I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.
I traveled to Austin for the record convention this past weekend. I didn’t find much of what I wanted, but I did find a lot of what I didn’t know I wanted. This list includes purchases at Waterloo Records and End of an Ear.
New releases
CD
Jamila Woods, Legacy! Legacy!
Kronos Quartet with Masha and Marjan Vadat, Placeless
Catalog
CD
a-ha, Hunting High and Low
Bill Frisell, Before We Were Born
Dwight Yoakam, Buenas Noches from a Lonely Room
Grizzly Bear, Shields
Johnny Cash, At Folsom Prison
Joy Division, Closer
Robert Palmer, Pride
Robert Palmer, Some People Can Do What They Like
Shovels & Rope, Swimmin’ Time
Tomita, The Planets
Witold Lutoslawski, Symphonies / Concertos / Vocal and Choral Works
Vinyl
Branford Marsalis Quartet, Crazy People Music
Everything But the Girl, Everything But the Girl
Franz Josef Haydn, Streichquartette, op. 20, 2 & 4 (Quarteto Esterhazy)
Giovanni Palestrina, Pope Marcellus Mass / Stabat Mater / Three Motets (Pro Cantione Antiqua, Bruno Turner)
Janet Jackson, Janet Jackson
Johnny Cash, At Folsom Prison
Kacey Musgraves, Same Trailer Different Park
Marilyn Manson, Antichrist Superstar
Megadeth, So Far … So Good … So What!
Olivier Messiaen, La Nativité du Seigneur (Jennifer Bate)
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I’m not sure other music writers would agree that 1998 is an important year in music for the ’90s. 1991 saw Guns N’ Roses cap the era of hair metal and Nirvana usher the unfortunately-named alternative rock. But it didn’t have Neutral Milk Hotel.
Igor Stravinsky, Le Sacre du Printemps/Symphony in Three Movements (Zubin Mehta, New York Philharmonic Orchestra)
Mazzy Star, She Hangs Brightly
Soundgarden, Badmotorfinger
Bill Frisell, Where in the World?
Fishbone, The Reality of My Surroundings
Metallica, Metallica
Kronos Quartet, Lutoslawski: String Quartet
Black Sheep, A Wolf in Sheep’s Clothing
Hamada Mari, Tomorrow
Electronic, Electronic
Slint, Spiderland
My Bloody Valentine, Loveless
Painkiller, Guts of a Virgin
Mr. Bungle, Mr. Bungle
Slint and My Bloody Valentine are additions 2004-me would have made. 1991-me would have side-eyed 2004-me.
And he would have scoffed at 2018-me for including Black Sheep, after emitting a gasp at seeing Fishbone on the list at all.
He would have begrudgingly nodded at the additions of Metallica and Hamada Mari, and he would have been curious about Electronic. And he would have gone out and found Painkiller the first chance he got.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.
Duran Duran, The Wedding Album
Bill Frisell, Have a Little Faith
John Zorn / Naked City, Absinthe
Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
Spiny Norman, Crust
The Love Gods, Hujja Hujja Fishla
Michael Nyman, The Piano
Wayne Horvitz / Pigpen, Halfrack
Clannad, Banba
Emerson Sting Quartet, American Originals: Ives / Barber String Quartets
Other favorites from the year:
Kate Bush, The Red Shoes
Emmylou Harris, Cowgirl’s Prayer
Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
Cypress Hill, Black Sunday
Digable Planets, Reachin’
U2, Zooropa
Julee Cruise, The Voice of Love
Sting, Ten Summoner’s Tales
This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.
That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.
The extended list includes music that would have been ignored by the person who compiled the Favorite 10.
My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.
Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.
Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.
All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.