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Purchase log picks, February 2021

[Maxi Priest - Bonafide]

Big Pig, Bonk

I read about Big Pig when I was a teen-ager, but none of the record stores in Honolulu would carry Bonk. So when I spotted the album at the thrift shop, I picked it up. Singer Sherine Abeyratne is the big draw here, but a band with up to 5 drummers makes quite a sound. The album was released in 1988, so expect a lot of post-new wave.

Control Machete, Artillería Pesada, Presenta …

When rock en Español started getting traction in the US at the start of the 2000s, the genre was nearly pigeon-holed by rap-rock groups fashionable at the time. I drove to Dallas on a whim to catch the first Watcha Tour, and the evening was dominated by hip-hop and electric guitars. By the time Control Machete took the stage, I was getting worn.

So it’s my bad to have dropped the ball on this album.

Cocco, Kuchinashi

Cocco’s music let in a lot more sunshine after the birth of her son, but on this album and its predecessor, some of the storminess from her early work is creeping back in.

Test Pattern, “This Is My Street”

I so want the entire Test Pattern concert to be released on a physical audio medium. Yeah, I have the Documtary Now Blu Ray.

Antoine Reicha, Reicha Rediscovered, Vol. 3 (Ivan Ilić)

There are 57 variations on this 86-minute album. At various points, that theme keeps pounding at you. And yet, I feel compelled to take in all 86 minutes. Reicha really interrogates this theme, as does Ilić.

Siouxsie and the Banshees, Tinderbox

I’m an opportunistic Siouxsie fan — if I can find their albums for cheap, I’ll pick them up. I’m fond of Superstition, even if I recognize it’s probably not their best. But Tinderbox has so far convinced me why Siouxsie has a loyal following.

Soundtrack, The Crow

Rhino reissued this soundtrack on colored vinyl back in October 2020, and it sold out immediately. I was curious why, so I grabbed one of many copies on CD at the thrift shop. I understand — it’s a pretty good mixed tape of the predominate music of the mid ’90s.

Maxi Priest, Bonafide

I am old enough now not to care if you judge me for totally loving “Close to You”, but the rest of the album is actually quite enjoyable. I found myself digging it even though I’m clearly not the target market for it.

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Purchase log, 2021-02-23

[Test Pattern - This Is My Street]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Cocco, Kuchinashi

Catalog

CD
  • Franz Schubert, Winterreise (Dietrich Frischer-Dieskau, Alfred Brendel)
  • Maxi Priest, Bonafide
  • Soundtrack, The Crow
Vinyl
  • Test Pattern, “This Is My Street / Art + Student = Poor / Everybody’s Moving Around”

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Looking ahead, January-February 2021

[Cocco - Kuchinashi]

Anton Reicha, Reicha Rediscovered, Vol. 3 (Ivan Ilić), Jan. 8

I usually pose questions on the blog rhetorically, so I wasn’t expecting Ivan Ilić himself to answer a query about what’s up with the remainder of his Reicha Rediscovered series. The third volume was expected in 2020, but SARS-CoV2 had other plans.

Rhye, Home, Jan. 22

Liked Blood. Was lukewarm about Woman. So I’m approaching Home with caution.

Utada Hikaru, One Last Kiss EP, Jan. 27

Utada Hikaru’s new single — it’s called an EP, but it’s really a maxi single — serves as the theme song for a new Evangelion movie. Hikki fans will probably have the other tracks on this release, which compiles her previous theme songs for the film series.

Cocco, Kuchinashi, Feb. 17

Is it already time for a new Cocco album? [Checks calendar.] Actually, this album arrives 18 months after 2019’s Star Shank, which is 1.5 years quicker than Cocco’s usual turnaround time.

Sturgill Simpson, Cuttin’ Grass, Vol. 2, Apr. 2

Volume 1 of Cuttin’ Grass didn’t include tracks from A Sailor’s Guide to Earth, but Volume 2 does. It does not, however, include anything from Sound & Fury.

Vinyl

Soundtrack, Batman: Original Motion Picture Score (colored vinyl), Jan. 15

When Tim Burton’s Batman hit theaters in 1989, Warner Bros. tried to foist Prince’s album of songs for the movie as the official soundtrack. Fans wanting to hear Danny Elfman’s theme song were pretty miffed that they got a Prince album instead. So the label released Elfman’s score separately. I picked up an original vinyl pressing of the soundtrack a long while back, and I see it pop up in used bins from time to time. This reissue is part of Rhino’s annual Start Your Ear Off Right series.

bloodthirsty butchers, Mikansei, Jan. 20

I’m not aware of very many vinyl reissues of bloodthirsty butchers album. I wouldn’t mind seeing ones for yamane and Kouya ni Okeru bloodthirsty butchers.

Girl Talk, Feed the Animals, April 2021

Girl Talk is accepting orders for this second pressing of Feed the Animals. A recent e-mail announced orders are expected to ship at the end of April 2021 and includes packaging improvements.

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Favorite Edition 2019 Year Final

[Sturgill Simpson - Sound and Fury]

I’m old enough now that I can no longer be mistaken for someone remotely connected to the zeitgeist. A phrase I would often employ was, “I know of them, but I’ve not heard from them.” These days, the first part of that phrase is a stretch.

That said, I’m surprised by the number of R&B titles that have crept into my playlist rotation. I’m still a rockist at heart, but rock is loosening its grip on my attention.

  1. Sturgill Simpson, Sound & Fury: How was Sturgill Simpson ever going to top A Sailor’s Guide to Earth? He didn’t. He veered so drastically in a different direction that the albums can’t be compared. None of his albums can be compared to each other.
  2. Torche, Admission: Torche can be found under the metal section of most music stores, but when I play their albums, I hear post-rock.
  3. Weezer, Weezer (Teal Album): It’s a karaoke album, but a painstakingly created one.
  4. Jeremy Denk, c.1300-c.2000: It’s a tall order to compile eight centuries of music into a single program.
  5. John Luther Adams, Become Desert: It was also stirring to hear this piece live.
  6. Cocco, Star Shank: We hear hints of clouds covering the sunniness of Cocco’s later work.
  7. BBMAK, Powerstation: I will not lie — I’ve anticipating this album for most of the year, and I do not care who knows.
  8. Shiina Ringo, Sandokushi: This album is a glorious mess.
  9. Solange, When I Get Home: Similar to Sound and Fury, this album is confounding and fascinating at the same time. There’s nothing on here that matches the tunefulness of A Seat at the Table, and it would be too disruptive to the album’s flow if there were.
  10. Jamila Woods, Legacy! Legacy!: “Basquiat” was playing on the in-store system at Sonic Boom, and it pretty much clinched my decision to get this album.

Other favorites of the year:

  • Kim Gordon, No Home Record
  • Michael Kiwanuka, KIWANUKA
  • James Blake, Assume Form
  • Sassyblack, Ancient Mahogany Gold
  • Anderson .Paak, Ventura
  • NUMBER GIRL, Kaiden no Kioku
  • The Drums, Brutalism
  • Ty Herndon, Got It Covered

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Purchase log picks, October 2019

[Sturgill Simpson - Sound & Fury]

Sturgill Simpson, Sound & Fury

Like Patti Smith’s Horses, Sound & Fury confounded me. I put the album on repeat, and each listen only heightened my confusion and fascination. Was this My Bloody Valentine reborn as a southern rock band? Was it ZZ Top making the electroclash album it should never, ever record? In the end, it’s just Sturgill Simpson applying his work ethic to fucking with our minds.

Cocco, Star Shank

I don’t think I’ve heard Cocco scream with the kind of abandon she does on this album. It’s almost uncharacteristic now that she’s let a lot more sunshine into her music.

BBMAK, Powerstation

I didn’t realize how much I missed BBMAK till they announced their reunion, and this album does not disappoint.

The Replacements, Dead Man’s Pop

Don’t Tell a Soul was the first Replacements album I ever bought, so I find the over-produced, slick sound comforting. That said, I really dig this original mix by Matt Wallace. Thing is, it would have totally tanked in 1989. Maybe in 1993, it would have made more sense. But not in 1989.

Kim Gordon, No Home Record

Do we really need to pay attention to any other former member of Sonic Youth?

Ali Wong, Baby Cobra

I signed up for Netflix to watch the Sound & Fury anime. I might keep my subscription to watch Baby Cobra.

Kraftwerk, Trans-Europe Express

Kraftwerk strikes me as a band I ought to like, but so far, this album is the only one to connect.

Prince, Dirty Mind

I didn’t think I would like anything Prince recorded before 1999. I think I rather like this more than 1999.

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Purchase log, 2019-10-08

[Cocco - Star Shank]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Cocco, Star Shank
Vinyl
  • Sturgill Simpson, Sound & Fury

Catalog

CD
  • Balligomingo, Beneath the Surface
  • Butthole Surfers, Electriclarryland
  • David Del Tredici, In Memory of a Summer Day
  • Iron Maiden, Seventh Son of a Seventh Son
  • Iron Maiden, The Number of the Beast
  • Justin Timberlake, The 20 / 20 Experience
  • Meredith Monk, Volcano Songs
  • New Order, Movement
  • Ride, Going Blank Again
  • Saint Etienne, Foxbase Alpha
  • Suzanne Vega, Solitude Standing
  • The Dead Milkmen, Soul Rotation
  • The Ocean Blue, Beneath the Rhythm and Sound
  • The Ocean Blue, Cerulean
  • The Roots, The Tipping Point
  • Thelonious Monk, Underground
Vinyl
  • Kraftwerk, Trans-Europe Express

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Looking ahead: August-November 2019

[NUMBER GIRL - DESTRUCTION BABY]

Perfume, Perfume the Best “P Cubed“, Sept. 18

One new song out of a 52-track career retrospective? I think I’m fine.

The Replacements, Dead Man’s Pop, Sept. 27

Don’t Tell a Soul was the first album I bought from the Replacements, so I’m interested to hear this period of the band’s history expanded on this boxed set.

Cocco, Star Shank, Oct. 2

Three years is pretty much the average gap between Cocco albums these days, now that she’s diversified into fashion, films, stage acting and literature. So she’s right on schedule.

Vinyl

Explosions in the Sky, The Rescue, Aug. 16
Explosions in the Sky, How Strange Innocence, Aug. 16

Explosions in the Sky wrote and recorded The Rescue in two weeks, and it’s a surprisingly tight album given its self-imposed constraints. Previously available only at the band’s shows, it gets a vinyl reissue for the band’s 20th anniversary.

Pinback, Summer in Abaddon (15th Anniversary Edition), Sept. 27

During my days as a record store employee, I got the impression Pinback was a fairly mellow band. So when I found this album at the thrift store, I was taken aback by how boisterous it was.

NUMBER GIRL, Kanden no Kioku, Nov. 3
NUMBER GIRL, DESTRUCTION BABY, Nov. 3

Just as Universal was starting to neglect NUMBER GIRL’s albums, the band reunites and gives the label a reason to dig into the archives. Oh, thank goodness.

Midnight Oil, Breathe Tour 97, Nov. 29

I’m unclear about whether this album was actually released on Record Store Day 2019. It showed up on the list, only to disappear as the April date approached. But it’s up on Discogs, so … where was it available? And is this reissue vaporware?

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Favorite Edition Rewind: 1997

[Janet Jackson - The Velvet Rope]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1998 and 1999 were probably the most productive years of the ’90s. 1997 slightly less so. That said, there isn’t much change from the original list, a few shuffles aside.

  1. Cocco, Bougainvillia
  2. Duran Duran, Medazzaland
  3. The Old ’97s, Too Far to Care
  4. Björk, Homogeneic
  5. 10,000 Maniacs, Love Among the Ruins
  6. Soundtrack, The Simpsons: Songs in the Key of Springfield
  7. Molotov, ¿Dónde Jugarán las Niñas?
  8. Bill Frisell, Nashville
  9. Pizzicato Five, Happy End of the World
  10. Prodigy, Fat of the Land

Other favorites from the year:

  • Janet Jackson, The Velvet Rope
  • China Digs, Looking for George …
  • John Taylor, Feelings are Good and Other Lies
  • Jack Ingram, Livin’ and Dyin’
  • Kronos Quartet, Early Music (Lachrymæ Antiquæ)
  • 8 1/2 Souvenirs, Souvonica
  • Sleater-Kinney, Dig Me Out
  • Missy Elliott, Supa Dupa Fly
  • David Bowie, Earthling

I wouldn’t rediscover The Velvet Rope till 2014. I disliked its predecessor, janet., but I was also disappointed Janet didn’t switch up her theme. I’ve come to realize The Velvet Rope was the album I wished janet. would have been.

Earthling is the very first album by David Bowie I’ve ever owned. I actually liked it at the time, but I didn’t love it. So it got cut during a collection purge. My recent deep dive into the his work made me revisit Earthling, and as unlikely as an EDM Bowie album might sound, he makes it work.

Sleater-Kinney and Missy Eliott are retroactive additions to the list. I didn’t explore their works until recently.

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Favorite Edition Rewind: 1998

[Neutral Milk Hotel - In the Aeroplane Over the Sea]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

As much as I loved the ’80s, I can’t say the ’90s holds as much sentiment. I feel more affinity for the Aughts than I do the ’90s. That said, 1998 has proven to be rich with favorites, and I would consider it the pinnacle year in the decade. This list has gone through extensive revision from the original.

  1. Neutral Milk Hotel, In the Aeroplane Over the Sea
  2. Madonna, Ray of Light
  3. Lauryn Hill, The Miseducation of Lauryn Hill
  4. Lucinda Williams, Car Wheels on a Gravel Road
  5. Fastball, All the Pain Money Can Buy
  6. Patty Griffin, Flaming Red
  7. SUPERCAR, Three Out Change
  8. Various Artists, For the Masses: A Tribute to Depeche Mode
  9. Bruce Robison, Wrapped
  10. Cocco, Kumuiuta

Other favorites from the year:

  • Shakira, ¿Dónde Están Los Ladrones?
  • Wendy and Lisa, Girl Bros.
  • Midnight Oil, Redneck Wonderland
  • 8 1/2 Souvenirs, Happy Feet
  • UA, Ametora
  • Kronos Quartet, Alfred Schnittke: The Complete String Quartets
  • the brilliant green, the brilliant green
  • Bang on a Can All-Stars, Music for Airports
  • Craig Armstrong, The Space Between Us
  • Julieta Venegas, Aquí
  • Aterciopelados, Caribe Atómico
  • Macha, Macha
  • Idlewild, Hope Is Important
  • Pansy Division, Absurd Pop Song Romance
  • Orgy, Candyass

A number of titles that held positions in the Favorite 10 switched places with ones in the extended list.

I didn’t give Fastball much credit 10 years ago because the album had been all over Austin at the time of its release. I got caught up in that hype, then dismissed it as such later. I was wrong. All the Pain Money Can Buy needs to be in the Favorite 10.

For the Masses actually turned me into a Depeche Mode fan. Some of the covers on the tribute album rival the originals. In the case of “Shake the Disease” and “Everything Counts”, they straight up improve them.

Madonna dominated the top position of this list for 10 years before Neutral Milk Hotel nudged her down a notch. SUPERCAR makes another revisionist ranking, pushing 8 1/2 Souvenirs off.

Idlewild makes an appearance with a debut album that’s at times bratty and tuneful. It’s a mess compared to its follow-up, 1000 Broken Windows. But it’s a riveting mess.

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Favorite Edition Rewind: 2000

[Tomosaka Rie - Shoujo Robot]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.

  1. Shiina Ringo, Shouso Strip
  2. Cocco, Rapunzel
  3. NUMBER GIRL, SAPPUKEI
  4. SUPERCAR, Futurama
  5. eX-Girl, Big When Far, Small When Close
  6. Sleater-Kinney, All Hands on the Bad One
  7. Idlewild, 100 Broken Windows
  8. FEED, Make Every Stardust Shimmer!
  9. Tomosaka Rie, “Shoujo Robot”
  10. Sade, Lovers Rock

Other favorites from the year:

  • Do As Infinity, Break of Dawn
  • Yaida Hitomi, daiya-monde
  • PJ Harvey, Stories from the City, Stories from the Sea
  • OBLIVION DUST, Butterfly Head
  • At the Drive-In, Relationship of Command
  • L’Arc~en~Ciel, REAL
  • Bonnie Pink, Let Go
  • MISSILE GIRL SCOOT, Fiesta!
  • Smashing Pumpkins, MACHINA/The Machine of God
  • m-flo, Planet Shining
  • Juanes, Fíate Bien
  • Emmylou Harris, Red Dirt Girl
  • U2, All That You Can’t Leave Behind
  • La Ley, Uno
  • Sinéad O’Connor, Faith and Courage
  • Soundtrack, High Fidelity
  • BBMak, Sooner or Later

At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.

Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯

Idlewild’s 1000 Broken Windows takes the spot vacated by U2.

Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.

I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.

The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.

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