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Favorite Edition Decade 2010-2019

[Tokyo Jihen - Sports]

The new decade doesn’t start till the end of of 2020, if you use the modified Julian calendar upon which scientists and the Naval Observatory rely. Pop culture writers are not scientists. Would you consider U2’s debut album a product of the ‘70s? Boy was released in 1980, and it would seem odd to lump it in the decade that gave us disco.

So even though science tells us the albums of 2020 should be counted in this review of the decade, we’ll save them for next decade. Besides, we didn’t give 2010 that accommodation last decade.

  1. Tokyo Jihen, Sports: This album was a true band effort with songwriting duties spread among members rather than falling entirely on Shiina Ringo’s shoulders. But you couldn’t tell. Tokyo Jihen finally felt like an independent unit here and not just a backing band.
  2. Jason Isbell, Southeastern: The stark cover with Isbell gazing directly at the camera only hints at the vulnerability contained within the album’s 12 tracks.
  3. Jarell Perry, Simple Things: I knew about neo-soul, but until I ran across Solange, Frank Ocean and Jarell Perry, I didn’t know the genre had formed its own underground. Sometimes, Perry is a beat or two away from falling into the orbit of Björk. Oddly enough, he reminds me a lot of Utada Hikaru.
  4. Sturgill Simpson, Sound and Fury: Simpson owned this decade. He started out sounding like a traditionalist, but by decade’s end, he created a body of work incomparable even to itself. All of his albums should be on this list, but I’m choosing his most confounding.
  5. Solange, A Seat at the Table: You may have Beyoncé.
  6. Parquet Courts, Wide Awake!: I wish I could sing along with this album, but these lyrics … hot damn!
  7. John Luther Adams, Become Ocean (Seattle Symphony, Ludovic Morlot): When your award-winning commission inspires Taylor Swift to donate to your organization …
  8. Kendrick Lamar, To Pimp a Butterfly: The Pulitzer Prize should have gone to this album.
  9. Lin-Manuel Miranda, Hamilton: The Phantom of the Opera was the last time I was riveted to a cast recording.
  10. Janelle Monáe, Dirty Computer: I’ve always felt Monáe had a Muzai Moratorium or Shouso Strip inside her. This album comes closest.
  11. Sleater-Kinney, No Cities to Love: It’s like the decade preceding this album’s release had melted away.
  12. Eponymous 4, Travis: Yeah, I’m putting my own damn album on this list. I can listen to it without cringing or second guessing it. It almost feels like someone better than myself had made it.
  13. Sam Smith, The Thrill of It All: Similar to Monáe, I feel Sam Smith has an I Am a Bird Now or a Homogenic in them, waiting to bust out. This album is a step in that direction.
  14. D’angelo and the Vanguard, Black Messiah: I got pregnant listening to this album, and I’m not even a woman.
  15. Frank Ocean, channel ORANGE: Become Ocean.

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Favorite Edition 2019 Year Final

[Sturgill Simpson - Sound and Fury]

I’m old enough now that I can no longer be mistaken for someone remotely connected to the zeitgeist. A phrase I would often employ was, “I know of them, but I’ve not heard from them.” These days, the first part of that phrase is a stretch.

That said, I’m surprised by the number of R&B titles that have crept into my playlist rotation. I’m still a rockist at heart, but rock is loosening its grip on my attention.

  1. Sturgill Simpson, Sound & Fury: How was Sturgill Simpson ever going to top A Sailor’s Guide to Earth? He didn’t. He veered so drastically in a different direction that the albums can’t be compared. None of his albums can be compared to each other.
  2. Torche, Admission: Torche can be found under the metal section of most music stores, but when I play their albums, I hear post-rock.
  3. Weezer, Weezer (Teal Album): It’s a karaoke album, but a painstakingly created one.
  4. Jeremy Denk, c.1300-c.2000: It’s a tall order to compile eight centuries of music into a single program.
  5. John Luther Adams, Become Desert: It was also stirring to hear this piece live.
  6. Cocco, Star Shank: We hear hints of clouds covering the sunniness of Cocco’s later work.
  7. BBMAK, Powerstation: I will not lie — I’ve anticipating this album for most of the year, and I do not care who knows.
  8. Shiina Ringo, Sandokushi: This album is a glorious mess.
  9. Solange, When I Get Home: Similar to Sound and Fury, this album is confounding and fascinating at the same time. There’s nothing on here that matches the tunefulness of A Seat at the Table, and it would be too disruptive to the album’s flow if there were.
  10. Jamila Woods, Legacy! Legacy!: “Basquiat” was playing on the in-store system at Sonic Boom, and it pretty much clinched my decision to get this album.

Other favorites of the year:

  • Kim Gordon, No Home Record
  • Michael Kiwanuka, KIWANUKA
  • James Blake, Assume Form
  • Sassyblack, Ancient Mahogany Gold
  • Anderson .Paak, Ventura
  • NUMBER GIRL, Kaiden no Kioku
  • The Drums, Brutalism
  • Ty Herndon, Got It Covered

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Purchase log picks, June 2019

[Frida - Something's Going On]

Amanda Shires, To the Sunset

I gave this album a cursory preview when it first appeared in mid-2018, but I didn’t follow up till now. Shires’ husband, Jason Isbell, sang the album’s praises, and he’s right — To the Sunset is ambitious.

John Luther Adams, Become Desert

I went to the Saturday world premiere of this work in 2018, so it was pretty much guaranteed a spot on this list.

Frida, Something’s Going On

This album would be akin to Janet Jackson’s Control in the way Frida distances herself from ABBA.

Shiina Ringo, Sandokushi

No, this album won’t dislodge Shiina’s first three albums off the pedestal, but it’s her most diverse since Karuki Zaamen Kuri no Hana, and Shiina on an off-day is still many leagues interesting than most artists at their apex.

Soundtrack, Macross: Ai Oboete Imasu Ka?

My experience with anime can be divided in two: before “Do You Remember Love?” and after “Do You Remember Love?” I will always treasure Robotech for introducing me to Japanese animation, but that show really did butcher the source material.

Madonna, Madame X

The singles preceding Madame X‘s release did not do the album justice. It’s a far more ambitious work than the singles let on.

Re-Flex, The Politics of Dancing

The Politics of Dancing is a reliably 80s synth album, but that title track is an unshakable earworm. Cherry Red in the UK is giving it an expanded reissue in July 2019.

Roger Daltery, Under a Raging Moon

This album is steeped in the ’80s, which is probably why it appeals to me so much.

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Favorite Edition 2019 Year Half

[Jamila Woods - Legacy! Legacy!]

One of these years, I’m not going to have a big enough pool from which to draw a mid-year Favorite Edition list. This year got close.

  • Weezer, Weezer (Teal Album): The big criticism of this cover album is the slavish reproduction of the originals, as if Weezer did nothing to inject its own personality in these songs. The studio geek in me, however, marvels at such a feat. It may be a karaoke exercise, but it’s a painstaking one, not unlike art students reproducing the masters.
  • Jeremy Denk, c.1300-c.2000: It’s a tricky proposition to distill seven centuries of music in a single program, but Denk takes an admirable stab at it. I have no objections to his choices.
  • James Blake, Assume Form: Blake’s previous album was lengthy and not terribly engaging. He rights the ship on this one.
  • John Luther Adams, Become Desert: Where Become Ocean explored the Seattle Symphony’s lower and middle registers, Become Desert hovers almost exclusively in the upper ends.
  • Shiina Ringo, Sandokushi: Shiina’s first three albums looms large over the rest of her work, Tokyo Jihen included. Sandokushi is a fascinating mess — lots of seemingly disparate songs threaded together as a single program. It’s jarring but coherent, and probably the best summation of her style thus far.
  • Jamila Woods, Legacy! Legacy!: Like Parquet Courts’ Wide Awake, Legacy! Legacy! was playing on a record store sound system and made me stop to find out who is Jamila Woods.
  • Solange, When I Get Home: There are no obvious singles on this album, which is fine because it’s not intended to be a singles album.
  • Madonna, Madame X: A quotation of Tchaikovsky’s signature work could have backfired, but when the Nutcracker interrupts “Dark Ballet,” it doesn’t feel forced. The singles preceding the release of Madame X didn’t hint at this kind of creative stretch.
  • The Drums, Brutalism: Jonny Pierce tones down the Joy Division influence and brings forth the beats.

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Purchase log, 2019-06-18

[Shiina Ringo - MoRA]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • John Luther Adams, Become Desert
  • Madonna, Madame X
Vinyl
  • James Blake, Assume Form
  • Midnight Oil, Armistice Day: Live at the Domain Sydney

Catalog

CD
  • Bruce Springsteen, Tracks
  • Chuck Prophet, No Other Love
  • Hank III, Risin’ Outlaw
  • InfoMatik, Identify
  • John Coltrane, Live in Seattle
  • Kid Koala, Carpal Tunnel Syndrome
  • Lounge Lizards, Voice of Chunk
  • Shiina Ringo, MoRA
  • Stephen Sondheim, Follies
  • Whitney Houston, I’m Your Baby Tonight
  • Soundtrack, Captive
Vinyl
  • Sonny Rollins, Saxophone Colossus
  • Soundgarden, Badmotorfinger

Reissues

CD
  • Marvin Gaye, You’re the Man
  • MONO, Hymn to the Immortal Wind (Anniversary Edition)
Vinyl
  • Art of Noise, In No Sense? Nonsense!

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Looking ahead, June-July 2019

[John Luther Adams - Become Desert]

MONO, Hymn to the Immortal Wind (Anniversary Edition), June 14

I’m not usually a sucker for fancy packaging, but the limited edition vinyl reissue looks gorgeous. Also, this album really is MONO’s best.

John Luther Adams, Become Desert (Seattle Symphony, Ludovic Morlot), June 14

I’m not sure a recording will capture the surprise when a men’s chorus emerges from the texture of the orchestra — behind you. Perhaps in surround sound?

Renée Fleming, Lieder, June 14

An album of Brahms, Schumann and Mahler. I’ll pass.

The B-52’s, Cosmic Thing (Expanded Edition), June 28

It took a while for me to warm up to the B-52’s rougher early work because my first exposure to the band was the slick and polished Cosmic Thing.

Torche, Admission, July 12

I have three of the band’s four albums, which gives me enough familiarity with their work to look forward this upcoming release.

The Flaming Lips, King’s Mouth, July 19

Oh, so this was an actual new album? When I spotted it on Record Store Day, I assumed it was another one of their oddball projects.

NUMBER GIRL, Kanden no Kioku, July 24

A new live album! Or rather, raiding the archive to capitalize on the reunion.

Vinyl

Midnight Oil, Armistice Day: Live at the Domain Sydney, June 14

Oh, man, was I ever glad to catch Midnight Oil live on The Great Circle tour.

Solange, When I Get Home, late June

Solage’s Blonde to the Endless that was A Seat at the Table. How’s that for a difficult analogy?

Everything But the Girl, Amplified Heart, July 5

I’m surprised this album hadn’t been reissued on vinyl before now. Could we get a repress of Walking Wounded too?

NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT, Aug. 7
NUMBER GIRL, SAPPUKEI, Aug. 7
NUMBER GIRL, NUM-HEAVYMETALLIC, Aug. 7

The Jet Set Records vinyl reissues in 2015 were pretty much sold out before they hit the stores, so jump on these pre-orders if you want to hear NUMBER GIRL in glorious analog.

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Purchase log, 2019-05-14

[Kalapana - Kalapana]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Catalog

CD
  • Anthony De Mare, John Cage / Meredith Monk: Piano and Voices
  • Beck, One Foot in the Grave
  • Camille Saint-Saëns / Olivier Messiaen, Saint-Saëns: Symphony No. 3 / Messiaen: L’ascension (Orchestre de l’Opéra Bastille, Myung-Whun Chung)
  • David Bowie, Space Oddity
  • Death Cab for Cutie, You Can Play These Songs with Chords
  • Def Leppard, Pyromania
  • Dolly Parton, The Very Best of Dolly Parton
  • Elliott Smith, Either/Or
  • Godspeed You! Black Emperor, Lift Yr. Skinny Fists Like Antennas to Heaven!
  • Grace Jones, Inside Story
  • Iggy Pop, Lust for Life
  • John Luther Adams, Red Arc / Blue Veil
  • Justin Timberlake, Futuresex/LoveSounds
  • Justin Timberlake, Justified
  • Kacey Musgraves, Same Trailer Different Park
  • Puffy Ami Yumi, An Illustrated History
  • Talk Talk, It’s My Life
  • Tears for Fears, Everybody Loves a Happy Ending
  • The American Analog Set, From Our Living Room to Yours
  • The Beatles, Let It Be
  • The Magnetic Fields, 69 Love Songs
  • The Mountain Goats, Get Lonely
  • The Mountain Goats, The Sunset Tree
  • The Mountain Goats, We Shall All Be Healed
  • Toto, Hydra
  • Soundtrack, Eternal Sunshine of the Spotless Mind
  • Soundtrack, Lost in Translation
  • Soundtrack, Multiplication Rock
Vinyl
  • C.C.C.P., “American Soviets”
  • Kalapana, Kalapana

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Favorite Edition Rewind: 2014

[Huck Hodge - Life Is Endless Like Our Field of Vision]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The 2014 list has already gone through one revision, and this version expands it slightly.

  1. D’Angelo and the Vanguard, Black Messiah
  2. John Luther Adams, Become Ocean
  3. Sturgill Simpson, Metamodern Sounds of Country Music
  4. Royal Wood, The Burning Bright
  5. The Bad Plus, The Rite of Spring
  6. Meredith Monk, Piano Songs
  7. Inventions, Inventions
  8. MONO, Rays of Darkness
  9. Shiina Ringo, Gyakuyunyuu ~Kouwankyoku~
  10. BADBADNOTGOOD, III

Other favorites from the year:

  • Juanes, Loco de Amor
  • The Drums, Encyclopedia
  • Cocco, Plan C
  • Shaprece, Molting EP
  • Huck Hodge, Life Is Endless Like Our Field of Vision
  • Taylor Swift, 1989
  • Sam Amidon, Lily-O
  • U2, Songs of Innocence

The year started with Juanes topping the list. He’s now been bumped off the Favorite 10 in favor of BADBADNOTGOOD. Despite that change, the Favorite 10 is pretty solid. The remaining list, however, has expanded to include The Drums and Taylor Swift.

You read that right.

I’ve been curious about 1989 for a while, but I felt no desire to stream it. Yet, a thrift store copy selling for $2 was more incentive to check it out. I wonder why that is? I ended up liking it more than I thought I would.

The Drums’ Encyclopedia didn’t start out as a favorite, but when I stopped expecting it to be a carbon copy of the self-titled debut, its strengths became apparent. That said, it’s really a strange album.

The last addition to the list is an album by Huck Hodge, a University of Washington music composition professor from whom I took a number of classes. I actually heard most of this album in class, so it made sense to own a copy of it.

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Purchase log, 2018-04-24

[Duran Duran - Budokan]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

It’s the Record Store Day 2018 entry!

New Releases

Vinyl
  • Brian Eno with Kevin Shields, The Weight of History / Only Once Away My Son
  • Cypress Hill, Black Sunday Remixes
  • David Bowie, Let’s Dance Demo
  • Duran Duran, Budokan
  • Jason Isbell and 400 Unit, Live at Twist & Shout 11.16.07
  • John Luther Adams, Canticles of the Sky (Oliver Coates)
  • Living Colour, “Live at CBGB’s” Tuesday 12/19/89
  • Rage Against the Machine, Democratic National Convention 2000
  • Sufjan Stevens, Mystery of Love
  • The Streets, Remixes + B-Sides
  • Wilco, Live at the Troubador L.A. 1996

Catalog

CD
  • Culture Club, Colour By Numbers
  • Elvis Costello, This Year’s Model
  • Frank Zappa, Ship Too Late to Save a Drowning Witch
  • Heart, Heart
  • Lee Morgan, The Sidewinder
  • The Jimi Hendrix Experience, Are You Experienced? (Remastered)
  • The Stone Roses, The Stone Roses

Reissues

 Vinyl
  • Florian Fricke, Florian Fricke Spielt Mozart
  • Prince, 1999 (1983 single disc version)
  • Uncle Tupelo, No Depression — Demos

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45 Albums for 45 Years: A Birthday Retrospective (2010s)

[Jarell Perry - Simple Things]

This month, I turn 45 years old. The music that influenced me as a teen-ager is being reissued in 30th anniversary deluxe editions. The turn of the 20th century is roughly four years away from being 20 years behind us. I’m five years away from 50.

In 2016, I wrote about the various twists and turns my listening habits took over the course of four decades. Now, I’m pinpointing specific albums that mark each decade for me, starting with the current one.

The pop culture identity of a decade doesn’t really establish itself till two years into it, and my age puts me at such a distance from that zeitgeist that I have no clue what this decade means. Or perhaps the culture has moved on from rallying around music, streaming services allowing us to explore everything conforming to our highly-optimized filter bubbles.

I wonder if this list will even grow much beyond this year.

Sturgill Simpson, A Sailor’s Guide to Earth

I see A Sailor’s Guide to Earth as something of a cap to the Obama era of progress. Even after signing to a major label, the fiercely independent Simpson crafted a thoroughly-composed work. It can’t be sliced up into singles, or the architecture of the album would crumble. Would this kind album flourished under the current leadership in Washington, D.C.? I doubt it.

Sleater-Kinney, No Cities to Love

So far, 2015 has been the creative pinnacle of this decade. Sleater-Kinney ushered it in with an album that barely acknowledged the decade-long gap from its predecessor, and Jason Isbell, Kendrick Lamar and Lin-Manuel Miranda followed in their wake. Madonna, Janet Jackson and Enya even showed up with some of their best work in years.

John Luther Adams, Become Ocean

I haven’t mentioned that I’ve been taking music theory courses at the University of Washington, where I work. Seattle Symphony reconnected me with classical music, and the orchestra’s advocacy of new music inspired me to fill in the gaps of my undergraduate classical training.

Jarell Perry, Simple Things

I didn’t know PBR&B was a thing till I tried to figure out just what Jarell Perry, Solange, Shaprece and the Weeknd were doing with R&B. Hip-hop has its underground tract, and evidently, so does R&B. Of course, PBR&B is a terrible term.

Jason Isbell, Southeastern

You’re not supposed to judge media by their cover art, but it’s hard not to sense something pretty intense in Isbell’s gaze on the cover of Southeastern. I don’t know if I would have listened to this album otherwise.

Kuriyama Chiaki, CIRCUS

Kuriyama Chiaki could have gotten someone like Perfume producer Nakata Yasutaka to fashion a hit-making album, but she tossed her hat into a ring that included Shiina Ringo and Asai Kenichi. I discovered she played Gogo Yubari in Kill Bill, Vol. 1 only after I listened to the album.

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