For the first time in a number of years, I’ve had an easier time compiling my favorite new albums than catalog discoveries. Last year, I noted that I’m not finding as many eye-openers at the thrift shops. This year seems to follow that trend. The first half of this list is solid, but the second half of the list could probably be negotiated.
easy life, Life’s a Beach
Kia car commercials seem to be a new avenue of music discovery for me. First, it was the hamsters and Black Sheep. Now it’s skeletons, and uh, “Skeletons”. I’m still on the fence about the band’s new album, but this debut is a keeper.
Black, Wonderful Life
Black has always existed on the periphery of my awareness, and I even felt a bit of sadness to hear of his passing back in 2016. But I wouldn’t fully understand just how good he was till I picked up Wonderful Life from the thrift shop. He didn’t have much of a profile in the States as in the UK, which is a pity.
Cave In, Antenna
This album got quite a bit of in-store play when I worked at Waterloo Records at the time of its release. I would eventually understand this album is quite the departure from the band’s usual metal outings.
Devo, Q: Are We Not Men? A: We Are DEVO!
I knew Devo mostly from “Whip It” and “Working in the Coal Mine”. Then I picked up Freedom of Choice and this album from the thrift shop and discovered they were far more angular than those hits hinted at.
Mieczslaw Weinberg, Violin Concerto / Sonata for Two Violins (Gidon Kremer, Danielle Gatti, Gewandhausorchester Liepzig)
Weinberg was a friend of Dmitri Shostakovich, and it’s easy to hear the shared musical dialect between the two composers. But Weinberg isn’t Shostakovich Light. He has his own sense of lyricism and bite, which Gidon Kremer has done well to champion.
Paula Cole, This Fire
“I Don’t Wanna Wait” was so tied to the branding of the nascent WB Network that I didn’t really take Paula Cole seriously, despite loving her backing vocals on Peter Gabriel’s Secret World Live. It turns out This Fire is a far more adventurous album than the hit single let on.
Radio stations in Honolulu only ever paid attention to “Toy Soldiers”, playing it to death. But the album got renewed attention when Eminem sampled it at the start of his career. It’s really a solid album that transcends its hit single.
Recommended if you like Kelela, Sampha, Solange and other such artists expanding the boundaries of R&B.
Kraftwerk, Techno Pop (a.k.a. Electric Cafe)
I mostly like this album because of Mike Myers’ iconic Sprockets skit on Saturday Night Live. But also, this Kraftwerk album seems the most tuneful.
Club Nisei, Japanese Music of Hawaii
This compilation of traditional Japanese music performed by the Club Nisei Orchestra got quite a bit of play on the in-store system at Waterloo Records. I wasn’t much into older Japanese music at the time, but I picked it up at a record show in Seattle mostly out of nostalgia. I understand now why it was so popular among my coworkers.