Rock
  • Soundtrack, Office Space

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Favorite Edition Rewind: 2008

[Santigold - Santigold]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The Favorite Edition 2008 spurred this exercise to revisit lists from 10 years ago. While the Favorite 10 has only one change, the other favorites include a number of new discoveries.

  1. Santigold, Santigold
  2. MASS OF THE FERMENTING DREGS, MASS OF THE FERMENTING DREGS
  3. The Magnetic Fields, Distortion
  4. Emmylou Harris, All I Intended to Be
  5. ASIAN KUNG-FU GENERATION, World World World
  6. Girl Talk, Feed the Animals
  7. Sam Amidon, All Is Well
  8. Leo Imai, Fix Neon
  9. Nico Muhly, Mothertongue
  10. Spangle call Lilli line, ISOLATION

Other favorites from the year:

  • Matt Alber, Hide Nothing
  • ZAZEN BOYS, ZAZEN BOYS 4
  • Utada Hikaru, HEART STATION
  • Perfume, GAME
  • Jennifer Koh, String Poetic
  • Janelle Monáe, Metropolis: The Chase Suite
  • Chris Walla, Field Manual

It took me a year and a half to get around to Santigold. I’m not sure why I hadn’t, and I can’t remember what finally spurred me to do so. I’m just glad I did. Chris Walla, unfortunately, must make way.

Perfume, Jennifer Koh and Janelle Monáe are retroactive entries, replacing hey willpower, Bob Mould and VOLA AND THE ORIENTAL MACHINE.

I must have really been tough on Utada Hikaru’s HEART STATION — it didn’t even rank at the time.

Competition for this list was tough. Matt Alber and ZAZEN BOYS could have squeezed into the Favorite 10, and even Janet Jackson and R.E.M. turned out some decent work that year. The cup runneth over.

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Favorite Edition Rewind: 2012

[Cody ChesnuTT - Landing on a Hundred]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

What I find most remarkable about the 2012 list is the number of albums listed under honorable mentions. The revised list has culled a lot of those titles. I probably listed so many because I didn’t feel passionate enough about any of them.

  1. Solange, True
  2. Santigold, Master of My Make-Believe
  3. Jeremy Denk, Ligeti/Beethoven
  4. … And You Will Know Us By the Trail of Dead, Lost Songs
  5. Frank Ocean, channel ORANGE
  6. Cody Chesnutt, Landing on a Hundred
  7. ASIAN KUNG-FU GENERATION, Landmark
  8. ZAZEN BOYS, Stories
  9. Tokyo Jihen, Shinyawaku
  10. Duran Duran, A Diamond in the Mind

Other favorites from the year:

  • Scissor Sisters, Magic Hour
  • Roomful of Teeth, Roomful of Teeth
  • Gossip, A Joyful Noise
  • Tokyo Jihen, Tokyo Collection
  • TOUMING MAGAZINE, TOUMING MAGAZINE FOREVER
  • OBLIVION DUST, 9 Gates of Bipolar
  • Gaytheist, Stealth Beats

Cody ChesnuTT dislodges Scissor Sisters from the original list, and Frank Ocean jumps up a few spots. Otherwise, there are no remarkable changes.

If anything, 2012 has turned out to be something of a dud year. When I review my purchases in subsequent years, 2012 releases are scant, and most of the albums I bought that year only garner no more than a 3-star rating.

 

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Favorite Edition Rewind: 2016

[Sturgill Simpson - A Sailor's Guide to Earth]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The 2016 list has actually undergone a revision, so this list consolidates the two entries, with some slight changes.

  1. Sturgill Simpson, A Sailor’s Guide to Earth
  2. Henryk Górecki, Symphony No. 4
  3. MONO, Requiem for Hell
  4. Solange, A Seat at the Table
  5. A Tribe Called Quest, We Got It From Here … Thank You 4 Your Service
  6. Perfume, COSMIC EXPLORER
  7. Drive By Truckers, American Band
  8. Shaprece, COALS
  9. Cocco, Adan Ballet
  10. Colvin & Earle, Colvin & Earle

Other favorites from the year:

  • Utada Hikaru, Fantôme
  • Ty Herndon, House on Fire
  • Eluvium, False Readings On
  • Santigold, 99 Cents
  • Explosions in the Sky, The Wilderness
  • Blood Orange, Freetown Sound
  • Colin Stetson, Sorrow: A Reimagining of Gorecki’s Third Symphony
  • John Adams, Scheherazade.2

The 10 favorites remain the same, while Utada Hikaru and Ty Herndon get bumped down. ANONHI, Pixies and De La Soul get bumped off completely.

I included Pixies because Head Carrier was an improvement over Indie Cindy, but it wasn’t stellar enough to hold onto its position. Albums by ANONHI and De La Sol were good, but over time, they couldn’t hold onto to their status as favorites.

As I mentioned before, lists from this decade probably won’t see much shifting, as my focus continues to move to exploring catalog. Most of the 2016 releases I bought after the year had passed were vinyl issues.

A Bruce Springsteen compilation accompanying the release of his autobiography did set me on a course to explore his earlier albums.

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Purchase log, 2018-09-04

[Jayne Cortez - Everywhere Drums]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Labor Day sales at thrift stores are a dangerous combination.

New releases

CD
  • Blood Orange, Negro Swan
  • Troye Sivan, Bloom
Files
  • Molotov, MTV Unplugged: El Disconecte
  • Santigold, I Don’t Want: The Gold Fire Sessions

Catalog

CD
  • Anonymous 4, Love’s Illusion
  • Bob Marley and the Wailers, Legend
  • Boris, Akuma no Uta
  • Edgard Varèse, The Complete Works
  • Fleet Foxes, Fleet Foxes
  • Giovanni Palestrina, Palestrina Masses (Tallis Scholars)
  • Iron and Wine, Around the Well
  • Jayne Cortez, Everywhere Drums
  • John Coltrane, Soultrane
  • Joni Mitchell, Hejira
  • Loretta Lynn, Country Music Hall of Fame
  • McCoy Tyner, Echoes of a Friend
  • Midnight Oil, Scream In Blue
  • Miles Davis, Sketches of Spain
  • Moby, Everything Is Wrong
  • Semisonic, All About Chemistry
  • The Books, The Lemon of Pink
  • The Jimi Hendrix Experience, Axis: Bold as Love
  • Various Artists, If I Were a Carpenter
  • Various Composers, la Quinta essentia (Huelgas-Ensemble)
  • Various Composers, Musica Nova (Consort Veneto)
  • Vivian Green, A Love Story
Vinyl
  • Bananarama, True Confessions
  • Giovanni Palestrina, Missa “De Beata Virgine” (Chorus “Jeunesses Musicales”)
  • Madonna, You Can Dance
  • Rupert Holmes, Partners in Crime

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Concert Edition 2016

[Sturgill Simpson, Paramount Theatre, Nov. 11, 2016]

Sturgill Simpson posted a photo of the crowd at his Seattle show on Nov. 11, 2016. I was standing pretty close to the stage, and sure enough, I spotted myself in the pic. His show capped yet another active year of concerts, which included a trip to Portland and two weeks of modern American symphonic music.

Sō Percussion, Jan. 31, 2016

Like Kronos Quartet before it, Sō Percussion commissions original works that often push technological boundaries as much as musical ones. The first time I saw Sō in Austin, the quartet performed Dan Trueman’s neither Anvil nor Pulley, which required performers to use old game console controllers to manipulate a Bach keyboard piece.

For this concert, Bryce Dessner’s Music for Wood and Strings features the Chordstick, a custom instrument that combines a hammered dulcimer with an electric guitar.

Seattle Symphony, [untitled 2], Feb. 5

The big piece performed at this concert of mid-20th Century New York City composers was Rothko Chapel by Morton Feldman. 2016 would eventually find Seattle Symphony programming four Feldman pieces in various concerts. Crowd reaction, of course, ranged from the usual restlessness to outright departure.

Seattle Symphony, Berio: Sinfonia, Feb. 6

I hadn’t planned on attending this concert till my music theory professor devoted an entire class on the piece. The fact Roomful of Teeth performed with the symphony was another incentive.

Kronos Quartet, Feb. 20

Sorry, the live performance of Beyond Zero: 1914-1918 did not convince me to pick up the DVD, but it’s always nice to hear Franghiz Ali-Zade’s Mugam Sayagi.

Ty Herndon, Feb. 25

It was a sparse crowd at El Corazon, and Herndon played a stripped down set of his hits. He also previewed “If You” and mentioned his new album would be out in May. House of Fire arrived in September, albeit with a larger promotional splash.

Jeremy Denk, March 18

The Goldberg Variations and Ligeti Etudes in a single night. Yeah, it was a good concert.

John Adams, Scheherezade.2, March 19

Oh wow, did Leila Josefowicz bring her A-game. I picked up the Nonesuch recording of this work when it was released because it’s an amazing display of athleticism. I think I like this work more than Adams’ first Violin Concerto.

Stephen Sondheim, Assassins, Feb. 26

As much of a Stephen Sondheim fan that I am, I’ve so far only seen two of his works on stage. Honolulu Community Theatre did Sunday in the Park with George back in the early ’90s. ACT Theatre did Assassins. That’s a show that will test your startle response.

Rhye, Apr. 21

Seattle Theatre Group scheduled Rhye and Courtney Barnett for the same night, and I wanted to see both of them equally. I ended up going to Rhye because Barnett’s show sold out. Despite illness, Milosh sounded awesome.

Santigold, May 14

I couldn’t decide who I wanted to see more — Santigold or the SG1 Dancers. It turned out I loved them both.

Seattle Symphony, Beethoven and Gershwin, June 11

A scheduling conflict prevented me from attending the first [untitled] concert of the season, so I traded the ticket for a program of Beethoven and Gershwin works. The evening started with the Seattle premiere of Anna Clyne’s This Midnight Hour, which the crowd seemed surprised to enjoy.

Seattle Symphony, Tuning Up!, June 17-July 2

After years of attending SXSW, I decided I was going to stay away from Bumbershoot. Then Seattle Symphony announced a two-week summer festival of American modern works, and I couldn’t part with my money fast enough. The clerks at David and Co. thought I was a performer because I was there for every concert. George Perle, Morton Feldman, Philip Glass, Julia Wolfe — I was definitely the target market for this festival.

Matt Alber, June 26

A bout of pneumonia prevented me from seeing Matt Alber in 2014, so his show in June was a nice way to participate in at least one gay pride event this year.

Explosions in the Sky, Sept. 2

I thought it was odd Explosions in the Sky announced a whole bunch of Pacific Northwest dates without including Seattle, so I opted to travel down to Portland and catch them at the wonderful Crystal Ballroom. The day after I bought my ticket, the band announced its Bumbershoot date. Bullet dodged.

Sigur Rós, Sept. 20

The last time Sigur Rós performed in Seattle was in 2012, and the show sold out by the time I could access the Seattle Theatre Group site. This time, I got into the pre-sale. The amazing light show was equal parts Einstein on the Beach and TRON.

Seattle Symphony, Prokofiev and Beethoven, Sept. 24

For this concert, the symphony premiered a piece by Gabriel Prokofiev and included The Love of Three Oranges by his grandfather, Sergei. It had been so long since I listened to Three Oranges that I anticipated Peter and the Wolf instead.

Seattle Symphony, [untitled 1], Oct. 28

I’m not as versed in the works of Witold Lutoslawski, but then who is?

Sturgill Simpson, Nov. 11

Sturgill Simpson doesn’t do encores, and why should he when he plays two hours straight? That show pretty much made me wonder why I’m still going to rock concerts in my mid-40s. How could Simpson have the endurance to do those shows for six months, when just watching him exhausted me?

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Favorite Edition 2016 Year Half

[Sturgill Simpson - A Sailor's Guide to Earth]

It’s half way through the year, and I’ve listed all but three of the new releases I own this year.

That’s 13 albums from 2016.

So while I can technically create a favorite 10 albums of the year so far, that doesn’t actually mean I feel very strongly about most of this list.

  • Sturgill Simpson, A Sailor’s Guide to Earth: Simpson aimed to make this album his What’s Goin’ On, and he pretty much hits it.
  • Henryk Górecki, Symphony No. 4: Don’t expect a sequel to Górecki’s chart-topping Symphony No. 3. This work goes back to the modernist style he forged on his second symphony.
  • Colvin & Earle, Colvin & Earle This pairing is counterintuitive but kind of inevitable, and it works.
  • ANOHNI, HOPELESSNESS: ANOHNI trades in the chamber pop of Antony and the Johnsons for an aggressive electronic sound, something she’s already done before with Björk.
  • Santigold, 99 Cents: Santigold goes for a sunnier sound on this album, and while it may not be as fascinating as her previous albums, they’re tuneful as hell nonetheless.
  • Explosions in the Sky, The Wilderness: After the predictability of Take Care, Take Care, Take Care, The Wilderness is a definite zag to its predecessor’s zig. It’s probably the most adventurous Explosions album to date.
  • Ben Watt, Fever Dream: Watt builds upon the post-Everything but the Girl vibe of Hendra with a stronger set of songs.
  • Colin Stetson, Sorrow: A Reimagining of Górecki’s 3rd Symphony: I should hate the idea of a post-rock interpretation of Górecki’s Symphony No. 3, but I don’t. I like what Stetson does here.
  • UA, JaPo: Nope, UA hasn’t returned to her pop roots, but she does provide enough hooks to temper her more avant-garde tendencies.
  • Prince, HITnRUN Phase Two: Recommended if you like classic Prince.

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