Twenty years ago, I was on the receiving end of an economic slump. I’ve gone through two more slumps since then, and I’ve so far dodge the bullet in both cases.
It doesn’t mean I don’t feel skittish.
All that to say that my disposable income had not diminished this past year, despite the economic devastation SARS-CoV2 has wrought, and I’m thankful I can even compile a list.
Sam Sparro, Boombox Eternal: I’m not sure why I feel nostalgic for a style of music I actually disliked when I was younger, but Sparro nailed it.
My Very Own Familiar, Dear Listener: Lawnchairs for the Apocalypse: I may have a bit of a bias since a friend of mine is in this band.
Timo Andres / Jeremy Denk / Brad Mehldau / Randy Newman, I Still Play: A fitting tribute to Nonesuch emeritus executive Bob Hurwitz, for whom the pieces on this album were commissioned.
… And You Will Know Us By the Trail of Dead, X: The Godless Void and Other Stories: No signs of mellowing out even after 25 years.
Perfume Genius, Set My Heart on Fire Immediately: I thought it was going to be hard to top No Shape.
Jason Isbell and 400 Unit, Reunions: Isbell has been on such a sustained winning streak that it seemed at some point he needed to stumble. He hasn’t.
Fiona Apple, Fetch the Bolt Cutters: I’m not even a Fiona Apple fan, and I like this album.
Kylie Minogue, DISCO: My first Kylie purchase since Aphrodite. I wasn’t on board for the last two albums.
Jean-Efflam Bavouzet, The Beethoven Connection: I like this idea of exploring Beethoven-adjacent composers to puzzle out how they influenced Beethoven himself.
Mr. Bungle, The Raging Wrath of the Easter Bunny Demo: Straight up hardcore.
Other favorites of the year:
Brooklyn Rider, Healing Modes
The Streets, None of Us Are Getting Out of This Life Alive
I started running out of things to say just as the SARS-CoV2 spread in the US, and when the lockdown happened, I threw myself into recording a pair of cover albums. I wasn’t buying much music, nor listening to anyone other than myself. By the time I finished making the albums, stores were opening up, and my music buying eventually resumed.
But I still don’t have much to say.
That doesn’t mean I’ve run out of opinions. So here are my favorites of the year so far.
New releases
Sam Sparro, Boombox Eternal
Timo Andres / Brad Mehldau / Jeremy Denk / Randy Newman, I Still Play
Perfume Genius, Set My Heart on Fire Immediately
Jason Isbell and 400 Unit, Reunions
The Streets, None of Us Are Getting Out of This Life Alive
Fiona Apple, Fetch the Bolt Cutters
… And You Will Know Us by the Trail of Dead, X: The Godless Void and Other Stories
My Very Own Familiar, Dear Listener: Lawnchairs for the Apocalypse
A friend of mine posted he was releasing an album recorded during the lockdown in Washington that started in March. This is that album, and it’s available only on YouTube. Also, it’s damn good.
Robyn, Body Talk
I’m disappointed in myself for not grabbing a copy of this album on vinyl on Record Store Day 2019.
Perfume Genius, Set My Heart on Fire Immediately
I’m slowly coming around to Perfume Genius. I don’t know if I’ll explore the early albums, but these last two have appealed to me greatly.
Jason Isbell and 400 Unit, Reunions
I like this album more than The Nashville Sound, but I don’t like it as much as Here We Rest or Something More Than Free. But finding a bad Jason Isbell album is like trying to find a bad Emmylou Harris album.
Timo Andres / Jeremy Denk / Brad Mehldau / Randy Newman, I Still Play
I’m going to miss Bob Hurwitz’s leadership of Nonesuch Records. The label seems to be moving in a more Americana direction since his retirement, and while the partnership with New Amsterdam Records is tailor made, I can’t help but feel Nonesuch is outsourcing its A&R for modern classical music.
Washington State is under a stay-at-home order till May 4, which means I’m not going to be shopping for music at a local record store till then — assuming the order doesn’t get extended.
Perfume Genius, Set My Heart on Fire Immediately, May 15
Prior to No Shape, I’ve been ambivalent about Perfume Genius. I would hear excerpts of previous albums and not feel much compulsion to listen to more. I picked up No Shape from the thrift store mostly because it had garnered a lot of acclaim. And I liked it enough to look forward to this next release.
Various Artists, I Still Play, May 22
Bob Hurwitz retired as president of Nonesuch in 2017, and for his send-off, a number of artists wrote piano works for him. The title piece, written by John Adams, was Hurwitz’s reply when someone asked him if he still plays piano.
Inventions, Continous Portrait, July 10
Matthew Cooper of Eluvium and Mark Smith of Explosions in the Sky reunite for their first new album since 2015.
Rescheduled
Rufus Wainwright, Unfollow the Rules, July 10
Sam Smith,TBD (formerly titled To Die For), Fall 2020
Vinyl
Everything But the Girl, Temperamental, May 8
I like this album enough to want this vinyl reissue, but I didn’t like it enough to get the deluxe edition a few years back.
I remember seeing Guadalcanal Diary albums filed in a section of Jelly’s Books and Music reserved for “modern rock”, the precursor of “alternative rock” that would distinguish itself from “classic rock”. I wouldn’t explore the band’s albums till nearly 30 years later. Of their four albums released in the ’80s, 2 x 4 is one of the two essentials, the other being Walking in the Shadow of the Big Man.
Perfume Genius, No Shape
I’ve stayed away from Perfume Genius because the 30-second samples I’d hear of various tracks made me conclude I’d be bored at full-length. No Shape garnered a lot of favorable press in 2018, and the thrift store price point convinced me to jump in. I’m glad I did.
Robert Palmer, Secrets
You should own this album for “Doctor, Doctor” alone, but like the rest of Palmer’s early output, this album is reliably funky.
SUPER JUNKY MONKEY, AIETOH
SUPER JUNKY MONKEY albums can get intense for their length, so this four-track EP is the perfect encapsulation of the band. I grabbed this release from the Evil Sharing Networks in the early 2000s and pined for the day I could afford to order it from overseas. Nearly 20 years later, I would get it on Amazon Marketplace for under $5.
Toto, Hydra
Toto IV gets most of the accolades, and while Hydra didn’t capture the mind share of its predecessor, it has some solid tracks, including one of my favorite Toto singlse, “99.”
![[Tokyo Jihen - Ongaku (Music)]](https://musicwhore.org/wp-content/uploads/2021/06/2021268051QD2X_f.jpg)
![[Sam Sparro - Boombox Eternal]](https://musicwhore.org/wp-content/uploads/2020/03/SamSparroBoomboxEternal-300x300.jpg)
![[Perfume Genius - No Shape]](https://musicwhore.org/wp-content/uploads/2020/07/PerfumeGeniusNoShape201202266_f-300x265.jpg)
![[Various Artists - I Still Play]](https://musicwhore.org/wp-content/uploads/2020/07/TimothyAndresJeremyDenkB2343770T3F_f-300x300.jpg)
![[Perfume Genius - Set My Heart on Fire Immediately]](https://musicwhore.org/wp-content/uploads/2020/05/PerfumeGeniusSetMyHeart234477PPF0_f-300x300.jpg)
![[Toto - Hydra]](https://musicwhore.org/wp-content/uploads/2019/05/TotoHydra1979203071_f.jpeg)
![[Yaz - Upstairs at Eric's]](https://musicwhore.org/wp-content/uploads/2018/12/YazUpstairsatErics1987197066_f-300x300.jpg)