MONO, Hymn to the Immortal Wind (Anniversary Edition), June 14
I’m not usually a sucker for fancy packaging, but the limited edition vinyl reissue looks gorgeous. Also, this album really is MONO’s best.
John Luther Adams, Become Desert (Seattle Symphony, Ludovic Morlot), June 14
I’m not sure a recording will capture the surprise when a men’s chorus emerges from the texture of the orchestra — behind you. Perhaps in surround sound?
Renée Fleming, Lieder, June 14
An album of Brahms, Schumann and Mahler. I’ll pass.
The B-52’s, Cosmic Thing (Expanded Edition), June 28
It took a while for me to warm up to the B-52’s rougher early work because my first exposure to the band was the slick and polished Cosmic Thing.
Torche, Admission, July 12
I have three of the band’s four albums, which gives me enough familiarity with their work to look forward this upcoming release.
The Flaming Lips, King’s Mouth, July 19
Oh, so this was an actual new album? When I spotted it on Record Store Day, I assumed it was another one of their oddball projects.
NUMBER GIRL, Kanden no Kioku, July 24
A new live album! Or rather, raiding the archive to capitalize on the reunion.
Vinyl
Midnight Oil, Armistice Day: Live at the Domain Sydney, June 14
Oh, man, was I ever glad to catch Midnight Oil live on The Great Circle tour.
Solange, When I Get Home, late June
Solage’s Blonde to the Endless that was A Seat at the Table. How’s that for a difficult analogy?
Everything But the Girl, Amplified Heart, July 5
I’m surprised this album hadn’t been reissued on vinyl before now. Could we get a repress of Walking Wounded too?
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT, Aug. 7 NUMBER GIRL, SAPPUKEI, Aug. 7 NUMBER GIRL, NUM-HEAVYMETALLIC, Aug. 7
The Jet Set Records vinyl reissues in 2015 were pretty much sold out before they hit the stores, so jump on these pre-orders if you want to hear NUMBER GIRL in glorious analog.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
1979 is officially the year I started collecting music. And it’s all because of a post-disco hit about the Twilight Zone theme song. This list, though, couldn’t have been compiled till 2006.
Gang of Four, Entertainment!
Andrew Lloyd Webber, Evita
Stephen Sondheim, Sweeney Todd
Philip Glass, Einstein on the Beach
Midnight Oil, Head Injuries
Talking Heads, Fear of Music
The Clash, London Calling
Michael Jackson, Off the Wall
The Police, Reggatta de Blanc
Emmylou Harris, Blue Kentucky Girl
Other favorites from the year:
The Manhattan Transfer, Extensions
The B-52’s, The B-52’s
The hit in question is “Twilight Tone” by the Manhattan Transfer.
Though more renowned as a jazz vocal quartet, the group wouldn’t get on my radar till “Twilight Tone” invaded the airwaves. Search YouTube for a performance of the song on a variety show — it’s amazing what people will endure for art. Or gimmickry.
My parents relented and bought the Extensions album for me. Of course, I played “Twilight Tone” to death, but I also dug the other songs on the album. Unlike “Twilight Tone”, they ranged from doo-wop to a capella. One song was a bizarre novelty with the singers voices rendered at chipmunk speed. You could say this was Manhattan Transfer’s disco album.
I’ve included it in the extended list. As fond as I am of the album, I have a better sense of what 1979 really offered as a year in music.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
If my 8-year-old self were in control of this list, the soundtrack to Xanadu would occupy the top spot. The only other title he might have recognized would be Diana. And he would have questioned the inclusion of AC/DC.
U2, Boy
David Bowie, Scary Monsters (and Super Creeps)
Kate Bush, Never for Ever
Diana Ross, Diana
X, Los Angeles
Grace Jones, Warm Leatherette
Killing Joke, Killing Joke
Talking Heads, Remain in Light
AC/DC, Back in Black
Emmylou Harris, Roses in the Snow
Other favorites from the year:
The Police, Zenyatta Mondatta
Soundtrack, Xanadu
ABBA, Super Trouper
The B-52’s, Wild Planet
The roots of my collecting bug are anchored in 1980.
I would bug my mom to buy me 7-inch singles. I was told I didn’t have the sufficient capacity to judge whether a full album would be worth the purchase price. My mom wasn’t about to drop cash on a set of songs if only one of them would entertain me.
So I amassed quite a lot of singles — “Tell It Like Is” by Heart, “A Lover’s Holiday” by Change, “Stomp!” by the Brothers Johnson.
I was, however, a pest about ABBA. The age of eight seems to be the right level of maturity for ABBA to sink its sugary hooks into an impressionable mind. My niece was crazy for Mamma Mia, the movie musical, right around the age I bugged my parents to get me their Greatest Hits, Vol. 2. The first volume didn’t have “Chiquitita.”
Video games interrupted my interest in music for four years, so it makes me wonder in how much more trouble I’d be today without that disruption.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
It shouldn’t be a surprise the largest expansion in my collection focuses on the late 1980s, i.e. my high school years. The Favorite 10 list from these years won’t see much change, as 1989 demonstrates, but the expanded lists risk becoming ridiculously long.
The B-52’s, Cosmic Thing
Camper Van Beethoven, Key Lime Pie
Julee Cruise, Floating Into the Night
Faith No More, The Real Thing
Steve Reich, Different Trains/Electric Counterpoint
Fugazi, 13 Songs
Emmylou Harris, Bluebird
Tears for Fears, The Seeds of Love
Madonna, Like a Prayer
Janet Jackson, Rhythm Nation 1814
Other favorites from the year:
The Replacements, Don’t Tell a Soul
Hoodoo Gurus, Magnum Cum Louder
All About Eve, Scarlet and Other Stories
XTC, Oranges and Lemons
De La Soul, 3 Feet High and Rising
Nirvana, Bleach
Pixies, Doolittle
Wayne Horvitz / The President, Bring Yr Camera
John Zorn, Spy Vs. Spy
Bulgarian State Radio and Television Female Vocal Choir, Le Mystère de Voix Bulgares, Vol. 2
Nakamori Akina, CRUISE
Depeche Mode, 101
Fugazi displaces The Replacements, who made a shot for the charts by cleaning up their sound.
I saw this ad in Pulse magazine and scoffed at it:
Today, I nod my head and say, “Yeah, that’s about right.” But it took 30 years before I had enough life experience to understand how breathtaking 3 Feet High and Rising is.
Nevermind introduced me to Nirvana like the rest of the world, but I prefer Bleach.
The events in Nakamori Akina’s life at the time CRUISE was released overshadowed the maturity of the album. It’s not ground-breaking the way Fushigi is, but it’s an album that could have only been recorded after it.
I saw Depeche Mode in concert in 2017, and 101 ruined my experience of it. I had been listening to 101 in the weeks leading up to the concert, and understandably, the band stacked the set list more toward recent work than “the hits”.