I don’t know if Taylor Swift has a Dirty Computer or Karuki Zaamen Kuri no Hana in her, but it feels like she’s tip-toeing in that direction. I doubt she’d ever go fully weird because her branding is too big to fail.
Judy Tenuta, Buy This, Pigs!
I’ve known about Judy Tenuta since high school, but my media consumption somehow managed never to cross paths with her stand-up. YouTube has since rectified that, and upon hearing the news of her passing, I felt compelled to seek out her comedy debut album, which has so far never been reissued on CD or fully digitized on a streaming platform.
Huey Lewis and the News, Picture This
Sports is the 800-pound gorilla in the Huey Lewis and the News oeuvre, but Picture This is no slouch either. I rather thank it’s been unfairly overshadowed by its immediate descendant.
Hajime Chitose, Shima Kyora Umui
It’s taken me 20 years to purchase an actual physical copy of this album. Hajime’s major label career has mostly ignored these earlier youthful recordings, but they’re super informative on her singing style, let alone how well she adapted it to a pop setting.
Royal Wood, What Tomorrow Brings
Wood calls this album the first he’s didn’t abandon, paraphrasing the quote: “Art is never finished, only abandoned.” It definitely shows. He makes some slight but adventurous tweaks to his sound, incorporating more synths and drum machines without losing his folk crooner vibe.
Miami Sound Machine, Primitive Love
The singles from this album were ubiquitous at the time, which dissuaded both my brother and me from staking claim on it. Enough time has passed to reveal those singles to be incredibly durable and fitting well with the album on the whole.
The Dismemberment Plan, Emergency & I
You kinda need to have this album if you remotely like Changes.
I’ve sometimes struggled to find 10 albums to put on my year-end favorite list. This year, I’ve had to expand the list. The last time I encountered a release year this packed with contenders was 2002.
Utada Hikaru, Bad MODE
Most of this album was released as singles, and to be honest, I wasn’t entirely convinced they would coalesce into a whole. Then Utada brought in the remaining pieces, and it all made sense. My attention span has gotten a lot shorter since thrift shops became my main source of music discovery, and I don’t listen to albums as deeply as I did. But I paid Bad MODE a lot of attention.
Beyoncé, RENAISSANCE
Solange is still my favorite Knowles sister, but with RENAISSANCE, I’ve finally come around to Bey herself. This album is queer af, and I’m all for that.
The Linda Lindas, Growing Up
The Linda Lindas are the band I wish the Donnas could have been.
Kendrick Lamar, Mr. Morale and the Right Steppers
I hate to reduce the worth of an album down to a few tracks, but it’s tough to ignore the weight of “We Cry Together” and “Auntie Diaries”. The former is uncomfortably raw, while the latter is refreshingly empathetic, given hip-hop’s historic casualness with homophobia and transphobia. The rest of the album is great, but those two moments actually make it difficult to recognize there is a rest of the album.
Perfume, PLASMA
PLASMA is something of a reset. 2018’s Future Pop was OK, but the singles preceding that album’s release fell flat. Not so with the singles on PLASMA. While I had trouble picturing Bad MODE as a complete album, I could sense immediately that PLASMA would be a keeper.
Ty Herndon, Jacob
Ty Herndon had a relapse that nearly cost him his life, but his recovery resulted in an album compelling for its honesty and vulnerability. He suffered to create great art, and let’s hope he never has to go through that again.
TwoSet Violin, Fantasia
I don’t look to TwoSet Violin to champion modern composition, but Jordan He’s score to the duo’s ambitious short film suits their common era sensibilities.
Omar Apollo, Ivory
(Don’t compare him to Frank Ocean. Don’t compare him to Frank Ocean. Don’t … aw, screw it.) Omar Apollo is what would have happened if Frank Ocean spent his formative years being a Death Cab for Cutie stan. That sounds like a dig, but I happen to like both Frank Ocean and Death Cab for Cutie.
Charlie Puth, CHARLIE
I haven’t run into a better modern day word painter than Charlie Puth. “Charlie Be Quiet!” is a master class on using pop production to reinforce lyrics.
Robin Holcomb, One Way or Another, Vol. 1
This album brings together songs from Holcomb’s catalog along side a smattering of new material and covers, all sparsely captured. Emmylou Harris sang some tight harmonies with the Nash Ramblers on “Hard Times Come Again No More”. Holcomb’s version speaks an entirely different harmonic language.
Other favorites:
Midnight Oil, RESIST: The message on the band’s final album hasn’t changed since their start and somehow feels more urgent than ever.
Tears for Fears, The Tipping Point: Everything you like about classic Tears for Fears, updated to sound very much 2022.
Björk, Fossora: My favorite Björk albums reign in her avant-garde tendencies just enough to let the pop hooks shine through. Fossora is not easy listening, but it’s engaging.
Freedy Johnston, Back on the Road to You: During his Elektra years, I preferred Johnston’s quieter albums over his louder ones, and on this new outing, he’s got the right balance between the two.
Swing Out Sister, Blue Mood, Breakout and Beyond: The Early Years, Aug. 12
This 8-disc boxed set covers Swing Out Sister’s first three albums, supplementing them with B-sides, remixes and a live album. I like two of the three albums from that era — It’s Better to Travel and Kaleidoscope World — so I’m curious but not entirely tempted.
R.E.M., Chronic Town EP, Aug. 19
This 40th anniversary edition would be the first time the Chronic Town EP is released as its own separate CD. It was previously released as part of Dead Letter Office, a compilation of B-sides and rare tracks. I have to admit I didn’t find Dead Letter Office compelling, save for the Chronic Town tracks. So I welcome this reissue.
Madonna, Finally Enough Love: 50 Number Ones, Aug. 19
Madonna returns to Warner Bros., bringing along the albums she recorded during her time away from the label. This compilation of remixes marks the new business arrangement.
Blondie, Against the Odds: 1974-1982, Aug. 26
Blondie has always struck me as a band for which I am the target market, but I own only Parallel Lines and The Best of Blondie. This boxed set includes all six studio albums, plus a few extra discs of rarities. I’ve been on a boxed set kick lately, so … sure why not?
Santigold, Spirituals, Sept. 9
Santigold releases her first full album since 99 Cents, which was released in 2016, and I Don’t Want: The Gold Fire Sessions, a mixed tape released in 2018. It’s also the first release of her own label, Little Jerk Records.
Death Cab for Cutie, Asphalt Meadows, Sept. 16
I passed on Death Cab’s previous album, Thank You for Today. Given the band’s Pacific Northwest roots, they’re still something of a big deal in the area, but I do find myself reacting to this album news similar to a non-Duranie learning about a new Duran Duran album.
Steve Reich, Runner / Music for Ensemble and Orchestra, Sept. 30
Runner would be the second Steve Reich release on Nonesuch in 2022. I can’t say Reich / Richter really grabbed my attention. Nonesuch hinted that a boxed set similar to John Adams’ Collected Works is in the works for Reich.
Charlie Puth, CHARLIE, Oct. 7
I still can’t believe a Subway commercial got me into Charlie Puth.
Christine and the Queens, Redcar les adorables etoiles, Oct. 28
TIL the translation of this album title is “Redcar the adorable star”, and Redcar is an alter ego of Christine.
Vinyl
David Bowie, Earthlng, Aug. 12
I hadn’t yet done a deep dive into the works of David Bowie when this album was reissued for Record Store Day. So yes, I missed out. But I bided my time. For a figure as large as Bowie, these things don’t stay out of print forever.
Moby, Everything Is Wrong, Aug. 12
Moby is reissuing a number of early albums on colored vinyl, and while I like Everything Is Wrong, I’m more of a fan of Animal Rights. So I was a bit surprised to see Animal Rights was left out. Then I visited Moby’s online store and discovered it still sold the 2016 reissue of Animal Rights. Yeah, I ordered it. And yeah, I’m probably going to pick this one up as well.
… And You Will Us Know By the Trail of Dead, IX, Sept. 9
Music on Vinyl reissues are always hit or miss when it comes to availability in the US.
Last year, I may have complained about getting too many albums from Lifelong Thrift Shop, where I had started volunteering. SARS-CoV2 pretty much ended my volunteer work for this year, but I intend to resume once the pandemic subsides. I still make weekly visits, this time as a customer.
At least it’s afforded me to take a deeper dive into albums I do get.
Catalog
Ned Doheny, Hard Candy: Does anyone else get a super homoerotic vibe from the cover?
Charlie Puth, Voicenotes: I just found him totally adorable in the Subway ads.
Robyn, Body Talk: I’m a latecomer to Robyn, but I see why she is popular with the gays.
Anton Reicha, Reicha Rediscovered, Vol. 1 (Ivan Ilić): Two volumes of an expected five have been released, so where are the other three?
Nakamori Akina, AKINA BOX, 1982-1989: This purchase pretty much seals my place in the Nakamori vs. Matsuda rivalry.
Various Artists, Studio One Rockers: Dawn Penn’s “No No No” is one of those tracks I loved but never knew who sang till recently.
The Damned, Machine Gun Etiquette: I love those thrift shop purchases that turn out to be keepers.
Gary Numan, The Pleasure Principle: I have “Cars” on a 7-inch single, and it only took me another 40 years before listening to the entire album.
SUPERCAR, OOKeah!!: I thought I had caught up on owning SUPERCAR’s studio albums, but this album along with OOYeah!! slipped through the cracks. Of the simultaneously-released pair from 1999, OOKeah!! is noisier with stronger writing.
The Dismemberment Plan, Change: I’m waiting for Emergency & I to show up at the thrift shop.
Reissues
I actually bought more vinyl reissues this year than remasters or deluxe editions.
Wire Train, In a Chamber / Between Two Words / Ten Women: This 2-CD reissue of Wire Train’s Columbia albums might mark the first time Ten Women has been released on CD.
Tears for Fears, The Seeds of Love (Deluxe Edition): Wow, this album is longer than I remember.
U2, All That You Can’t Leave Behind (Deluxe Edition): I didn’t spring for the multi-disc edition with B-sides, but the inclusion of a live show did remind me of the only time I saw the band live, which was during the Elevation Tour.
Roberta Flack, First Take (50th Anniversary Edition): The bonus material on this expanded edition is illuminating, but it’s clear why they weren’t pursued for the album.
Neneh Cherry, Raw Like Sushi: This album so needed a remastering.
A Subway TV ad introduced me to Charlie Puth. And I haven’t been able to stop playing this album since.
Mandy Barnett, A Nashville Songbook
Barnett released “It’s Now or Never” as a single, and I can’t say I was a fan. I even made an uncharitable prediction about whether this album would work. Then I heard it in full, and the song selection is impeccable — “The End of the World”, “Love Hurts”, “I Love a Rainy Night”. Perhaps the apex of this songbook is “The Crying Game”.
The Streets, None of Us Are Getting Out of This Life Alive
Mike Skinner’s first two albums loom large, but this return after a nearly decade absence stands up to that legacy.
The Chicks, Gaslighter
A friend of mine had an extra copy, so I took it. It’s my first ever (Dixie) Chicks album. If I get curious enough, I can pick up Fly or Wide Open Spaces from the thrift shop.
Julius Eastman, Unjust Malaise
Julius Eastman was post-minimalist at a time when his minimalist colleagues were still minimalizing.
I started running out of things to say just as the SARS-CoV2 spread in the US, and when the lockdown happened, I threw myself into recording a pair of cover albums. I wasn’t buying much music, nor listening to anyone other than myself. By the time I finished making the albums, stores were opening up, and my music buying eventually resumed.
But I still don’t have much to say.
That doesn’t mean I’ve run out of opinions. So here are my favorites of the year so far.
New releases
Sam Sparro, Boombox Eternal
Timo Andres / Brad Mehldau / Jeremy Denk / Randy Newman, I Still Play
Perfume Genius, Set My Heart on Fire Immediately
Jason Isbell and 400 Unit, Reunions
The Streets, None of Us Are Getting Out of This Life Alive
Fiona Apple, Fetch the Bolt Cutters
… And You Will Know Us by the Trail of Dead, X: The Godless Void and Other Stories
![[Sinéad O'Connor - The Lion and the Cobra]](https://musicwhore.org/wp-content/uploads/2023/11/SinadOConnorTheLionAnd237694FLYN_f.jpg)
![[Taylor Swift - Midnights]](https://musicwhore.org/wp-content/uploads/2022/12/TaylorSwiftMidnights2022305009_f.jpg)
![[Utada Hikaru - Bad MODE]](https://musicwhore.org/wp-content/uploads/2022/12/BAD2022281781_f.jpg)
![[Charlie Puth - CHARLIE]](https://musicwhore.org/wp-content/uploads/2022/07/charlie-puth-charlie.jpg)
![[Judy Tenuta - Buy This, Pigs!]](https://musicwhore.org/wp-content/uploads/2022/10/JudyTenutaBuyThisPigs3032946K40_f.jpg)
![[Ned Doheny - Hard Candy]](https://musicwhore.org/wp-content/uploads/2020/11/NedDohenyHardCandy201625470427OG_f-295x300.jpg)
![[Robyn - Robyn]](https://musicwhore.org/wp-content/uploads/2020/09/RobynRobyn2020240128_b-300x300.jpg)
![[Charlie Puth - Voicenotes]](https://musicwhore.org/wp-content/uploads/2020/08/CharliePuthVoicenotes201237260_f-300x300.jpg)
![[Sam Sparro - Boombox Eternal]](https://musicwhore.org/wp-content/uploads/2020/03/SamSparroBoomboxEternal-300x300.jpg)