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Favorite Edition Rewind: 1996

[Café Tacuba - Avalancha de Exitos]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1996 was my final year in college, a year before I would earn the kind of disposable income that would go into building a music collection. While the Favorite 10 of 1996 remains mostly unchanged, the extended list includes many more discoveries I couldn’t afford to hear at the time.

  1. Soundtrack, William Shakespeare’s Romeo + Juliet
  2. Värttinä, Kokko
  3. Soundtrack, Robotech Perfect Collection
  4. Asylum Street Spankers, Spanks for the Memories
  5. Various Composers, Gay American Composers
  6. Original Cast Recording, Rent
  7. Marilyn Manson, Antichrist Superstar
  8. Everything But the Girl, Walking Wounded
  9. Shawn Colvin, A Few Small Repairs
  10. Robin Holcomb, Little Three

Other favorites from the year:

  • Midnight Oil, Breathe
  • Dead Can Dance, Spiritchaser
  • Emmylou Harris, Portraits
  • Kronos Quartet, Howl USA
  • UA, 11
  • Yen Town Band, Montage
  • Neutral Milk Hotel, On Avery Island
  • Aphex Twin, Richard D. James Album
  • Weezer, Pinkerton
  • Sleater-Kinney, Call the Doctor
  • Clannad, Lore
  • Café Tacuba, Avalancha de Exitos

I could actually add more titles from Wilco, Helmet, Gillian Welch, DJ Shadow and Amuro Namie to the extended list, but I haven’t lived with them as long as the ones I’ve already added.

I owned the Richard D. James album at one point. It was a promo from the student newspaper, but I was such a neophyte with EDM that I couldn’t make heads or tails of it. As it turns out nobody could really make heads or tails of it.

The original extended list didn’t include Lore because it had already fallen victim to a collection purge. I rediscovered the album after the death of Padraig Duggan.

Avalancha de Exitos was the first album by Café Tacuba I would encounter, but I wouldn’t purchase it till many years later. I borrowed it from a friend and liked it. But I stayed away from it because it’s a cover album of music of which I had no reference.

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Favorite Edition Rewind: 1999

[SUPERCAR - JUMP UP]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Here’s my matrix of the most important years in music for the last 4 decades:

  • 2010s: 2015 (so far)
  • 2000s: 2002
  • 1990s: 1998
  • 1980: 1987

The years adjacent to the ones listed are also pretty pivotal, which is the case for 1999. The list doesn’t change much, but a lot of great music came out that year.

  1. NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
  2. Shiina Ringo, Muzai Moratorium
  3. Utada Hikaru, First Love
  4. ACO, absolute ego
  5. Nina Hynes, Creation
  6. SUPERCAR, Jump Up
  7. The Flaming Lips, The Soft Bulletin
  8. Port of Notes, Complain Too Much
  9. Mandy Barnett, I’ve Got a Right to Cry
  10. The Kiss Offs, Goodbye Private Life

Other favorites from the year:

  • L’Arc~en~Ciel, ray
  • Jordan Knight, Jordan Knight
  • eX-Girl, Kero! Kero! Kero!
  • NUMBER GIRL, DESTRUCTION BABY
  • OBLIVION DUST, Reborn
  • UA, turbo
  • Moby, Play
  • Maná, MTV Unplugged
  • Dr.StrangeLove, Twin Suns
  • The Roots, Things Fall Apart
  • Fantastic Plastic Machine, Luxury
  • Asylum Street Spankers, Hot Lunch
  • Café Tacuba, Revés/Yo Soy

A retrospective addition of SUPERCAR bumps L’arc~en~Ciel to the extended list. Futurama was the first SUPERCAR album I owned, and I liked it so much, I was hesitant to explore the band’s early work, out of fear it wouldn’t live up.

As it turns out, Futurama was the last of SUPERCAR’s great albums. The first two albums are classics in their own right. I’ve yet to dig into Ookeah! and Ooyeah!

I’ve only added Moby, The Roots and Fantastic Plastic Machine to the extended list, but albums by Wilco, Rage Against the Machine, Built to Spill and Mos Def could have made it on there. I just wanted to avoid the kind of crowding we saw in 2002 and 2003.

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