I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.
I traveled to Austin for the record convention this past weekend. I didn’t find much of what I wanted, but I did find a lot of what I didn’t know I wanted. This list includes purchases at Waterloo Records and End of an Ear.
Jamila Woods, Legacy! Legacy!
Kronos Quartet with Masha and Marjan Vadat, Placeless
a-ha, Hunting High and Low
Bill Frisell, Before We Were Born
Dwight Yoakam, Buenas Noches from a Lonely Room
Grizzly Bear, Shields
Johnny Cash, At Folsom Prison
Joy Division, Closer
Robert Palmer, Pride
Robert Palmer, Some People Can Do What They Like
Shovels & Rope, Swimmin’ Time
Tomita, The Planets
Witold Lutoslawski, Symphonies / Concertos / Vocal and Choral Works
Branford Marsalis Quartet, Crazy People Music
Everything But the Girl, Everything But the Girl
Franz Josef Haydn, Streichquartette, op. 20, 2 & 4 (Quarteto Esterhazy)
Giovanni Palestrina, Pope Marcellus Mass / Stabat Mater / Three Motets (Pro Cantione Antiqua, Bruno Turner)
Janet Jackson, Janet Jackson
Johnny Cash, At Folsom Prison
Kacey Musgraves, Same Trailer Different Park
Marilyn Manson, Antichrist Superstar
Megadeth, So Far … So Good … So What!
Olivier Messiaen, La Nativité du Seigneur (Jennifer Bate)
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
In 2008, my collection tapered off with releases before 1987. I went so far as to call 1986 an uninteresting year. I’ve since had time to explore the year in greater depth.
The Art of Noise, In Visible Silence
Janet Jackson, Control
Soundtrack, Megazone 23 Song Collection
Paul Simon, Graceland
The Smiths, The Queen is Dead
Prince & the Revolution, Parade
Nakamori Akina, Fushigi
Duran Duran, Notorious
Club Nouveau, Life, Love and Pain
Other favorites from the year:
Anita Baker, Rapture
Bananarama, True Confessions
Fishbone, In Your Face
Run DMC, Raising Hell
Peter Gabriel, So
John Adams, Harmonielehre
Dwight Yoakam, Guitars, Cadillacs, Etc. Etc.
R.E.M., Lifes Rich Pageant
Pet Shop Boys, Please
Kronos Quartet, Music of Sculthorpe, Sallinen, Glass, Nancarrow, Hendrix
The Human League, Crash
If you told Younger Me that Older Me would like So and Raising Hell, Younger Me would wretch. At the time, Run DMC and Peter Gabriel were so ubiquitous, I felt I would never need to hear “Walk This Way” or “Sledgehamer” for the rest of my life.
One advantage of growing older is no longer caring about looking at all fashionable.
Younger Me would have been puzzled by the inclusion of Dwight Yoakam on the extended list, to which Older Me would have to tell Younger Me to wait 9 years.
Younger Me: Oh, I was wondering whether I should get that Human League album. Is it really that good? Older Me: Yeah, but I don’t think you’d quite appreciate it at your station in life. Wait a few years. Younger Me: Really? How many? Older Me: 30.
It’s time we turn this list around. Instead of tracking the favorite new releases of 2018, I’ll start with my favorite catalog discoveries. The vast majority of my listening these days is old music that’s new to me, so let’s pretend no longer I have a read on anything current.
Patti Smith, Horses: PJ Harvey sure owes a lot to Patti Smith. The first time I played Horses, there were moments I thought I was listening to Polly Jean. This album confounded me, thus forcing me to play it multiple times, each time engaging me more than the last. Smith has been described as the godmother of punk, and I half expected a proto-Sleater-Kinney. Nah, man. That’s not it at all.
The Jimi Hendrix Experience, Are You Experienced?: Maybe it’s because of Emmylou Harris and Kronos Quartet that made this album feel instantly familiar, or maybe its influence extends as far as the arm of Sauron.
Roxy Music, Avalon: Smooth
Bruce Springsteen, Nebraska: This shit is dark.
Joni Mitchell, Court and Spark: Without some schooling in Charles Mingus and John Coltrane, I wouldn’t have understood how ground-breaking this album is. Otherwise, the cheap imitations it spawned would have been my only reference.
Fugazi, The Argument: I didn’t think anything could top 13 Songs or Repeater, but this album comes damn close.
Dwight Yoakam, Guitars Cadillacs Etc. Etc.: Honky-tonk AF
Benjamin Gibbard / Andrew Kenny, Home, Vol. 5: Even after 15 years, this split EP holds together well.
Janelle Monáe, Dirty Computer: This is the album I wished The ArchAndroid was. I still think she hasn’t yet recorded her Shousou Strip.
Laurie Anderson and Kronos Quartet, Landfall: I found myself engaged in this album more than I expected.
Various Artists, Adam to Eve no Ringo: Shiina Ringo is one of the best songwriters, because the strength of her writing cuts through even the most ordinary interpretation of her songs.
Thomas Bartlett and Nico Muhly, Peter Pears: Balinese Ceremonial Music: It’s an improbable concept album based on transcriptions of Balinese gamelan music by English composer Colin McPhee. In execution, it’s a stronger concept than the Planetarium album Muhly did with Sufjan Stevens, Bryce Dessner and James McAlister.
Steve Grand, not the end of me: Grand has gone through some serious shit since his debut album, and this sprawling sophomore effort lays it all out.
Utada Hikaru, Hatsukoi: Check out the rhythmic modulation on “Chikai”. She does some amazing obfuscation with the downbeat.
Igor Stravinsky, Chant Funèbre / La Sacre Du Printemps: It seems Funeral Song didn’t really answer the question of how Stravinsky bridged his Scriabin-influenced early work with the Firebird and all that came after.
Tracey Thorn, Record: Tracey Thorn returns to the dancefloor, thank deities.