Cocco released her debut album Bougainvillea in March 1997, and 2022 marks her 25th anniversary. So she’s commemorating that achievement with a new album.
ASIAN KUNG-FU GENERATION, Planet Folks, March 30
ASIAN KUNG-FU GENRATION return with their first new album in 4 years, one year longer than their usual gap. At this point, I’ll just blame SARS-CoV2 for the delay, even if it’s not the reason.
Utada Hikaru, First Love, March 23 Utada Hikaru, Distance, March 23 Utada Hikaru, DEEP RIVER, March 23 Utada Hikaru, Ultra Blue, April 27 Utada Hikaru, HEART STATION, April 27 Utada Hikaru, Fantôme, April 27 Utada Hikaru, Hatsukoi, April 27 Utada Hikaru, BAD Mode, April 27
OMG Ultra Blue on vinyl! But yeah, I’m getting them all, except Hatsukoi, which I already have. By the way, I’m really liking BAD Mode.
I read about Big Pig when I was a teen-ager, but none of the record stores in Honolulu would carry Bonk. So when I spotted the album at the thrift shop, I picked it up. Singer Sherine Abeyratne is the big draw here, but a band with up to 5 drummers makes quite a sound. The album was released in 1988, so expect a lot of post-new wave.
Control Machete, Artillería Pesada, Presenta …
When rock en Español started getting traction in the US at the start of the 2000s, the genre was nearly pigeon-holed by rap-rock groups fashionable at the time. I drove to Dallas on a whim to catch the first Watcha Tour, and the evening was dominated by hip-hop and electric guitars. By the time Control Machete took the stage, I was getting worn.
So it’s my bad to have dropped the ball on this album.
Cocco’s music let in a lot more sunshine after the birth of her son, but on this album and its predecessor, some of the storminess from her early work is creeping back in.
Test Pattern, “This Is My Street”
I so want the entire Test Pattern concert to be released on a physical audio medium. Yeah, I have the Documtary Now Blu Ray.
Antoine Reicha, Reicha Rediscovered, Vol. 3 (Ivan Ilić)
There are 57 variations on this 86-minute album. At various points, that theme keeps pounding at you. And yet, I feel compelled to take in all 86 minutes. Reicha really interrogates this theme, as does Ilić.
Siouxsie and the Banshees, Tinderbox
I’m an opportunistic Siouxsie fan — if I can find their albums for cheap, I’ll pick them up. I’m fond of Superstition, even if I recognize it’s probably not their best. But Tinderbox has so far convinced me why Siouxsie has a loyal following.
Soundtrack, The Crow
Rhino reissued this soundtrack on colored vinyl back in October 2020, and it sold out immediately. I was curious why, so I grabbed one of many copies on CD at the thrift shop. I understand — it’s a pretty good mixed tape of the predominate music of the mid ’90s.
Maxi Priest, Bonafide
I am old enough now not to care if you judge me for totally loving “Close to You”, but the rest of the album is actually quite enjoyable. I found myself digging it even though I’m clearly not the target market for it.
Anton Reicha, Reicha Rediscovered, Vol. 3 (Ivan Ilić), Jan. 8
I usually pose questions on the blog rhetorically, so I wasn’t expecting Ivan Ilić himself to answer a query about what’s up with the remainder of his Reicha Rediscovered series. The third volume was expected in 2020, but SARS-CoV2 had other plans.
Rhye, Home, Jan. 22
Liked Blood. Was lukewarm about Woman. So I’m approaching Home with caution.
Utada Hikaru, One Last Kiss EP, Jan. 27
Utada Hikaru’s new single — it’s called an EP, but it’s really a maxi single — serves as the theme song for a new Evangelion movie. Hikki fans will probably have the other tracks on this release, which compiles her previous theme songs for the film series.
Cocco, Kuchinashi, Feb. 17
Is it already time for a new Cocco album? [Checks calendar.] Actually, this album arrives 18 months after 2019’s Star Shank, which is 1.5 years quicker than Cocco’s usual turnaround time.
Sturgill Simpson, Cuttin’ Grass, Vol. 2, Apr. 2
Volume 1 of Cuttin’ Grass didn’t include tracks from A Sailor’s Guide to Earth, but Volume 2 does. It does not, however, include anything from Sound & Fury.
Soundtrack, Batman: Original Motion Picture Score (colored vinyl), Jan. 15
When Tim Burton’s Batman hit theaters in 1989, Warner Bros. tried to foist Prince’s album of songs for the movie as the official soundtrack. Fans wanting to hear Danny Elfman’s theme song were pretty miffed that they got a Prince album instead. So the label released Elfman’s score separately. I picked up an original vinyl pressing of the soundtrack a long while back, and I see it pop up in used bins from time to time. This reissue is part of Rhino’s annual Start Your Ear Off Right series.
bloodthirsty butchers, Mikansei, Jan. 20
I’m not aware of very many vinyl reissues of bloodthirsty butchers album. I wouldn’t mind seeing ones for yamane and Kouya ni Okeru bloodthirsty butchers.
Girl Talk, Feed the Animals, April 2021
Girl Talk is accepting orders for this second pressing of Feed the Animals. A recent e-mail announced orders are expected to ship at the end of April 2021 and includes packaging improvements.
I’m old enough now that I can no longer be mistaken for someone remotely connected to the zeitgeist. A phrase I would often employ was, “I know of them, but I’ve not heard from them.” These days, the first part of that phrase is a stretch.
That said, I’m surprised by the number of R&B titles that have crept into my playlist rotation. I’m still a rockist at heart, but rock is loosening its grip on my attention.
Sturgill Simpson, Sound & Fury: How was Sturgill Simpson ever going to top A Sailor’s Guide to Earth? He didn’t. He veered so drastically in a different direction that the albums can’t be compared. None of his albums can be compared to each other.
Torche, Admission: Torche can be found under the metal section of most music stores, but when I play their albums, I hear post-rock.
Weezer, Weezer (Teal Album): It’s a karaoke album, but a painstakingly created one.
Jeremy Denk, c.1300-c.2000: It’s a tall order to compile eight centuries of music into a single program.
John Luther Adams, Become Desert: It was also stirring to hear this piece live.
Cocco, Star Shank: We hear hints of clouds covering the sunniness of Cocco’s later work.
BBMAK, Powerstation: I will not lie — I’ve anticipating this album for most of the year, and I do not care who knows.
Shiina Ringo, Sandokushi: This album is a glorious mess.
Solange, When I Get Home: Similar to Sound and Fury, this album is confounding and fascinating at the same time. There’s nothing on here that matches the tunefulness of A Seat at the Table, and it would be too disruptive to the album’s flow if there were.
Jamila Woods, Legacy! Legacy!: “Basquiat” was playing on the in-store system at Sonic Boom, and it pretty much clinched my decision to get this album.
Like Patti Smith’s Horses, Sound & Fury confounded me. I put the album on repeat, and each listen only heightened my confusion and fascination. Was this My Bloody Valentine reborn as a southern rock band? Was it ZZ Top making the electroclash album it should never, ever record? In the end, it’s just Sturgill Simpson applying his work ethic to fucking with our minds.
Cocco, Star Shank
I don’t think I’ve heard Cocco scream with the kind of abandon she does on this album. It’s almost uncharacteristic now that she’s let a lot more sunshine into her music.
I didn’t realize how much I missed BBMAK till they announced their reunion, and this album does not disappoint.
The Replacements, Dead Man’s Pop
Don’t Tell a Soul was the first Replacements album I ever bought, so I find the over-produced, slick sound comforting. That said, I really dig this original mix by Matt Wallace. Thing is, it would have totally tanked in 1989. Maybe in 1993, it would have made more sense. But not in 1989.
Kim Gordon, No Home Record
Do we really need to pay attention to any other former member of Sonic Youth?
Ali Wong, Baby Cobra
I signed up for Netflix to watch the Sound & Fury anime. I might keep my subscription to watch Baby Cobra.
Kraftwerk, Trans-Europe Express
Kraftwerk strikes me as a band I ought to like, but so far, this album is the only one to connect.
Prince, Dirty Mind
I didn’t think I would like anything Prince recorded before 1999. I think I rather like this more than 1999.
One new song out of a 52-track career retrospective? I think I’m fine.
The Replacements, Dead Man’s Pop, Sept. 27
Don’t Tell a Soul was the first album I bought from the Replacements, so I’m interested to hear this period of the band’s history expanded on this boxed set.
Cocco, Star Shank, Oct. 2
Three years is pretty much the average gap between Cocco albums these days, now that she’s diversified into fashion, films, stage acting and literature. So she’s right on schedule.
Explosions in the Sky, The Rescue, Aug. 16 Explosions in the Sky, How Strange Innocence, Aug. 16
Explosions in the Sky wrote and recorded The Rescue in two weeks, and it’s a surprisingly tight album given its self-imposed constraints. Previously available only at the band’s shows, it gets a vinyl reissue for the band’s 20th anniversary.
Pinback, Summer in Abaddon (15th Anniversary Edition), Sept. 27
During my days as a record store employee, I got the impression Pinback was a fairly mellow band. So when I found this album at the thrift store, I was taken aback by how boisterous it was.
NUMBER GIRL, Kanden no Kioku, Nov. 3 NUMBER GIRL, DESTRUCTION BABY, Nov. 3
Just as Universal was starting to neglect NUMBER GIRL’s albums, the band reunites and gives the label a reason to dig into the archives. Oh, thank goodness.
Midnight Oil, Breathe Tour 97, Nov. 29
I’m unclear about whether this album was actually released on Record Store Day 2019. It showed up on the list, only to disappear as the April date approached. But it’s up on Discogs, so … where was it available? And is this reissue vaporware?
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
1998 and 1999 were probably the most productive years of the ’90s. 1997 slightly less so. That said, there isn’t much change from the original list, a few shuffles aside.
Duran Duran, Medazzaland
The Old ’97s, Too Far to Care
10,000 Maniacs, Love Among the Ruins
Soundtrack, The Simpsons: Songs in the Key of Springfield
Molotov, ¿Dónde Jugarán las Niñas?
Bill Frisell, Nashville
Pizzicato Five, Happy End of the World
Prodigy, Fat of the Land
Other favorites from the year:
Janet Jackson, The Velvet Rope
China Digs, Looking for George …
John Taylor, Feelings are Good and Other Lies
Jack Ingram, Livin’ and Dyin’
Kronos Quartet, Early Music (Lachrymæ Antiquæ)
8 1/2 Souvenirs, Souvonica
Sleater-Kinney, Dig Me Out
Missy Elliott, Supa Dupa Fly
David Bowie, Earthling
I wouldn’t rediscover The Velvet Rope till 2014. I disliked its predecessor, janet., but I was also disappointed Janet didn’t switch up her theme. I’ve come to realize The Velvet Rope was the album I wished janet. would have been.
Earthling is the very first album by David Bowie I’ve ever owned. I actually liked it at the time, but I didn’t love it. So it got cut during a collection purge. My recent deep dive into the his work made me revisit Earthling, and as unlikely as an EDM Bowie album might sound, he makes it work.
Sleater-Kinney and Missy Eliott are retroactive additions to the list. I didn’t explore their works until recently.