It’s been five years since I discovered the media section of Lifelong Thrift Shop, and I’m at a point where I’m making fewer discoveries. These days, I pick things up because they pique my curiosity, and I anticipate I’ll be re-donating a lot of the albums I bought in the past year.
Still, the vast majority of my listening these days is catalog, as the Favorite Edition Year Final will make clear. In the past, I might have scoffed at someone as new and popular as Olivia Rodrigo. Now? I shrug and follow the mantra, “Let people like things.”
There’s a lot of music out on which I missed when I sought the dopamine hit of finding a new favorite band.
Riz Ahmed, The Long Goodbye:Rogue One is probably my favorite movie in the Star Wars extended universe, and Riz Ahmed is big part of why. I’m usually skeptical of Hollywood actors making music, but The Long Goodbye is amazing. It’s a breakup record, but with an entire country. The interludes don’t even feel that arch.
Linda Ronstadt, Mad Love: “Hurt So Bad” drew my attention this album, which I then discovered had some solid post-punk credentials on it. I still don’t think calling it her “new wave” album is entirely accurate, though.
The Fixx, Reach the Beach: I bought this album on the strength of “One Thing Leads to Another” alone, but I was surprised to find “Save By Zero” on there.
Kelela, Take Me Apart: I love that today’s R&B artists draw on influence outside the genre. This album feels more like Utada Hikaru.
Laurie Anderson, Big Science: I have two other Laurie Anderson albums that did not answer the question why she’s so lauded. Then this album popped up at the thrift store, and it became clear.
Alexander O’Neal, Hearsay: This album did well at the time, and it’s definitely a fine production by Jam and Lewis.
Test Pattern, This Is My Street: Man, I want an entire physical release of this Documentary Now! parody of Stop Making Sense.
Brothers Johnson, Light Up the Night: Sure, this album was made in the last throes of disco, but there is some mighty fine playing here. And “Stomp!” is timeless.
Electric Light Orchestra, Time: I’m definitely not the target market for the orchestral classic rock of ELO, but this album was essentially the band’s detour into new wave. And I’m all for that.
A Taste of Honey, Twice as Sweet: Yes, this album concludes with “Sukiyaki”, but the 9 tracks preceding it are no slouch.
Big Pig, Bonk
Arditti Quartet, Arditti
Control Machete, Artillería Pesada, Presenta …
Prefab Sprout, Two Wheels Good (a.k.a Steve McQueen)
I read about Big Pig when I was a teen-ager, but none of the record stores in Honolulu would carry Bonk. So when I spotted the album at the thrift shop, I picked it up. Singer Sherine Abeyratne is the big draw here, but a band with up to 5 drummers makes quite a sound. The album was released in 1988, so expect a lot of post-new wave.
Control Machete, Artillería Pesada, Presenta …
When rock en Español started getting traction in the US at the start of the 2000s, the genre was nearly pigeon-holed by rap-rock groups fashionable at the time. I drove to Dallas on a whim to catch the first Watcha Tour, and the evening was dominated by hip-hop and electric guitars. By the time Control Machete took the stage, I was getting worn.
So it’s my bad to have dropped the ball on this album.
Cocco’s music let in a lot more sunshine after the birth of her son, but on this album and its predecessor, some of the storminess from her early work is creeping back in.
Test Pattern, “This Is My Street”
I so want the entire Test Pattern concert to be released on a physical audio medium. Yeah, I have the Documtary Now Blu Ray.
Antoine Reicha, Reicha Rediscovered, Vol. 3 (Ivan Ilić)
There are 57 variations on this 86-minute album. At various points, that theme keeps pounding at you. And yet, I feel compelled to take in all 86 minutes. Reicha really interrogates this theme, as does Ilić.
Siouxsie and the Banshees, Tinderbox
I’m an opportunistic Siouxsie fan — if I can find their albums for cheap, I’ll pick them up. I’m fond of Superstition, even if I recognize it’s probably not their best. But Tinderbox has so far convinced me why Siouxsie has a loyal following.
Soundtrack, The Crow
Rhino reissued this soundtrack on colored vinyl back in October 2020, and it sold out immediately. I was curious why, so I grabbed one of many copies on CD at the thrift shop. I understand — it’s a pretty good mixed tape of the predominate music of the mid ’90s.
Maxi Priest, Bonafide
I am old enough now not to care if you judge me for totally loving “Close to You”, but the rest of the album is actually quite enjoyable. I found myself digging it even though I’m clearly not the target market for it.