It’s been five years since I discovered the media section of Lifelong Thrift Shop, and I’m at a point where I’m making fewer discoveries. These days, I pick things up because they pique my curiosity, and I anticipate I’ll be re-donating a lot of the albums I bought in the past year.
Still, the vast majority of my listening these days is catalog, as the Favorite Edition Year Final will make clear. In the past, I might have scoffed at someone as new and popular as Olivia Rodrigo. Now? I shrug and follow the mantra, “Let people like things.”
There’s a lot of music out on which I missed when I sought the dopamine hit of finding a new favorite band.
Riz Ahmed, The Long Goodbye:Rogue One is probably my favorite movie in the Star Wars extended universe, and Riz Ahmed is big part of why. I’m usually skeptical of Hollywood actors making music, but The Long Goodbye is amazing. It’s a breakup record, but with an entire country. The interludes don’t even feel that arch.
Linda Ronstadt, Mad Love: “Hurt So Bad” drew my attention this album, which I then discovered had some solid post-punk credentials on it. I still don’t think calling it her “new wave” album is entirely accurate, though.
The Fixx, Reach the Beach: I bought this album on the strength of “One Thing Leads to Another” alone, but I was surprised to find “Save By Zero” on there.
Kelela, Take Me Apart: I love that today’s R&B artists draw on influence outside the genre. This album feels more like Utada Hikaru.
Laurie Anderson, Big Science: I have two other Laurie Anderson albums that did not answer the question why she’s so lauded. Then this album popped up at the thrift store, and it became clear.
Alexander O’Neal, Hearsay: This album did well at the time, and it’s definitely a fine production by Jam and Lewis.
Test Pattern, This Is My Street: Man, I want an entire physical release of this Documentary Now! parody of Stop Making Sense.
Brothers Johnson, Light Up the Night: Sure, this album was made in the last throes of disco, but there is some mighty fine playing here. And “Stomp!” is timeless.
Electric Light Orchestra, Time: I’m definitely not the target market for the orchestral classic rock of ELO, but this album was essentially the band’s detour into new wave. And I’m all for that.
A Taste of Honey, Twice as Sweet: Yes, this album concludes with “Sukiyaki”, but the 9 tracks preceding it are no slouch.
Big Pig, Bonk
Arditti Quartet, Arditti
Control Machete, Artillería Pesada, Presenta …
Prefab Sprout, Two Wheels Good (a.k.a Steve McQueen)
I liked Rogue One probably a lot more than an average Star Wars fan might, so I was willing to entertain Riz Ahmed’s hip-hop work with the usual skepticism afforded to Hollywood actors dabbling in music. This work is no dilettante effort. Ahmed prosecutes the societal forces in the UK that brought about Brexit in an astonishing performance.
Wayne Horvitz, Live Forever, Vol. 1: The President – New York in the 80s
Wayne Horvitz dives into his archive to surface this must-have collection of live recordings and outtakes.
Kelela, Take Me Apart
I love how modern day R&B artists are willing to blur the lines between pop music and indie rock.
I’ve known about this album since it was first released in 1987, but I was too young at the time to have understood the impact of the Minutemen on independent rock.
sungazer, vol. I sungazer, vol. 2 Adam Neely, time//motion//wine
I never paid much attention to YouTube till I learned about Adam Neely and music theory YouTube. It’s been a year now since I discovered his channel, and YouTube has since eclipsed Science Channel as my television entertainment of choice. Neely’s own music combines electronic beats with rhythmically complex jazz, and while I enjoy watching him explain music theory, I sometimes wish the YouTube algorithm would give him enough slack to create more music.