Craig Armstrong, Nocturnes: Music for Two Pianos, Sept. 3
Armstrong wrote and recorded this album during lockdown, as pretty much every other musician trying to make sense of this awful zeitgeist.
James Blake, Friends That Break Your Heart, Sept. 10
I really liked Assume Form, but man, I hate the cover of this album.
MONO, Pilgrimage of the Soul, Sept. 17
Takaakira Goto hints that this album might have the fastest tempi on a MONO album, which is a direction I didn’t expect but more than welcome.
Andrew Lloyd Webber, Jesus Christ Superstar (50th Anniversary), Sept. 17
Whatever you may think of Andrew Lloyd Webber now, back in the day, he was gutsy enough to make rock bands sound like Prokofiev, and that blur between electric guitars and dissonant harmonies has shaped my musical tastes ever since. So yeah, I’m all about an expanded version of Jesus Christ Superstar.
Perfume, Polygon Wave, Sept. 22
I find it cool that 20+ years into a storied pop career, Perfume releases their first ever EP. They have tons of singles and a lot of albums. But EPs? Nah.
BADBADNOTGOOD, Talk Memory, Oct. 8
My enthusiasm for this new album is based entirely on III, which means I have three other albums with which I can either enhance or temper that enthusiasm.
Garbage, Garbage, Aug. 27
A repressing of a 2015 reissue.
Tokyo Jihen, Education (Kyouiku), Sept. 29 Tokyo Jihen, Adult (Otona), Sept. 29 Tokyo Jihen, Variety (Goraku), Sept. 29 Tokyo Jihen, Sports, Sept. 29 Tokyo Jihen, Discovery (Daihakken), Sept. 29 Tokyo Jihen, Music, (Ongaku), Sept. 29
You’re damn right I’m getting all 6 albums, even if I really only like two of the them.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Our retrospective ends at 1978 because my collection starts thinning out at this point. I was 6 years old at the time and just starting to become aware of songs on the radio. Of course, nothing on this list would have appealed to 6-year-old me.
Steve Reich, Music for 18 Musicians
Brian Eno, Ambient 1: Music for Airports
Kate Bush, The Kick Inside
Emmylou Harris, Quarter Moon in a Ten Cent Town
Blondie, Parallel Lines
Andrew Lloyd Webber, Variations
Andy Gibb, Shadow Dancing
Willie Nelson, Stardust
Kate Bush, Lionheart
The Police, Outlandos d’Amour
Other favorites from the year:
Clannad, In Concert
Rap Reiplinger, Poi Dog
I loved Blondie’s “Heart of Glass”, but when my dad saw her perform on Solid Gold, he hated her on sight. “She looks drugged,” he would complain, so I wasn’t allowed to listen to Blondie. That didn’t stop my brother from picking up the 7-inch singles for “The Tide Is High” and “Rapture.”
I can only imagine what dad would have said if he saw Kate Bush dancing in “Wuthering Heights.”
If any album on this list would have appealed to 6-year-old me, it would be Rap Reiplinger’s Poi Dog. Local radio played Reiplinger’s skits regularly, and I enjoyed hearing “Room Service” over and over again.
I didn’t realize those skits were available on an album. I thought only radio could broadcast them, so it wasn’t until Poi Dog was reissued on CD in 1992 that I could relive that thrill.
Reiplinger forged the Honolulu stand-up comic scene, and it died when he did in 1984. Or maybe it was the humorlessness of the 1980s.