I can’t say I expected much from 2021 given how Generation X has turned out to be such dumb fucks, but I didn’t anticipate those expectations should have been lower. If the current trajectory holds, 2022 can already go fuck itself.
At least we got a new ABBA album out of the deal.
ABBA, Voyage: When Frida sang the opening notes of “I Still Have Faith in You,” I hadn’t realized how starved I was to hear that voice, those voices. Voyage also pulls off the remarkable feat of picking up exactly where the band left off in 1982, practically ignoring the musical developments that came in the wake of ABBA’s hiatus. It makes sense for the virtual live show. Why let 2022 intrude on 1982? It’s also remarkable how the band’s lyrics are darker than I remember. But I was 8 years old the first time I was an ABBA fan, so a lot of that subtext would have been lost on me.
Duran Duran, FUTURE PAST: ABBA shows how you can take the past into the present. Duran Duran takes the future into the past. Duran Duran has always tried to run parallel with the contemporary, but on some albums, they skew too heavy on relevancy. (I’m looking at you, Red Carpet Massacre.) With FUTURE PAST, Duran Duran embraces its past self, grounding all the experience of a 4-decade career into the fundamentals that make their signature sound.
Deafheaven, Infinite Granite: Yes, I’m far more into post-rock than heavy metal, so the fact this album embrace more of the former and less of the latter does not disappoint me in the least. Toward the end of the album, we do get treated to the scream vocals.
sungazer, Perihelion: Adam Neely is correct when he says recorded music has been too de-valued to be a reliable income source. As much as I love this sungazer album, I’m not going to complain if the next one takes years to arrive, if it ever does.
Utada Hikaru, One Last Kiss EP: I don’t think I’ve spun an Utada Hikaru song this much since “Be My Last”. I also love that all the remixes of “Beautiful World” are distinctive enough to withstand repeated listening.
Emmylou Harris and the Nash Ramblers, Ramble in Music City: The Lost Concert: Glad to hear it’s lost no longer.
Jam and Lewis, Volume 1: There’s a melodic turn at the end of the chorus on “Happily Unhappy” that pretty much encapsulates the longevity of Jam and Lewis. Volume 2 reportedly includes the pair’s biggest collaborator, Janet.
MONO, Pilgrimage of the Soul: I seem to like every other MONO album since Hymn to the Immortal World. Couldn’t get into For My Parents …, The Last Dawn or Now Here Nowhere, but I’m all about Requiem for Hell, Rays of Darkness and this album.
Helmet, Live and Rare: I have only the first three Helmet albums in my collection, but this live album makes me wish I had seen them live.
FINNEAS, Optimist: Sorry, Billie.
Some other favorites from the past year:
Yo Majesty, Return of the Matriarch: Q: Will sex, God, and titties continue to be a part of the Yo! Majesty brand? A: Anything less is uncivilized. It’s time to be free.
Lil Nas X, MONTERO: Given the amount of time I spend in thrift shops, I have a bias against streaming-only releases. For the price Columbia is charging for downloads, I may as well wait for a physical release. I like this album, but downloading FLAC files from Bandcamp is the closest I’ll consider owning a digital release. I’m old that way.
Perfume, Polygon Wave: Yeah, this was really a maxi single. But I couldn’t stop playing this one either.
CZARFACE / MF DOOM, Super What?: To be honest, I don’t own very many MF DOOM albums, but man, that was a 2020 loss that affected me more than I expected.
Princess Goes to the Butterfly Museum, Thanks for Coming: This album is good, but I have a sense that it could have been phenomenal with a few more tweaks.
On May 10, 2021, I received the second dose of the Pfizer COVID-19 vaccine. I had an appointment to get the Johnson and Johnson vaccine, but on the day I was to drive 20 miles to get it, distribution of the vaccine was paused.
After weeks of wondering when I’d be eligible to get a vaccine, followed by another few weeks of battling for an appointment, I had little mental energy left to do anything but work and practice for my music lessons.
Record Store Day Drops happened, and I was actually dreading it. A large music shop in my neighborhood closed permanently, and I haven’t eulogized it yet.
After a year and change of a pandemic that is nowhere near close to ending, I haven’t put much energy into listening to music of the current year. I visit the thrift shops every week to discover the past, but the present has no allure for me.
TL;DR: I don’t have much to offer for this half-year list.
The one release to which I’ve listened with any consistency contains remixes of a song released more than a decade ago. I’ve been distracting myself with so much YouTube and violin practice that I have a backlog of unopened vinyl, including titles I bought on Record Store Day.
I hope the second half of the year is kinder than the last year and a half.
Here are my favorites of 2021, what few I could find.
Utada Hikaru, One Last Kiss EP: I haven’t cottoned to an Utada song this hard since “Be My Last”, and all the incarnations of “Beautiful World” on this EP makes a strong argument that it too is one of her strongest songs.
Anton Reicha, Reicha Rediscovered (Ivan Ilić): Reicha is pretty obsessive about interrogating the theme of L’Art de varier (The Art of Variation) to the point it’s almost maddening. But maybe that’s the point.
Yo Majesty, Return of the Matriarch: Earlier this year, I had a hankering to hear “Club Action” by Yo Majesty, though I had sold my copy of Futuristically Speaking … Never Be Afraid when cash got tight. So it was a bit of serendipity to learn the duo reunited to release Return of the Matriarch.
Princess Goes to the Butterfly Museum, Thanks for Coming: I actually don’t think this album is as good as it could have been. The trio’s self-titled debut EP is actually stronger, but it has enough attitude that I can’t completely dismiss it.
The older I get, the more I find music from the past I hadn’t yet discovered more interesting than the new.
Riz Ahmed, The Long Goodbye: Wow, a breakup record with an entire country. Amazing.
Laurie Anderson, Big Science: Oh, so that’s why Laurie Anderson is a BFD.
Kelela, Take Me Apart: I find indie R&B way more interesting than indie rock these days.
The Fixx, Reach the Beach: File under: an album I would have owned a long time ago if only I learned who sang those songs at the time I first heard them.
Linda Ronstadt, Mad Love: I’ve read the success of Mad Love allowed Ronstadt to record more adventurous albums, which makes me wonder what would have happened if she had done another new wave album.
Gang of Four, 77-81, March 12 (vinyl), April 23 (CD)
I don’t need this boxed set. I already have Entertainment! and Solid Gold on vinyl. But I want this boxed set because of the ephemera that goes along with it, including an actual cassette tape of demos. I’m glad I still have my TASCAM 424 to play it.
MONO, Beyond the Past: Live in London with Platinum Anniversary Orchestra, March 19
I don’t think I ever got around to listening to Holy Ground: Live in NYC with the Wordless Music Orchestra. (NOTE: I’m listening to it now as I write this entry.) As much as the orchestra is important to MONO’s studio recordings, it’s not terribly important in a live setting. I have seen the band enough times not to miss it. Still — I’d love to see them perform with one.
Princess Goes to the Butterfly Museum, Thanks for Coming, May 7
I’m usually skeptical when Hollywood actors form bands, but Michael C. Hall (Six Feet Under, Dexter) played the title role of Hedwig and the Angry Inch, which is enough cred for me. Also, I’m definitely the target market for the trio’s post-new wave sound. I liked the self-titled EP enough, but I’m curious to see what they can do over the length of a full album. Thanks for Coming is already available on digital platforms.
PJ Harvey, Stories from the City, Stories from the Sea, Feb. 26
Yeah. This reissue is the one for which I’ve been waiting. I’m even going to get the accompanying disc of demos released separately. Next target: Let England Shake.
Bad Brains, Bad Brains, April 22
Because … Bad Brains.
Death Cab for Cutie, The Georgia EP, July 30
Death Cab for Cutie made this covers EP available for one day on Bandcamp to raise money for Fair Fight. With Senators Warnock and Ossoff now sworn in, the band is making it available on vinyl.