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Favorite Edition Rewind: 1984

[Thompson Twins - Into the Gap]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

And now we enter some new territory. I didn’t start collecting music in earnest till 1985, and I wouldn’t start exploring catalog music till 2005. Raiding thrift shops has allowed me to fill in a lot of history, which is why were expanding the range of this retrospective to as far back as 1978. Today, we start with 1984.

  1. Stephen Sondheim, Sunday in the Park with George
  2. The Replacements, Let It Be
  3. Soundtrack, Amadeus
  4. Andersson / Rice / Ulvaeus, Chess
  5. Art of Noise, Who’s Afraid of? … the Art of Noise!
  6. Madonna, Like a Virgin
  7. Prince and the Revolution, Purple Rain
  8. Bruce Springsteen, Born in the USA
  9. Arvo Pärt, Tabula Rasa
  10. Thompson Twins, Into the Gap

Other favorites from the year:

  • Guadalcanal Diary, Walking in the Shadows of the Big Man
  • Nena, 99 Luftballons
  • Eurythmics, 1984 (For the Love of Big Brother)
  • Sade, Diamond Life

I was much more into arcade video games — the classic era of Pac-Man and Galaga — than music in 1984. The only album I owned from that time is 99 Luftballons. Everything else I would discover later.

My 12-year-old self would not have known what to make of the Replacements or Arvo Pärt. He would have scoffed and wretched over the idea that Madonna or Prince could rank on such a list. They were his brother’s albums, after all.

He certainly did not have the sophistication or patience for two LPs of Mozart, although he might have really liked watching Amadeus.

And he would have definitely protested the inclusion of Bruce Springsteen on the list, all the while gazing lustily after the cover of Born in the USA.

He would have totally understood the Thompson Twins, though.

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Favorite Edition Rewind: 1986

[Nakamori Akina - Fushigi]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

In 2008, my collection tapered off with releases before 1987. I went so far as to call 1986 an uninteresting year. I’ve since had time to explore the year in greater depth.

  1. The Art of Noise, In Visible Silence
  2. Janet Jackson, Control
  3. Soundtrack, Megazone 23 Song Collection
  4. Paul Simon, Graceland
  5. XTC, Skylarking
  6. The Smiths, The Queen is Dead
  7. Prince & the Revolution, Parade
  8. Nakamori Akina, Fushigi
  9. Duran Duran, Notorious
  10. Club Nouveau, Life, Love and Pain

Other favorites from the year:

  • Anita Baker, Rapture
  • Bananarama, True Confessions
  • Fishbone, In Your Face
  • Run DMC, Raising Hell
  • Peter Gabriel, So
  • John Adams, Harmonielehre
  • Enya, Enya
  • Dwight Yoakam, Guitars, Cadillacs, Etc. Etc.
  • R.E.M., Lifes Rich Pageant
  • Pet Shop Boys, Please
  • Kronos Quartet, Music of Sculthorpe, Sallinen, Glass, Nancarrow, Hendrix
  • The Human League, Crash

If you told Younger Me that Older Me would like So and Raising Hell, Younger Me would wretch. At the time, Run DMC and Peter Gabriel were so ubiquitous, I felt I would never need to hear “Walk This Way” or “Sledgehamer” for the rest of my life.

One advantage of growing older is no longer caring about looking at all fashionable.

Younger Me would have been puzzled by the inclusion of Dwight Yoakam on the extended list, to which Older Me would have to tell Younger Me to wait 9 years.

Younger Me: Oh, I was wondering whether I should get that Human League album. Is it really that good?
Older Me: Yeah, but I don’t think you’d quite appreciate it at your station in life. Wait a few years.
Younger Me: Really? How many?
Older Me: 30.

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Favorite Edition Rewind: 1987

[Sonic Youth - Sister]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I go on and on about how much I love 1987 that I should just shut up and let the list speak for itself. Unsurprisingly, the Favorite 10 hasn’t changed, saved one correction.

  1. U2, The Joshua Tree
  2. Sting, … Nothing Like the Sun
  3. 10,000 Maniacs, In My Tribe
  4. Sinéad O’Connor, The Lion and the Cobra
  5. Bulgarian State TV & Radio Women’s Choir, Le Mystère de Voix Bulgares
  6. John Adams, The Chairman Dances
  7. Andrew Lloyd Webber, The Phantom of the Opera
  8. Wendy & Lisa, Wendy & Lisa
  9. Guns N’ Roses, Appetite for Destruction
  10. R.E.M., Document

Other favorites from the year:

  • Kronos Quartet, White Man Sleeps
  • Depeche Mode, Music for the Masses
  • Dolly Parton / Linda Ronstadt / Emmylou Harris, Trio
  • The Art of Noise, In No Sense? Nonsense!
  • Swing Out Sister, It’s Better to Travel
  • Hiroshima, Go
  • The Smiths, Strangeways, Here We Come
  • Eurythmics, Savage
  • INXS, Kick
  • Sonic Youth, Sister
  • The Dukes of the Stratosphear, Psonic Psunspot
  • Dead Can Dance, Within the Realm of a Dying Sun
  • Icehouse, Man of Colours
  • In Tua Nua, Vaudeville
  • Johnny Hates Jazz, Turn Back the Clock

I originally listed the cast recording of Into the Woods in the Favorite 10, but I discovered it was actually released in 1988.

The extended list is shorter than the one for 1988, but I’ve actually added fewer titles from 1987 since the original list was compiled. I think I also like these albums more intensely because I had discovered them at the time, and they’ve made a lasting impression.

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Purchase log, 2018-11-20

[Hajime Chitose - Hajime Uta]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Hajime Chitose, Hajime Uta ~Hajime Chitose Amami Shimauta-shuu~
  • Midnight Oil, Armistice Day: Live at the Domain, Sydney

Catalog

CD
  • ABC, Absolutely
  • Brooklyn Rider, Spontaneous Symbols
  • Dead Can Dance, Spleen and Ideal
  • Franz Josef Hadyn, String Quartets, Op. 20 “Sun”, 1-3 (Kodály Quartet)
  • Franz Josef Hadyn, String Quartets, Op. 20 “Sun”, 4-6 (Kodály Quartet)
  • Godspeed You! Black Emperor, F# A# ∞
  • Scissor Sisters, Ta-Dah
  • The Notwist, Neon Golden
  • The Rustavi Choir, Georgian Voices
Vinyl
  • Olivia Newton-John, Physical
  • Renée Fleming, Dark Hope
  • The Pointer Sisters, Break Out

Reissues

CD
  • Art of Noise, In No Sense? Nonsense! (Deluxe Edition)
  • Fastball, All the Pain Money Can Buy (Deluxe Edition)
Vinyl
  • Eurythmics, Peace
  • Fastball, All the Pain Money Can Buy (Deluxe Edition)

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Looking ahead, October-November 2018

[Bill Frisell - Nashville]

Quite a number of interesting vinyl reissues and deluxe editions coming down the pike …

Cher, Dancing Queen, Sept. 28

I think some gay cultural norm dictates I should show interest in this convergence of iconography, and I do, albeit more from an anthropological standpoint.

Johnny Hates Jazz, Turn Back the Clock (Deluxe Edition), Oct. 5

“Shattered Dreams” is an awesome single, and Turn Back the Clock was a decent album — something I’m glad I encountered but couldn’t consider a must-have. And yet I’m looking forward to this deluxe edition release.

Camouflage, Voices and Images (Deluxe Edition), Oct. 19

I actually like this album more than Turn Back the Clock, and the limited pressing of 1,500 copies for the CD (500 for vinyl) is nudging me to pre-order.

Sasagawa Miwa, Houjou -BEST ’03~’18-, Oct. 31

Has it really been 15 years since Sasagawa Miwa’s debut? This best album contains 10 previously released tracks, 3 new songs and a new version of “Himawari”.

Art of Noise, In No Sense? Nonsense! (Deluxe Edition), Nov. 2

This album doesn’t lend itself to singles as easily as In Visible Silence, but it’s a worthwhile, challenging listen, a period where the band pushed the limits of technology and music.

Dead Can Dance, Dionysus, Nov. 2

Dead Can Dance has always struck me as a band I should have been digging in high school, but at the time, their albums were available only as imports.

Hajime Chitose, Hajime Uta ~Chitose Hajime Amami Shimauta Shu~, Nov. 14

Hajime Chitose returns to her roots as a shima uta singer on this 7-track mini album.

Mikami Chisako, I AM Ready!, Nov. 28

Mikami Chisako starts anew with music reminiscent of fra-foa’s second album, if the YouTube clips on her official site are any indication. I have to admit I’ve missed her, and Chuu no Fuchi is still one of my favorite albums. It’s criminal that it’s out of print.

Vinyl

Living Colour, Time’s Up, Sept. 28

I’d be all over this reissue from Megaforce Records if I hadn’t already found an original pressing a number of years ago. This album doesn’t seem to have had the same impact as its predecessor, but it some ways, it expands and perhaps improves upon Vivid.

YEN TOWN BAND, Montage, Nov. 3

I’ve never encountered a vinyl reissue from YEN TOWN BAND that didn’t immediately sell out.

Utada Hikaru, Hatsukoi, Nov. 7

Any chance for a vinyl reissue of ULTRA BLUE?

Bill Frisell, Nashville, Nov. 9

Bill Frisell had always incorporated Americana, country and folk into his music, but Nashville is the strongest statement of those influences, resulting in one of his most accessible albums. Robin Holcomb shows up on two covers.

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Purchase log, 2018-05-01

[The Streets - Original Pirate Material]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New Releases

CD
  • Janelle Monáe, Dirty Computer
  • SUPERCAR, PERMAFROST

Catalog

CD
  • The Jimi Hendrix Experience, Electric Ladyland
  • J Dilla, Donuts
Vinyl
  • Tomita, Firebird

Reissues

Vinyl
  • The Art of Noise, In Visible Silence (Deluxe Edition)
  • The Streets, Original Pirate Material

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Looking ahead: March-April 2018

[Tracey Thorn - Record]

The release calendar is thinning out for me, which isn’t to say it’s not picking up.

Do As Infinity, ALIVE, Feb. 28

It’s been so long since I’ve paid attention to Do As Infinity that I almost didn’t recognize Owatari Ryo without the spiky blonde highlights. I still have a soft spot for this band. I don’t know why.

Tracey Thorn, Record, March 2

We’ve had two Ben Watt albums, so it’s high time for Tracey Thorn to offer a third post-EBTG disc. Also, is she a fan of the Art of Noise? Because that cover looks familiar.

[Art of Noise - In Visible Silence LP inner sleeve]

ART-SCHOOL, In Colors, March 7

I fell off the ART-SCHOOL bandwagon when it became apparent the years have eroded Kinoshita Riki’s voice.

THE BACK HORN, Joukei Dorobou, March 7

I shouldn’t be surprised THE BACK HORN has been around 20 years when Cocco celebrated the 20th anniversary of her debut. Utada Hikaru and Shiina Ringo are only a year away from theirs.

Perfume, “Mugen Mirai”, March 14

The last two singles weren’t terribly impressive. Have we reached peak Perfume? I’m probably one of the few people who liked COSMIC EXPLORER.

ASIAN KUNG-FU GENERATION, BEST HIT AKG 2, March 28
ASIAN KUNG-FU GENERATION, BEST HIT AKG Official Bootleg “HONE”, March 28
ASIAN KUNG-FU GENERATION, BEST HIT AKG Official Bootleg “IMO”, March 28

This second volume of greatest hits from ASIAN KUNG-FU GENERATION covers the albums from Landmark to Sol-Fa 2016. The official bootlegs bring together tracks compiled by Goto Masafumi on playlists published on the AKG blog. I think I’m covered.

Kylie Minogue, Golden, April 6

What little press I’ve encountered about this album made a big deal of the fact it was recorded in Nashville. I can’t say Nashville strikes me as diverse a music scene as Austin or Seattle, but the city has a music infrastructure that can absolutely accommodate Kylie.

Royal Wood, Ever After Farewell, April 6 (Canada)

Royal Wood also recorded his new album in Nashville, but his style of music is a natural fit for the city. I’m just hoping I don’t have to wait another year for an international release.

Vinyl

Annie Lennox, Diva, March 2

I’m ambivalent about this album, and yet I’m pretty sure I’m going to pick it up on release day. That is the draw of Annie Lennox’s voice.

Art of Noise, In Visible Silence (Deluxe Edition), March 2

I do not need to buy another copy of this album on vinyl.
I do not need to buy another copy of this album on vinyl.
I do not need to buy another copy of this album on vinyl.

Nakamori Akina, NEW AKINA Etrangér, May 2
Nakamori Akina, Fushigi, July 4
Nakamori Akina, CRUISE, July 4
Nakamori Akina, Cross My Palm, July 4

These vinyl reissues were announced last year, then summarily canceled. I’m most interested in Fushigi and CRUISE, but I get the impression I could save cash seeking out second-hand copies. I did find NEW AKINA Etrangér at Everyday Music, though.

Eurythmics, Peace, Oct. 28

Eurythmics vinyl reissues are scheduled throughout the year, but I snatched up original pressings the first time around. Peace, however, is the 1999 reunion album that has never been issued on vinyl.

 

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Favorite Edition 2017 Stragglers

[Anne Dudley - Plays the Art of Noise]

It was bound to happen — an influx of Christmas gift money allows me to explore more albums after the year-end post goes online. None of these albums would knock off anything in the final list, but they’re definitely worthy of some belated consideration.

Anne Dudley, Anne Dudley Plays the Art of Noise

Anne Dudley, Gary Langan and J.J. Jeczalik rebooted the post-Trevor Horn version of the Art of Noise to reissue In Visible Silence. In the midst of it, Dudley released her own interpretations of Art of Noise tracks using mostly piano and percussion with some clever arrangements. The album was released in Japan, and the band hinted it would eventually see a US/UK release. I was not patient, and I think Art of Noise fans are missing out.

Dudley strips away the obfuscating aspects of the original Art of Noise tracks to bring out their musicality. On “Legs”, the croaking bass line turns into clusters that lose none of the original’s percussiveness. Added bonus: she covers the Buggles’ “Video Killed the Radio Star.”

Onitsuka Chihiro, Tiny Screams

I actually listened to Tiny Screams when it came out (via the Evil Sharing Networks) and vowed to get my own copy when the Christmas money came. The more I listened to it, the more I favored it over Cocco’s four-disc live extravaganza. The barebones arrangements of the original recordings somehow get stripped even further and become more intense (“BORDERLINE”).

R.E.M., Automatic for the People (Deluxe Edition)

I’ve already gone on record about my ambivalence toward Automatic for the People. I wasn’t inclined to get the deluxe edition of the album till I heard its companion live disc playing in-store at Easy Street Music. The playlist mixes just the correct amount of new material with familiar, throwing in a surprise on occasion. If anything, I’ve played the live disc — R.E.M.’s only concert in 1992 to promote the album — more times than I have the remastered album.

Leo Imai, Film Music EP

OK, I need to follow Leo Imai on some sort of social media site. Last I paid attention, Imai released his third solo album, Made from Nothing, in 2013. Since then, he formed another group, Metafive, and now he’s released an album of film music. The Film Music EP is available in the US through online services, but the full Film Music album is available only at live shows.

Imai has grown bolder as a writer. The four instrumentals on Film Music EP refract the influence of his KIMONOS bandmate Mukai Shuutoku, but “Videotape” shows Imai can be catchy when he wants to be.

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Favorite Edition Catalog 2017

[Nakamori Akina - Fushigi]

2017 marked the largest year-over-year increase in my CD collection, and the biggest recipient of that largesse is the Lifelong Thrift Shop.

I crunched the numbers, and the store provided 168 of the 458 items bought in 2017. At an average of $0.73 per CD and $1.46 per record, I contributed more than $130 to Lifelong coffers. I wouldn’t have made a charitable payroll deduction that large.

The Friends of the Seattle Public Library Book Sale is another source for discount music, and I parted with $75 of my cash to them.

Essentially, weekly visits to the thrift shop has crowded out my interest in new releases. That, and being old.

Reissues

  1. Art of Noise, In Visible Silence: This album started my fascination with the Art of Noise and, more importantly, introduced me to the term musique concrète. It was the weirdest album I encountered in my tween years, and it primed me to discover Kronos Quartet.
  2. Wendy and Lisa, Eroica: A woefully underrated album.
  3. k.d. lang, Ingenue: The MTV Unplugged bonus material didn’t seem like much of an enhancement on paper till you actually listen to it
  4. The Smiths, The Queen Is Dead: The demos don’t stray too far from what eventually appeared on record, but it’s nice to hear how these tracks evolved.
  5. Prince and the Revolution, Purple Rain: I have to admit I was more enamored of the Eroica reissue, despite the bonus material in this special edition.
  6. Deee-Lite, World Clique: I’m usually not a fan of remixes, but the bonus disc on this special edition actually worked.
  7. Moondog, Moondog: I had been curious about Moondog for a long time, and the Record Store Day reissue of his self-titled Columbia debut was a good excuse to fill in a gap finally.
  8. Shawn Colvin, A Few Small Repairs: Yes, you can find this album at Lifelong for $1, but I still like it. And it’s on vinyl to boot!
  9. Emmylou Harris and the Nash Ramblers, At the Ryman: OK, I ended up with two copies of this album on vinyl because I hadn’t anticipated I could get the Ryman special edition when I visited Nashville in August 2017.
  10. Geinoh Yamashirogumi, Symphonic Suite AKIRA: The sequencing of the album had to change to accommodate the limitation of vinyl, but that doesn’t work against it.

Catalog

  1. Nakamori Akina, Fushigi: I have a number of middling Nakamori Akina albums,
    so out of curiosity, I did a search for what’s considered her best work. I wasn’t expecting an album that actually gets nods by the American indie music press. It puts to rest who I like better in the Akina vs. Seiko debate.
  2. The Streets, Original Pirate Material: I so dug “Geezers Need Excitement”, I used it as part of an assignment for an ear training/sight singing class I’m taking.
  3. New York Dolls, New York Dolls: I picked this album up from Lifelong Thrift Shop purely on reputation, and I didn’t expect how prescient it was.
  4. Loretta Lynn, Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind): Don’t let the country weepies fool you — this album is all about how women have to be strong because men are just no good.
  5. Perfume, GAME: It took nearly a decade for me to discover the sublimity of “Polyrhythm.”
  6. The Roots, Game Theory: I want to call this album punk AF.
  7. Low, Things We Lost in the Fire: I’m not sure how much further I want to explore the Low catalog.
  8. Midnight Oil, Head Injuries: For the American Midnight Oil fan who wants to reach back into the Australian catalog, this album is where to start.
  9. Charles Mingus, The Black Saint and the Sinner Lady: Similarly, I’m not sure how much further I want to explore Mingus after hearing this work. I feel everything else would pale by comparison.
  10. Weezer, Pinkerton: This album is the one to own if you can’t stand Weezer fans.
    I don’t think I’d mind Weezer if it weren’t for the fans.

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Looking ahead: May-June 2017

[U2 - The Joshua Tree (30th Anniversary Edition)]

It seems all the bands in which I’m interested all decided to release their albums in May and June. To date, I have a total of four 2017 releases since the start of the year. Putting together the Favorite Edition Half Year is going to be tricky.

At the Drive-In, in*ter al*li*a, May 5

I can’t figure out why I’m looking forward this late-coming follow-up to Relationship of Command, an album I like but can’t listen to very often. And I wasn’t enough of a fan to follow either Mars Volta or Sparta.

Café Tacvba, Jei Beibi, May 5

I find it interesting that Café Tacvba is releasing this album through CD Baby. That means they’ve gone completely independent.

Midnight Oil, Full Tank, May 7
Midnight Oil, Overflow Tank, May 7

Tempting as these complete boxed sets may be, my current Midnight Oil collection occupies quite a bit of shelf space. Also, the import markup makes these sets fiscally untenable. Hey Sony, fans outside of Australia might be interested in some of these releases.

Juanes, Mis Planes Son Amarte, May 12

It’s a visual album about a man going into outer space to find the woman of his dreams. I would be interested to see how Café Tacvba would tackle the same plot.

PWR BTTM, Pageant, May 12

Anyone who has Grindr or Scruff installed on his phone would probably check out a band called PWR BTTM.

Art of Noise, In Visible Silence (Deluxe Edition), May 19

The weirdest album I acquired in 1986. The b-sides are terrific.

Kishida Shigeru, Symphony No. 1, May 24

If the orchestral work Kishida released last year as a digital single is any indication, don’t expect a musical metamorphosis on the level of C. Kip Winger.

Sam Amidon, The Following Mountain, May 26

His first album of original music.

Cody Chesnutt, My Love Divine Degree, June 2

It’s been a while. I had wondered if another 10 years would pass before another Cody Chesnutt album would arrive.

U2, The Joshua Tree (30th Anniversary Deluxe Edition), June 2

I already have the 20th Anniversary edition, so really, I just want the white cover with the color photo.

Kronos Quartet, Folk Songs, June 9

For a while there, I thought Kronos had moved on from Nonesuch, given the number of albums the ensemble has released on other labels. This collaborative album with Sam Amidon, Natalie Merchant, Rhiannon Giddens and Olivia Chaney is the first Kronos has released on Nonesuch since 2012, not counting various anthologies.

Dan Messe, Amelie: A New Musical, June 9

I’m not sure what draws me to this cast recording — the fact it’s based on Amelie or the fact it was written by a member of Hem.

Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister, Planetarium, June 9

Well, somebody had to update Gustav Mahler’s The Planets

The Drums, Abysmal Thoughts, June 16

Jonny Pierce goes full Roland Orzabal ca. 1993, becoming the sole member of his band The Drums.

Jason Isbell and 400 Unit, The Nashville Sound, June 16

I would be OK with Jason Isbell and Sturgill Simpson releasing albums on alternating years.

Vinyl

Midnight Oil, The Vinyl Collection, May 7

I would like to get Redneck Wonderland, Breathe and Head Injuries on vinyl. I could do without Capricornia, Earth and Sun and Moon and Place Without a Postcard. Maybe separate releases down the line? Outside Australia, even??

Emmylou Harris and the Nash Ramblers, At the Ryman, May 12

Harris’ shows at the Ryman gave the venue new life, and she returns for the venue’s 125th anniversary. So of course a reissue (on vinyl!) is in order.

En Vogue, Funky Divas, June 9

I’m disappointed rock bands haven’t turned “Free Your Mind” into a crossover classic.

Enya, A Day Without Rain, June 16
Enya, Amaratine, July 14

A Day Without Rain is Enya’s weakest album, and Amaratine went a long way to rectify it. That won’t stop me from getting both of them.

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