Syndrome was a return to form for Onitsuka Chihiro, and the pre-release singles seem to indicate she’s retracing those steps.
Sigur Rós, Odin Raven Magic, Dec. 4
It’s not so much a “new” album as a “new-ish” album. This orchestral collaboration premiered in 2002 and finally sees a release 18 years later.
Sturgill Simpson, Cuttin’ Grass, Dec. 11
Simpson returns to his indie roots with a survey of his early works filtered through a bluegrass lens.
Vinyl
Alice in Chains, Facelift, Nov. 13
Nirvana may have ushered in alternative rock in 1991, but Alice in Chains had softened the ground a year before with their major label debut, which turns 30 years old in 2020.
Soundtrack, Sen to Chihiro no Kamikakushi (Spirited Away), Nov. 20
A big vinyl reissue campaign of Joe Hisaishi scores for Miyazaki Hayao films finally reaches Spirited Away.
Spice Girls, Forever, Jan. 22
I don’t even have this album on CD, but I already have the other albums on vinyl. Might as well be consistent. I’m sure the thrift store will have a CD copy at some point.
… And You Will Know Us by the Trail of Dead, X: The Godless Void and Other Stories, Jan. 17
When Trail of Dead announced they would take a hiatus after releasing their ninth album, it felt like the right time. They’d been at it for 20 years, and they sure deserved the break. Their return is also nicely timed — I have to say I’ve missed them.
Ben Watt, Storm Damage, Jan. 31
I’m still somewhat surprised Ben Watt has spent his post-Everything But the Girl solo career thus far being a troubadour.
Neneh Cherry, Raw Like Sushi (Deluxe Edition), Jan. 31
I came around to this album quite late, but I’m glad to see it get some deluxe treatment.
CHARA+YUKI, echo, Feb. 14
The closest thing we’ll get to a MEAN MACHINE reunion.
Onitsuka Chihiro, REQUIEM AND SILENCE, Feb. 20
Onitsuka Chihiro commemorates the 20th anniversary of her debut with yet another compilation, this one spanning three major labels.
Sam Sparro, Boombox Eternal, Feb. 21
If the pre-release single “Everything” reflects the remainder of the album, I’m on board.
Clannad, In a Lifetime Anthology, March 13
I probably don’t need this anthology given the depth of my Clannad collection, but I wait eagerly for news of US dates on their farewell tour.
LOVE PSYCHEDELICO, 20th Anniversary Box, March 25
Another band celebrating their 20th anniversary is LOVE PSYCHEDELICO. The 20th Anniversary Box compiles 4 CDs of singles, a Blu Ray or DVD of the duo’s acoustic tour, an LP of acoustic recordings and a score book. I’m tempted by the score book alone. The singles collection will also be sold separately (COMPLETE SINGLES 2000-2019), and the acoustic recordings will be released on vinyl (TWO OF US Acoustic Recording Session at VICTOR STUDIO 302.)
Onitsuka Chihiro, Syndrome (Premium Edition), March 20
Aside from a poster and a photo book, this premium edition of Syndrome also includes a second disc of the entire album without vocals. Karaoke! It’s also housed in an LP-sized jacket. I say, just stick a vinyl version of the album in that jacket!
Weezer, Weezer (The Teal Album), March 8
I’m usually ambivalent about Weezer, but this album is actually fun. It’s been available on streaming services for a while now.
Gang of Four, Happy Now, March 29
I might check this out when it’s released, but I have to admit I haven’t even listened to Complicit yet. The band’s previous album, What Happens Next, was one of the last I downloaded from eMusic before I canceled my subscription.
Idlewild, Interview Music, April 5 (UK)
Idlewild dropped off my radar right around the middle of the last decade, so I’m not sure if they’ve got successively safer with each album or if they reverted back to the brashness of Hope Is Important.
The Drums, Brutalism, April 5
I think I’m still following the Drums because Jonny Pierce synthesizes post-punk in a way more sophisticated than Interpol, the Killers or the Strokes ever did.
Massive Attack, Mezzanine (Deluxe Edition), April 19 (UK)
I picked this album up from the thrift store in 2018. I like it, but enough to drop money on a deluxe edition?
BBMak, TBD, April 26
Don’t judge. I’ll be in London when this album comes out. HMV will probably be shuttered by that time.
Vinyl
… And You Will Know Us by the Trail of Dead, Madonna, March 5
I missed out on the 2013 reissue of this album, so I’ve already placed my pre-order.
Mikami Chisako, I AM Ready!, March 6
I won’t lie — I would rather see fra-foa’s Chuu no Fuchi reissued on vinyl, but I AM Ready! was enjoyable. Maybe enjoyable enough to get on vinyl?
Utada Hikaru, “Face My Fears”, March 6
I’m getting this less for the new song and more for the English version of “Chikai”, going by the title “Don’t Think Twice”. “Chikai” is probably the most rhythmically confounding song Utada has written.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
As I mentioned in the original entry for the 2001 list, 75 percent of the year was actually really decent, especially where music was concerned. The Favorite 10 from that year remains unchanged.
AJICO, Fukamidori
fra-foa, Chuu no Fuchi
Quruli, Team Rock
eX-Girl, Back to the Mono Kero
ACO, Material
the brilliant green, Los Angeles
Cocco, Sangrose
Res, How I Do
Utada Hikaru, Distance
Onitsuka Chihiro, Insomnia
Other favorites from the year:
Hajime Chitose, Kotonoha
MONO, Under the Pipal Tree
Fugazi, The Argument
Low, Things We Lost in the Fire
Death Cab for Cutie, The Photo Album
bloodthirsty butchers, Yamane
Kicell, Yume
Shea Seger, The May Street Project
Rufus Wainwright, Poses
Semisonic, All About Chemistry
Missy Elliott, Miss E … So Addictive
Gillian Welch, Time (The Revelator)
The Shins, Oh, Inverted World!
soulsberry, The end of vacation
Sigur Rós, Agætis Byrjun
Guided By Voices, Isolation Drills
Like 2002 and 2003, the extended list for 2001 overruns with quality stuff, and I’ve only added to it.
I got Gillian Welch’s Hell Among the Yearlings as part of a gift bag from a Waterloo Records holiday party. I didn’t get around to listening to it till about 15 years later, and I had to play catch-up.
I’ve known about Low for years, but I didn’t hear them till MONO shared a bill with them in concert.
The annual Friends of the Library Book Sale hooked me up with Fugazi’s End Hits for $1, so I sought out The Argument to round out my collection. I vaguely remember the news of Fugazi’s hiatus upsetting my Waterloo coworkers. I hadn’t yet jumped on the bandwagon.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Back in February, I argued 2002 was an important year in music of the 2000s. 2003 is no slouch in that regard either. The list from that year sees no major changes.
Shiina Ringo, Karuki Zaamen Kuri no Hana
ACO, Irony
Molotov, Dance and Dense Denso
Café Tacuba, Cuatro Caminos
ART-SCHOOL, LOVE/HATE
Sasagawa Miwa, Jijitsu
bloodthirsty butchers, Kouya ni Okeru bloodthirsty butchers
Bonnie Pink, Present
downy, untitled third album
Explosions in the Sky, The Earth Is Not a Cold, Dead Place
Other favorites from the year:
Outkast, Speakerboxxx/The Love Below
Death Cab for Cutie, Transatlanticism
Bleach, Bleach
The Postal Service, Give Up
NUMBER GIRL, Sapporo OMOIDE IN MY HEAD Joutai
Onitsuka Chihiro, Sugar High
Original Cast Recording, Avenue Q
Emmylou Harris, Stumble Into Grace
NIRGILIS, Tennis
Rufus Wainwright, Want One
Hayashi Asuca, Saki
Caitlin Cary, I’m Staying Out
The Bad Plus, These Are the Vistas
DJ Krush, Shinsou ~Message from the Depth~
Benjamin Gibbard / Andrew Kenny, Home, Vol. 5
The Wrens, The Meadowlands
Longwave, The Strangest Things
The only change is switching out Explosions in the Sky for Outkast, and the extended list adds the Wrens and Longwave.
I was working at Waterloo Records in 2003, and legitimate download services hadn’t gotten off the ground yet to stem the tide of rampant file sharing. So I was discovering a lot of great music through word of mouth and on the job.
While I’ve added a number of 2003 titles to my collection in the following years, few have edged their way into this already crowded field.
So I guess I’m pretty set where 2003 is concerned.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The 2009 list went through a revision, and subsequent discoveries from the year weren’t moving enough to dislodge anything.
… And You Will Know Us by the Trail of Dead, The Century of Self
LEO Imai, LASER RAIN
Van Tomiko, Van.
Alarm Will Sound, a/rhythmia
Onitsuka Chihiro, DOROTHY
Shiina Ringo, Sanmon Gossip
Tomosaka Rie, Toridori.
mono, Hymn to the Immortal Wind
Wendy & Lisa, White Flags of Winter Chimneys
Sacha Sacket, Hermitage
Other favorites from the year:
Office, Mecca
Kronos Quartet, Floodplain
The Bad Plus joined by Wendy Lewis, For All I Care
Utada, This Is the One
In explaining the dearth of new releases on this list, I mentioned that I spent more time listening to catalog music, but like 2012 and 2011, I haven’t picked any more titles from 2009 in the 9 years that have passed.
It makes me think it wasn’t a terribly interesting time for discovery.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Do I have new favorites? Which ones have fallen out of favor? This time around, we’ll cover a greater span of time from as recently as last year, all the way to 1978!
This most recent decade won’t see much in the way of significant revisions, as I explore deeper into catalog releases than following new artists. Wouldn’t it be odd if I discover new artists from 2017 five years from now? Probably not.
Jason Isbell’s previous two albums ranked high on the Favorite Edition lists of 2013 and 2015, but The Nashville Sound had a tenuous grip on its position in the 2017 list. The late discovery of Sampha and Eluvium gave Isbell the final nudge.
Anne Dudley took up Eluvium’s vacated spot, nearly knocking Living Colour off.
Brandon Stansell makes his first appearance on the list. Stansell performed at the Concert for Love and Acceptance, hosted by Ty Herndon. Like Herndon, Stansell is a country artist, although he’s starting his career out of the closet.
![[Onitsuka Chihiro - UN AMNESIAC GIRL -First Code 2000-2003-]](https://musicwhore.org/wp-content/uploads/2024/03/UnAmnesiacGirlFir324874_f.jpg)
![[Onitsuka Chihiro - Insomnia]](https://musicwhore.org/wp-content/uploads/2023/12/OnitsukaChihiroInsomnia217451_f.jpg)
![[Jane's Addiction - Ritual de lo Habitual]](https://musicwhore.org/wp-content/uploads/2020/11/JanesAddictionRitualDeL69321_f-300x300.jpeg)
![[Alice in Chains - Facelift]](https://musicwhore.org/wp-content/uploads/2020/11/AliceInChainsFacelift1939907_f.jpg)
![[... And You Will Know Us By the Trail of Dead - X: The Godless Void and Other Stories]](https://musicwhore.org/wp-content/uploads/2019/12/AndYouWillKnowUsByTheTrailOfDeadX-300x300.jpg)
![[... And You Will Know Us by the Trail of Dead - Madonna]](https://musicwhore.org/wp-content/uploads/2019/02/AndYouWillKnowUsbyth19123_f-300x300.jpg)
![[Fugazi - The Argument]](https://musicwhore.org/wp-content/uploads/2018/11/FugaziTheArgument2001185734_f-300x300.jpg)
![[The Wrens - The Meadowlands]](https://musicwhore.org/wp-content/uploads/2018/11/TheWrensTheMeadowlands-300x300.jpg)
![[Alarm Will Sound - a/rhythmia]](https://musicwhore.org/wp-content/uploads/2018/11/AlarmWillSoundarhythmia522852FED_f-300x300.jpg)
![[Sampha - Process]](https://musicwhore.org/wp-content/uploads/2018/11/SamphaProcess2017176371_f-300x296.jpg)