Shiina Ringo, Newton no Ringo ~Hajimete no Best Han~
Oh, it’s just a compilation with a bunch of bonus tracks. Surely, it just rehashes what we’ve heard over the last 20 years? Not so fast. A number of early tracks have been remixed in a way that actually brings new character to what Shiina calls her youthful works. As for the new songs? Well, if you’re not a fan of the most recent albums, these tracks aren’t going to dissuade you.
Michael Kiwanuka, KIWANUKA
I picked up Michael Kiwanuka’s debut album from the thrift store and was immediately impressed. I sought out his second album and didn’t warm up to it as much. That planted some hesitancy on picking up this latest album, which turned out to be unfounded. This album takes Kiwanuka in a new direction.
LCD Soundsystem, Sound of Silver
I really dig the “Drunk Girls” video, but I can’t say I remember much about This Is Happening. The band’s debut, Sound of Silver, is often touted as their best work, so I gave it a chance when I spotted it in the thrift shop. Conventional wisdom turns out to be correct.
Leila Josefowicz, Solos
I picked this album up because of the Ysaÿe Sonata No. 3 for solo violin. It’s a monstrous piece.
Yvonne Elliman, Rising Sun
Yvonne Elliman will be known as a disco singer, but after her run as Mary Magdalene in the original cast of Jesus Christ Superstar, she tried her hand at a more conventional folk-rock sound. As with Love Me, Rising Sun demonstrates how underrated Elliman is.
Peter Moon Band, Cane Fire!
Back in college, I tried to explore Hawaiian music, but my rockist bias against the genre would be difficult to overcome. Still, I picked up Cane Fire! on the recommendation of people more versed in the genre than I was, and … I was still too much of a snob to give it fair shake. Three decades have tempered that snobbery, and it turns out Cane Fire! really stands out.
Like Patti Smith’s Horses, Sound & Fury confounded me. I put the album on repeat, and each listen only heightened my confusion and fascination. Was this My Bloody Valentine reborn as a southern rock band? Was it ZZ Top making the electroclash album it should never, ever record? In the end, it’s just Sturgill Simpson applying his work ethic to fucking with our minds.
Cocco, Star Shank
I don’t think I’ve heard Cocco scream with the kind of abandon she does on this album. It’s almost uncharacteristic now that she’s let a lot more sunshine into her music.
I didn’t realize how much I missed BBMAK till they announced their reunion, and this album does not disappoint.
The Replacements, Dead Man’s Pop
Don’t Tell a Soul was the first Replacements album I ever bought, so I find the over-produced, slick sound comforting. That said, I really dig this original mix by Matt Wallace. Thing is, it would have totally tanked in 1989. Maybe in 1993, it would have made more sense. But not in 1989.
Kim Gordon, No Home Record
Do we really need to pay attention to any other former member of Sonic Youth?
Ali Wong, Baby Cobra
I signed up for Netflix to watch the Sound & Fury anime. I might keep my subscription to watch Baby Cobra.
Kraftwerk, Trans-Europe Express
Kraftwerk strikes me as a band I ought to like, but so far, this album is the only one to connect.
Prince, Dirty Mind
I didn’t think I would like anything Prince recorded before 1999. I think I rather like this more than 1999.