… And You Will Know Us by the Trail of Dead, X: The Godless Void and Other Stories, Jan. 17
When Trail of Dead announced they would take a hiatus after releasing their ninth album, it felt like the right time. They’d been at it for 20 years, and they sure deserved the break. Their return is also nicely timed — I have to say I’ve missed them.
Ben Watt, Storm Damage, Jan. 31
I’m still somewhat surprised Ben Watt has spent his post-Everything But the Girl solo career thus far being a troubadour.
Neneh Cherry, Raw Like Sushi (Deluxe Edition), Jan. 31
I came around to this album quite late, but I’m glad to see it get some deluxe treatment.
CHARA+YUKI, echo, Feb. 14
The closest thing we’ll get to a MEAN MACHINE reunion.
Onitsuka Chihiro, REQUIEM AND SILENCE, Feb. 20
Onitsuka Chihiro commemorates the 20th anniversary of her debut with yet another compilation, this one spanning three major labels.
Sam Sparro, Boombox Eternal, Feb. 21
If the pre-release single “Everything” reflects the remainder of the album, I’m on board.
Clannad, In a Lifetime Anthology, March 13
I probably don’t need this anthology given the depth of my Clannad collection, but I wait eagerly for news of US dates on their farewell tour.
LOVE PSYCHEDELICO, 20th Anniversary Box, March 25
Another band celebrating their 20th anniversary is LOVE PSYCHEDELICO. The 20th Anniversary Box compiles 4 CDs of singles, a Blu Ray or DVD of the duo’s acoustic tour, an LP of acoustic recordings and a score book. I’m tempted by the score book alone. The singles collection will also be sold separately (COMPLETE SINGLES 2000-2019), and the acoustic recordings will be released on vinyl (TWO OF US Acoustic Recording Session at VICTOR STUDIO 302.)
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Our retrospective ends at 1978 because my collection starts thinning out at this point. I was 6 years old at the time and just starting to become aware of songs on the radio. Of course, nothing on this list would have appealed to 6-year-old me.
Steve Reich, Music for 18 Musicians
Brian Eno, Ambient 1: Music for Airports
Kate Bush, The Kick Inside
Emmylou Harris, Quarter Moon in a Ten Cent Town
Blondie, Parallel Lines
Andrew Lloyd Webber, Variations
Andy Gibb, Shadow Dancing
Willie Nelson, Stardust
Kate Bush, Lionheart
The Police, Outlandos d’Amour
Other favorites from the year:
Clannad, In Concert
Rap Reiplinger, Poi Dog
I loved Blondie’s “Heart of Glass”, but when my dad saw her perform on Solid Gold, he hated her on sight. “She looks drugged,” he would complain, so I wasn’t allowed to listen to Blondie. That didn’t stop my brother from picking up the 7-inch singles for “The Tide Is High” and “Rapture.”
I can only imagine what dad would have said if he saw Kate Bush dancing in “Wuthering Heights.”
If any album on this list would have appealed to 6-year-old me, it would be Rap Reiplinger’s Poi Dog. Local radio played Reiplinger’s skits regularly, and I enjoyed hearing “Room Service” over and over again.
I didn’t realize those skits were available on an album. I thought only radio could broadcast them, so it wasn’t until Poi Dog was reissued on CD in 1992 that I could relive that thrill.
Reiplinger forged the Honolulu stand-up comic scene, and it died when he did in 1984. Or maybe it was the humorlessness of the 1980s.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
From here on out, you’ll see a lot of names repeat on these lists. These selections reflect my tastes as an adult rather than what I would have been listening to at the time.
Duran Duran, Rio
Clannad, Fuaim
ABC, The Lexicon of Love
Bruce Springsteen, Nebraska
Kate Bush, The Dreaming
The Waitresses, Wasn’t Tomorrow Wonderful
Roxy Music, Avalon
X, Under the Big Black Sun
Soundtrack, Tron
Midnight Oil, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1
The only album on this list I actually listened to in 1982 was the soundtrack to Tron. I was all about the video game, and I dug the special effects in the movie. I was, however, too young to understand how awful the screenplay was.
I saw the Waitresses on Solid Gold and absolutely loved “I Know What Boys Like.” By the time I would start collecting music, the Waitresses had already recessed into one-hit wonder memory. But the song left such an indelible print, I would seek it out in my first year of college.
Duran Duran’s Rio was released that year, but I had no inkling of it at the time. Music was a passive activity. The car radio or my siblings’ boomboxes keep me informed of the days’ hits, but my passion lie with video games — an activity my parents curtailed because they equated it with gambling.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The 1983 Favorite Edition list is not terribly cosmopolitan. And why should it? I would have been 11 years old at the time, and pre-teens, even precocious ones, aren’t renowned for sophistication.
Eurythmics, Sweet Dreams (Are Made of This)
Clannad, Magical Ring
U2, Live Under a Blood Red Sky
David Bowie, Let’s Dance
Duran Duran, Seven and the Ragged Tiger
R.E.M., Murmur
Huey Lewis and the News, Sports
The Police, Synchronicity
10,000 Maniacs, Secrets of the I Ching
The Waitresses, Bruiseology
Other favorites from the year:
Toto, IV
Culture Club, Colour By Numbers
Violent Femmes, Violent Femmes
Cyndi Lauper, She’s So Unusual
The Pointer Sisters, Break Out
MTV was the big driver of music in this era, but I wouldn’t have known it because my parents refused to subscribe to cable. The household wouldn’t welcome cable TV till well after I had moved out after college … in 1997.
So my exposure to music in 1983 was limited to American Bandstand and Solid Gold. For a short while, a syndicated TV show called Prime Time Videos aired on broadcast affiliates, but it would not last.
I was still heavily into Pac-Man, even though my parents refused to welcome a game console or computer into the house. It’s a wonder how I’ve made computer programming my career.
So if this list seems particularly safe, it’s a reflection of the limited avenues of consumption. It’s probably why I have such a voracious appetite now.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
This list is the last of the original years covered in my previous survey. The Favorite 10 hasn’t changed, but the extended list has gotten longer.
Tears for Fears, Songs from the Big Chair
Sting, The Dream of the Blue Turtles
Arcadia, So Red the Rose
ABC, How to Be a Zillionaire!
10,000 Manaics, The Wishing Chair
Clannad, Macalla
Kate Bush, Hounds of Love
Soundtrack, Macross Song Collection
Midnight Oil, Red Sails in the Sunset
Andrew Lloyd Webber, Requiem
Other favorites from the year::
Camper Van Beethoven, Telephone Free Landslide Victory
Eurythmics, Be Yourself Tonight
Hiroshima, Another Place
The Pogues, Rum Sodomy and the Lash
Simple Minds, Once Upon a Time
Sade, Promise
Hüsker Dü, New Day Rising
The Replacements, Tim
The Outfield, Play Deep
INXS, Listen Like Thieves
Lisa Lisa and Cult Jam with Full Force, Lisa Lisa and Cult Jam with Full Force
The Power Station, The Power Station
The Family, The Family
Prince and the Revolution, Around the World in a Day
Younger Me would approve of most of this list.
He would have gasped at the inclusion of Prince, considering the Sibling Rivalry Collection Race was at its height, and this kind of intrusion would be accompanied by a drubbing.
And he would groaned at the inclusion of The Outfield. Older Me would then advise him to wait 20 years before a real appreciation could begin.
I capped this survey at 1985 because my collection before that year wasn’t extensive enough for much punditry. Weekly visits to thrift shops in the last three years have allowed me to fill in enough gaps to keep going till 1978.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.
Duran Duran, The Wedding Album
Bill Frisell, Have a Little Faith
John Zorn / Naked City, Absinthe
Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
Spiny Norman, Crust
The Love Gods, Hujja Hujja Fishla
Michael Nyman, The Piano
Wayne Horvitz / Pigpen, Halfrack
Clannad, Banba
Emerson Sting Quartet, American Originals: Ives / Barber String Quartets
Other favorites from the year:
Kate Bush, The Red Shoes
Emmylou Harris, Cowgirl’s Prayer
Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
Cypress Hill, Black Sunday
Digable Planets, Reachin’
U2, Zooropa
Julee Cruise, The Voice of Love
Sting, Ten Summoner’s Tales
This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.
That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.
The extended list includes music that would have been ignored by the person who compiled the Favorite 10.
My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.
Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.
Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.
All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.