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Purchase log picks, February 2019

[James Blake - Assume Form]

Boston, Boston

Sometimes, you just can’t argue with conventional wisdom.

Del tha Funky Homosapien, No Need for Alarm

There’s something about beats made around 1993 that I really dig.

James Blake, Assume Form

The Colour in Anything made me approach Assume Form with caution. It turns out this album is vying for a spot on the year-end Favorite Edition list.

James Tenney, Postal Pieces

It’s amazing how much music can be generated by scores that fit on postcards.

Jeremy Denk, c.1300-c.2000

This survey of Western classical music spanning seven centuries is another album vying for a spot on the year-end Favorite Edition list.

Lou Reed, Transformer

“Satellite of Love” and “Walk on the Wild Side” are obvious choices for why this album should be in my collection, but really, it’s because it has “Perfect Day”, which Duran Duran covered on Thank You.

Phoenix, Wolfgang Amadeus Phoenix

I dismissed Phoenix back in 2009 as that band in the car commercial. Thing is, “Listzomania” is damn catchy, as is the rest of the album.

Sly and the Family Stone, Greatest Hits

Most of this collection consists of tracks from Stand! It also includes “I Wanna Take You Higher”, which Duran Duran also covered on Thank You.

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Purchase log, 2019-02-12

[Atmostphere - God Loves Ugly]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

Format
  • Jeremy Denk, c.1300-c.2000

Catalog

CD
  • Atmosphere, God Loves Ugly
  • Built to Spill, There’s Nothing Wrong with Love
  • Del tha Funkee Homosapien, No Need for Alarm
  • Iron and Wine, The Shepherd’s Dog
  • Lou Reed, Transformer
  • Sly and the Family Stone, Greatest Hits
  • Talking Heads, More Songs About Buildings and Food

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Looking ahead, January-February 2019

[Jeremy Denk - c.1300-c.2000]

The site will take its usual January break starting next week, so this entry is my last chance to point out some upcoming releases.

Jeremy Denk, c.1300-c.2000, Feb. 8

I’ll be seeing Jeremy Denk in concert in a few weeks, but he won’t be performing the sprawling program of this two-disc set spanning seven centuries of music.

Vinyl

Mindy Smith, One Moment More, Jan. 29

Mindy Smith is so far the only country music singer whose voice reminds me of Harriet Wheeler of the Sundays.

Prince, Musicology, Feb. 8
Prince, 3121, Feb. 8

Musicology was heralded as a return to form, but I found it less interesting than 3121. But even 3121 was less interesting than The Gold Experience, which I would consider getting on vinyl. But really, when is the Love Symbol album getting reissued?

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Favorite Edition Rewind: 2012

[Cody ChesnuTT - Landing on a Hundred]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

What I find most remarkable about the 2012 list is the number of albums listed under honorable mentions. The revised list has culled a lot of those titles. I probably listed so many because I didn’t feel passionate enough about any of them.

  1. Solange, True
  2. Santigold, Master of My Make-Believe
  3. Jeremy Denk, Ligeti/Beethoven
  4. … And You Will Know Us By the Trail of Dead, Lost Songs
  5. Frank Ocean, channel ORANGE
  6. Cody Chesnutt, Landing on a Hundred
  7. ASIAN KUNG-FU GENERATION, Landmark
  8. ZAZEN BOYS, Stories
  9. Tokyo Jihen, Shinyawaku
  10. Duran Duran, A Diamond in the Mind

Other favorites from the year:

  • Scissor Sisters, Magic Hour
  • Roomful of Teeth, Roomful of Teeth
  • Gossip, A Joyful Noise
  • Tokyo Jihen, Tokyo Collection
  • TOUMING MAGAZINE, TOUMING MAGAZINE FOREVER
  • OBLIVION DUST, 9 Gates of Bipolar
  • Gaytheist, Stealth Beats

Cody ChesnuTT dislodges Scissor Sisters from the original list, and Frank Ocean jumps up a few spots. Otherwise, there are no remarkable changes.

If anything, 2012 has turned out to be something of a dud year. When I review my purchases in subsequent years, 2012 releases are scant, and most of the albums I bought that year only garner no more than a 3-star rating.

 

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Concert Edition 2016

[Sturgill Simpson, Paramount Theatre, Nov. 11, 2016]

Sturgill Simpson posted a photo of the crowd at his Seattle show on Nov. 11, 2016. I was standing pretty close to the stage, and sure enough, I spotted myself in the pic. His show capped yet another active year of concerts, which included a trip to Portland and two weeks of modern American symphonic music.

Sō Percussion, Jan. 31, 2016

Like Kronos Quartet before it, Sō Percussion commissions original works that often push technological boundaries as much as musical ones. The first time I saw Sō in Austin, the quartet performed Dan Trueman’s neither Anvil nor Pulley, which required performers to use old game console controllers to manipulate a Bach keyboard piece.

For this concert, Bryce Dessner’s Music for Wood and Strings features the Chordstick, a custom instrument that combines a hammered dulcimer with an electric guitar.

Seattle Symphony, [untitled 2], Feb. 5

The big piece performed at this concert of mid-20th Century New York City composers was Rothko Chapel by Morton Feldman. 2016 would eventually find Seattle Symphony programming four Feldman pieces in various concerts. Crowd reaction, of course, ranged from the usual restlessness to outright departure.

Seattle Symphony, Berio: Sinfonia, Feb. 6

I hadn’t planned on attending this concert till my music theory professor devoted an entire class on the piece. The fact Roomful of Teeth performed with the symphony was another incentive.

Kronos Quartet, Feb. 20

Sorry, the live performance of Beyond Zero: 1914-1918 did not convince me to pick up the DVD, but it’s always nice to hear Franghiz Ali-Zade’s Mugam Sayagi.

Ty Herndon, Feb. 25

It was a sparse crowd at El Corazon, and Herndon played a stripped down set of his hits. He also previewed “If You” and mentioned his new album would be out in May. House of Fire arrived in September, albeit with a larger promotional splash.

Jeremy Denk, March 18

The Goldberg Variations and Ligeti Etudes in a single night. Yeah, it was a good concert.

John Adams, Scheherezade.2, March 19

Oh wow, did Leila Josefowicz bring her A-game. I picked up the Nonesuch recording of this work when it was released because it’s an amazing display of athleticism. I think I like this work more than Adams’ first Violin Concerto.

Stephen Sondheim, Assassins, Feb. 26

As much of a Stephen Sondheim fan that I am, I’ve so far only seen two of his works on stage. Honolulu Community Theatre did Sunday in the Park with George back in the early ’90s. ACT Theatre did Assassins. That’s a show that will test your startle response.

Rhye, Apr. 21

Seattle Theatre Group scheduled Rhye and Courtney Barnett for the same night, and I wanted to see both of them equally. I ended up going to Rhye because Barnett’s show sold out. Despite illness, Milosh sounded awesome.

Santigold, May 14

I couldn’t decide who I wanted to see more — Santigold or the SG1 Dancers. It turned out I loved them both.

Seattle Symphony, Beethoven and Gershwin, June 11

A scheduling conflict prevented me from attending the first [untitled] concert of the season, so I traded the ticket for a program of Beethoven and Gershwin works. The evening started with the Seattle premiere of Anna Clyne’s This Midnight Hour, which the crowd seemed surprised to enjoy.

Seattle Symphony, Tuning Up!, June 17-July 2

After years of attending SXSW, I decided I was going to stay away from Bumbershoot. Then Seattle Symphony announced a two-week summer festival of American modern works, and I couldn’t part with my money fast enough. The clerks at David and Co. thought I was a performer because I was there for every concert. George Perle, Morton Feldman, Philip Glass, Julia Wolfe — I was definitely the target market for this festival.

Matt Alber, June 26

A bout of pneumonia prevented me from seeing Matt Alber in 2014, so his show in June was a nice way to participate in at least one gay pride event this year.

Explosions in the Sky, Sept. 2

I thought it was odd Explosions in the Sky announced a whole bunch of Pacific Northwest dates without including Seattle, so I opted to travel down to Portland and catch them at the wonderful Crystal Ballroom. The day after I bought my ticket, the band announced its Bumbershoot date. Bullet dodged.

Sigur Rós, Sept. 20

The last time Sigur Rós performed in Seattle was in 2012, and the show sold out by the time I could access the Seattle Theatre Group site. This time, I got into the pre-sale. The amazing light show was equal parts Einstein on the Beach and TRON.

Seattle Symphony, Prokofiev and Beethoven, Sept. 24

For this concert, the symphony premiered a piece by Gabriel Prokofiev and included The Love of Three Oranges by his grandfather, Sergei. It had been so long since I listened to Three Oranges that I anticipated Peter and the Wolf instead.

Seattle Symphony, [untitled 1], Oct. 28

I’m not as versed in the works of Witold Lutoslawski, but then who is?

Sturgill Simpson, Nov. 11

Sturgill Simpson doesn’t do encores, and why should he when he plays two hours straight? That show pretty much made me wonder why I’m still going to rock concerts in my mid-40s. How could Simpson have the endurance to do those shows for six months, when just watching him exhausted me?

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