A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
If my 8-year-old self were in control of this list, the soundtrack to Xanadu would occupy the top spot. The only other title he might have recognized would be Diana. And he would have questioned the inclusion of AC/DC.
U2, Boy
David Bowie, Scary Monsters (and Super Creeps)
Kate Bush, Never for Ever
Diana Ross, Diana
X, Los Angeles
Grace Jones, Warm Leatherette
Killing Joke, Killing Joke
Talking Heads, Remain in Light
AC/DC, Back in Black
Emmylou Harris, Roses in the Snow
Other favorites from the year:
The Police, Zenyatta Mondatta
Soundtrack, Xanadu
ABBA, Super Trouper
The B-52’s, Wild Planet
The roots of my collecting bug are anchored in 1980.
I would bug my mom to buy me 7-inch singles. I was told I didn’t have the sufficient capacity to judge whether a full album would be worth the purchase price. My mom wasn’t about to drop cash on a set of songs if only one of them would entertain me.
So I amassed quite a lot of singles — “Tell It Like Is” by Heart, “A Lover’s Holiday” by Change, “Stomp!” by the Brothers Johnson.
I was, however, a pest about ABBA. The age of eight seems to be the right level of maturity for ABBA to sink its sugary hooks into an impressionable mind. My niece was crazy for Mamma Mia, the movie musical, right around the age I bugged my parents to get me their Greatest Hits, Vol. 2. The first volume didn’t have “Chiquitita.”
Video games interrupted my interest in music for four years, so it makes me wonder in how much more trouble I’d be today without that disruption.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
If there were a year I was least interested in music, it would be 1981. And it was a remarkable turn of events, because I had amassed quite a 7-inch collection the year before.
Duran Duran, Duran Duran
Lou Harrison, Three Pieces for Gamelan with Soloists / String Quartet Set
Eurythmics, In the Garden
U2, October
The Police, Ghost in the Machine
ABBA, The Visitors
Black Flag, Damaged
Brian Eno and David Byrne, My Life in the Bush of Ghosts
Bucker and Garcia, Pac-Man Fever
Rick Springfield, Working Class Dog
Other favorites from the year:
Go-Go’s, Beauty and the Beat
Gang of Four, Solid Gold
Grace Jones, Nightclubbing
1981 marked the start of my fascination with the classic video games of the era. I would also take an interest in computers and programming. My parents actively discouraged me from pursuing either interest, but it would not stop me from sneaking away to the arcade when we went to the local malls.
That didn’t mean I was totally unaware of music. Of the titles on this list, I would have listened to the Police, ABBA, Rick Springfield, the Go-Go’s and Buckner and Garcia. And I would have definitely seen Grace Jones in the press.
If there was one album I really wanted to get at the time, it would have been Pac-Man Fever by Buckner and Garcia, mostly for the maze patterns on the inner sleeve that would have help you to win the game.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The 1983 Favorite Edition list is not terribly cosmopolitan. And why should it? I would have been 11 years old at the time, and pre-teens, even precocious ones, aren’t renowned for sophistication.
Eurythmics, Sweet Dreams (Are Made of This)
Clannad, Magical Ring
U2, Live Under a Blood Red Sky
David Bowie, Let’s Dance
Duran Duran, Seven and the Ragged Tiger
R.E.M., Murmur
Huey Lewis and the News, Sports
The Police, Synchronicity
10,000 Maniacs, Secrets of the I Ching
The Waitresses, Bruiseology
Other favorites from the year:
Toto, IV
Culture Club, Colour By Numbers
Violent Femmes, Violent Femmes
Cyndi Lauper, She’s So Unusual
The Pointer Sisters, Break Out
MTV was the big driver of music in this era, but I wouldn’t have known it because my parents refused to subscribe to cable. The household wouldn’t welcome cable TV till well after I had moved out after college … in 1997.
So my exposure to music in 1983 was limited to American Bandstand and Solid Gold. For a short while, a syndicated TV show called Prime Time Videos aired on broadcast affiliates, but it would not last.
I was still heavily into Pac-Man, even though my parents refused to welcome a game console or computer into the house. It’s a wonder how I’ve made computer programming my career.
So if this list seems particularly safe, it’s a reflection of the limited avenues of consumption. It’s probably why I have such a voracious appetite now.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I go on and on about how much I love 1987 that I should just shut up and let the list speak for itself. Unsurprisingly, the Favorite 10 hasn’t changed, saved one correction.
U2, The Joshua Tree
Sting, … Nothing Like the Sun
10,000 Maniacs, In My Tribe
Sinéad O’Connor, The Lion and the Cobra
Bulgarian State TV & Radio Women’s Choir, Le Mystère de Voix Bulgares
John Adams, The Chairman Dances
Andrew Lloyd Webber, The Phantom of the Opera
Wendy & Lisa, Wendy & Lisa
Guns N’ Roses, Appetite for Destruction
R.E.M., Document
Other favorites from the year:
Kronos Quartet, White Man Sleeps
Depeche Mode, Music for the Masses
Dolly Parton / Linda Ronstadt / Emmylou Harris, Trio
The Art of Noise, In No Sense? Nonsense!
Swing Out Sister, It’s Better to Travel
Hiroshima, Go
The Smiths, Strangeways, Here We Come
Eurythmics, Savage
INXS, Kick
Sonic Youth, Sister
The Dukes of the Stratosphear, Psonic Psunspot
Dead Can Dance, Within the Realm of a Dying Sun
Icehouse, Man of Colours
In Tua Nua, Vaudeville
Johnny Hates Jazz, Turn Back the Clock
I originally listed the cast recording of Into the Woods in the Favorite 10, but I discovered it was actually released in 1988.
The extended list is shorter than the one for 1988, but I’ve actually added fewer titles from 1987 since the original list was compiled. I think I also like these albums more intensely because I had discovered them at the time, and they’ve made a lasting impression.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I’m not sure other music writers would agree that 1998 is an important year in music for the ’90s. 1991 saw Guns N’ Roses cap the era of hair metal and Nirvana usher the unfortunately-named alternative rock. But it didn’t have Neutral Milk Hotel.
Igor Stravinsky, Le Sacre du Printemps/Symphony in Three Movements (Zubin Mehta, New York Philharmonic Orchestra)
Mazzy Star, She Hangs Brightly
Soundgarden, Badmotorfinger
Bill Frisell, Where in the World?
Fishbone, The Reality of My Surroundings
Metallica, Metallica
Kronos Quartet, Lutoslawski: String Quartet
Black Sheep, A Wolf in Sheep’s Clothing
Hamada Mari, Tomorrow
Electronic, Electronic
Slint, Spiderland
My Bloody Valentine, Loveless
Painkiller, Guts of a Virgin
Mr. Bungle, Mr. Bungle
Slint and My Bloody Valentine are additions 2004-me would have made. 1991-me would have side-eyed 2004-me.
And he would have scoffed at 2018-me for including Black Sheep, after emitting a gasp at seeing Fishbone on the list at all.
He would have begrudgingly nodded at the additions of Metallica and Hamada Mari, and he would have been curious about Electronic. And he would have gone out and found Painkiller the first chance he got.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.
Duran Duran, The Wedding Album
Bill Frisell, Have a Little Faith
John Zorn / Naked City, Absinthe
Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
Spiny Norman, Crust
The Love Gods, Hujja Hujja Fishla
Michael Nyman, The Piano
Wayne Horvitz / Pigpen, Halfrack
Clannad, Banba
Emerson Sting Quartet, American Originals: Ives / Barber String Quartets
Other favorites from the year:
Kate Bush, The Red Shoes
Emmylou Harris, Cowgirl’s Prayer
Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
Cypress Hill, Black Sunday
Digable Planets, Reachin’
U2, Zooropa
Julee Cruise, The Voice of Love
Sting, Ten Summoner’s Tales
This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.
That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.
The extended list includes music that would have been ignored by the person who compiled the Favorite 10.
My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.
Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.
Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.
All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.
Shiina Ringo, Shouso Strip
Cocco, Rapunzel
NUMBER GIRL, SAPPUKEI
SUPERCAR, Futurama
eX-Girl, Big When Far, Small When Close
Sleater-Kinney, All Hands on the Bad One
Idlewild, 100 Broken Windows
FEED, Make Every Stardust Shimmer!
Tomosaka Rie, “Shoujo Robot”
Sade, Lovers Rock
Other favorites from the year:
Do As Infinity, Break of Dawn
Yaida Hitomi, daiya-monde
PJ Harvey, Stories from the City, Stories from the Sea
OBLIVION DUST, Butterfly Head
At the Drive-In, Relationship of Command
L’Arc~en~Ciel, REAL
Bonnie Pink, Let Go
MISSILE GIRL SCOOT, Fiesta!
Smashing Pumpkins, MACHINA/The Machine of God
m-flo, Planet Shining
Juanes, Fíate Bien
Emmylou Harris, Red Dirt Girl
U2, All That You Can’t Leave Behind
La Ley, Uno
Sinéad O’Connor, Faith and Courage
Soundtrack, High Fidelity
BBMak, Sooner or Later
At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.
Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯
Idlewild’s 1000 Broken Windows takes the spot vacated by U2.
Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.
I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.
The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The 2014 list has already gone through one revision, and this version expands it slightly.
D’Angelo and the Vanguard, Black Messiah
John Luther Adams, Become Ocean
Sturgill Simpson, Metamodern Sounds of Country Music
Royal Wood, The Burning Bright
The Bad Plus, The Rite of Spring
Meredith Monk, Piano Songs
Inventions, Inventions
MONO, Rays of Darkness
Shiina Ringo, Gyakuyunyuu ~Kouwankyoku~
BADBADNOTGOOD, III
Other favorites from the year:
Juanes, Loco de Amor
The Drums, Encyclopedia
Cocco, Plan C
Shaprece, Molting EP
Huck Hodge, Life Is Endless Like Our Field of Vision
Taylor Swift, 1989
Sam Amidon, Lily-O
U2, Songs of Innocence
The year started with Juanes topping the list. He’s now been bumped off the Favorite 10 in favor of BADBADNOTGOOD. Despite that change, the Favorite 10 is pretty solid. The remaining list, however, has expanded to include The Drums and Taylor Swift.
You read that right.
I’ve been curious about 1989 for a while, but I felt no desire to stream it. Yet, a thrift store copy selling for $2 was more incentive to check it out. I wonder why that is? I ended up liking it more than I thought I would.
The Drums’ Encyclopedia didn’t start out as a favorite, but when I stopped expecting it to be a carbon copy of the self-titled debut, its strengths became apparent. That said, it’s really a strange album.
The last addition to the list is an album by Huck Hodge, a University of Washington music composition professor from whom I took a number of classes. I actually heard most of this album in class, so it made sense to own a copy of it.
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