I haven’t really cottoned to Explosion in the Sky’s soundtrack work, but I’m hoping this release feels more like an album than a cue sheet.
John Coltrane, A Love Supreme: Live in Seattle, Oct. 8
At first, I thought this album was just a reissue of Live in Seattle, till I took a closer look at the title.
Renée Fleming, Voice of Nature: The Anthropocene, Oct. 8
I wonder if John Green would be interested in reviewing this album.
The Replacements, Sorry Ma, Forgot to Take Out the Trash, Oct. 22
The Replacements had, at best, a periphery influence on my teenage listening habits, and yet I’ve bought just about every deluxe edition of their albums. Clearly, I’m making up for lost time.
R.E.M., New Adventures in Hi-Fi (Deluxe Edition), Oct. 29
I’m ambivalent about this album. I had sold it for cash a long time ago, but I picked it up again from the thrift shop. I don’t know if it holds up well.
ABBA, Voyage, Nov. 3
I can’t lie — I’m pretty damn excited about a new ABBA album in 40 years. The singles preceding the album sound like time hadn’t stopped for the quartet, and the world definitely came back around to them.
Sting, The Bridge, Nov. 19
I guess I still care because there is a part of me that fondly remembers a younger Sting in various forms of undress.
Vinyl
Robbie Williams, Life Thru a Lens, Sept. 24 Robbie Williams, I’ve Been Expecting You, Sept. 24
The Ego Has Landed was one of my most played CDs of 1999, and it collected the best bits of Robbie Williams’ first two albums. About 20 years later, I would find I’ve Been Expecting You at the thrift store. So I have to say I’m very much tempted to drop cash on these vinyl reissues, even though I haven’t heard Life Thru a Lens in its entirety.
Japan actually has its own Record Store Day event that focuses on domestic releases, but it’s separate from Record Day, which happens annually in November. While Record Store Day focuses on independent retailers, Record Day in Japan looks similar to National Album Day in the UK, where larger retailers are involved with the festivities.
Past Record Days in Japan have included reissues of NUMBER GIRL, YEN TOWN BAND and a number of Studio Ghibli soundtracks. For me, AJICO is the biggest news coming out of this year’s crop, but I’m also immensely pleased to see Hatakeyama Miyuki’s Diving into your mind getting a reissue. The Tomosaka Rie 7-inch single pairs two of her biggest hits, “Cappuccino” and “Escalation”, the A-side written by Shiina Ringo.
This album is one of those extremely rare, regional finds that will either be selling for $0.50 at a thrift store or $30 on Discogs.
Kanye West, 808s & Heartbreak
When this album was first released, my record store co-workers liked it enough to recommend it. Kanye had already gone headlong into celebrity insufferability by then, and I passed. It was that endorsement that prompted me to pick this album up at the thrift store. What I like best is the lack of raps, and thus, the lack of posturing. It’s also restrained, something refreshingly unbecoming of an artist with the size of Kanye’s ego.
The Bad Rackets, Full On Blown Apart
This album is the intersection of garage rock and punk that my Waterloo Records co-workers would play to death. It’s been about 15 years since, so I’m not so severe in my reaction to this kind of music. I’ve also met the band’s drummer, and he’s hotter than a straight guy has any business being.
Art of Noise, Re-works of Art of Noise
At the time of its release, I wasn’t interested in live tracks, which is half of this compilation EP. I was wrong to be so dismissive. Art of Noise had to adapt to a live setting, giving these tracks new facets the studio versions don’t capture. “Hammersmith to Tokyo and Back” is worth the price of the EP alone.
R.E.M., Monster
I skipped this album when it was released. All the pre-release press described Monster in terms that didn’t hold much appeal to me. I didn’t share everyone’s breathless acclaim for Automatic for the People, so I approached Monster with a level of skepticism that stopped me from listening to the album for 25 years. How foolish.
The Cult, Sonic Temple
I read about this album in a lot of magazines back in high school, but I never made the plunge. I like how it’s not quite heavy metal.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The 1983 Favorite Edition list is not terribly cosmopolitan. And why should it? I would have been 11 years old at the time, and pre-teens, even precocious ones, aren’t renowned for sophistication.
Eurythmics, Sweet Dreams (Are Made of This)
Clannad, Magical Ring
U2, Live Under a Blood Red Sky
David Bowie, Let’s Dance
Duran Duran, Seven and the Ragged Tiger
R.E.M., Murmur
Huey Lewis and the News, Sports
The Police, Synchronicity
10,000 Maniacs, Secrets of the I Ching
The Waitresses, Bruiseology
Other favorites from the year:
Toto, IV
Culture Club, Colour By Numbers
Violent Femmes, Violent Femmes
Cyndi Lauper, She’s So Unusual
The Pointer Sisters, Break Out
MTV was the big driver of music in this era, but I wouldn’t have known it because my parents refused to subscribe to cable. The household wouldn’t welcome cable TV till well after I had moved out after college … in 1997.
So my exposure to music in 1983 was limited to American Bandstand and Solid Gold. For a short while, a syndicated TV show called Prime Time Videos aired on broadcast affiliates, but it would not last.
I was still heavily into Pac-Man, even though my parents refused to welcome a game console or computer into the house. It’s a wonder how I’ve made computer programming my career.
So if this list seems particularly safe, it’s a reflection of the limited avenues of consumption. It’s probably why I have such a voracious appetite now.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
In 2008, my collection tapered off with releases before 1987. I went so far as to call 1986 an uninteresting year. I’ve since had time to explore the year in greater depth.
The Art of Noise, In Visible Silence
Janet Jackson, Control
Soundtrack, Megazone 23 Song Collection
Paul Simon, Graceland
XTC, Skylarking
The Smiths, The Queen is Dead
Prince & the Revolution, Parade
Nakamori Akina, Fushigi
Duran Duran, Notorious
Club Nouveau, Life, Love and Pain
Other favorites from the year:
Anita Baker, Rapture
Bananarama, True Confessions
Fishbone, In Your Face
Run DMC, Raising Hell
Peter Gabriel, So
John Adams, Harmonielehre
Enya, Enya
Dwight Yoakam, Guitars, Cadillacs, Etc. Etc.
R.E.M., Lifes Rich Pageant
Pet Shop Boys, Please
Kronos Quartet, Music of Sculthorpe, Sallinen, Glass, Nancarrow, Hendrix
The Human League, Crash
If you told Younger Me that Older Me would like So and Raising Hell, Younger Me would wretch. At the time, Run DMC and Peter Gabriel were so ubiquitous, I felt I would never need to hear “Walk This Way” or “Sledgehamer” for the rest of my life.
One advantage of growing older is no longer caring about looking at all fashionable.
Younger Me would have been puzzled by the inclusion of Dwight Yoakam on the extended list, to which Older Me would have to tell Younger Me to wait 9 years.
Younger Me: Oh, I was wondering whether I should get that Human League album. Is it really that good? Older Me: Yeah, but I don’t think you’d quite appreciate it at your station in life. Wait a few years. Younger Me: Really? How many? Older Me: 30.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I go on and on about how much I love 1987 that I should just shut up and let the list speak for itself. Unsurprisingly, the Favorite 10 hasn’t changed, saved one correction.
U2, The Joshua Tree
Sting, … Nothing Like the Sun
10,000 Maniacs, In My Tribe
Sinéad O’Connor, The Lion and the Cobra
Bulgarian State TV & Radio Women’s Choir, Le Mystère de Voix Bulgares
John Adams, The Chairman Dances
Andrew Lloyd Webber, The Phantom of the Opera
Wendy & Lisa, Wendy & Lisa
Guns N’ Roses, Appetite for Destruction
R.E.M., Document
Other favorites from the year:
Kronos Quartet, White Man Sleeps
Depeche Mode, Music for the Masses
Dolly Parton / Linda Ronstadt / Emmylou Harris, Trio
The Art of Noise, In No Sense? Nonsense!
Swing Out Sister, It’s Better to Travel
Hiroshima, Go
The Smiths, Strangeways, Here We Come
Eurythmics, Savage
INXS, Kick
Sonic Youth, Sister
The Dukes of the Stratosphear, Psonic Psunspot
Dead Can Dance, Within the Realm of a Dying Sun
Icehouse, Man of Colours
In Tua Nua, Vaudeville
Johnny Hates Jazz, Turn Back the Clock
I originally listed the cast recording of Into the Woods in the Favorite 10, but I discovered it was actually released in 1988.
The extended list is shorter than the one for 1988, but I’ve actually added fewer titles from 1987 since the original list was compiled. I think I also like these albums more intensely because I had discovered them at the time, and they’ve made a lasting impression.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I had discovered so much music in 1987 that at the time, I thought 1988 was a dud by comparison. Over the years, I’ve discovered that is not the case. The Favorite 10 doesn’t change from the original list, but look at that expanded list.
In Tua Nua, The Long Acre
Midnight Oil, Diesel and Dust
Kronos Quartet, Winter Was Hard
The Sugarcubes, Life’s Too Good
Enya, Watermark
Tracy Chapman, Tracy Chapman
Living Colour, Vivid
Duran Duran, Big Thing
Sonic Youth, Daydream Nation
The Dead Milkmen, Beelzebubba
Other favorites from the year:
Stephen Sondheim, Into the Woods
John Adams, Nixon in China
Shadowy Men on a Shadowy Planet, Savvy Show Stoppers
Camper Van Beethoven, Our Beloved Revolutionary Sweetheart
Sarah McLachlan, Touch
Erasure, The Innocents
Sade, Stronger Than Pride
The Pogues, If I Should Fall from Grace with God
The Waterboys, Fisherman’s Blues
The Godfathers, Birth, School, Work, Death
Camouflage, Voices & Images
Ambitious Lovers, Greed
Iron Path, Iron Path
Toni Childs, Union
R.E.M., Green
Throwing Muses, House Tornado
Pixies, Surfer Rosa
N.W.A., Straight Outta Compton
Information Society, Information Society
Ofra Haza, Shaday
The Smiths, Rank
Lucinda Williams, Lucinda Williams
I guess I really limited the expanded list 10 years ago so I wouldn’t have to do so much writing. The Pogues, the Waterboys, the Godfathers, Ambitious Lovers, Ofra Haza, the Smiths and Lucinda Williams would not have appeared on that list — I’ve discovered those albums only in the last 6 years.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I’m not sure other music writers would agree that 1998 is an important year in music for the ’90s. 1991 saw Guns N’ Roses cap the era of hair metal and Nirvana usher the unfortunately-named alternative rock. But it didn’t have Neutral Milk Hotel.
Igor Stravinsky, Le Sacre du Printemps/Symphony in Three Movements (Zubin Mehta, New York Philharmonic Orchestra)
Mazzy Star, She Hangs Brightly
Soundgarden, Badmotorfinger
Bill Frisell, Where in the World?
Fishbone, The Reality of My Surroundings
Metallica, Metallica
Kronos Quartet, Lutoslawski: String Quartet
Black Sheep, A Wolf in Sheep’s Clothing
Hamada Mari, Tomorrow
Electronic, Electronic
Slint, Spiderland
My Bloody Valentine, Loveless
Painkiller, Guts of a Virgin
Mr. Bungle, Mr. Bungle
Slint and My Bloody Valentine are additions 2004-me would have made. 1991-me would have side-eyed 2004-me.
And he would have scoffed at 2018-me for including Black Sheep, after emitting a gasp at seeing Fishbone on the list at all.
He would have begrudgingly nodded at the additions of Metallica and Hamada Mari, and he would have been curious about Electronic. And he would have gone out and found Painkiller the first chance he got.
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