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Favorite Edition Rewind: 1985

[The Outfield - Play Deep]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

This list is the last of the original years covered in my previous survey. The Favorite 10 hasn’t changed, but the extended list has gotten longer.

  1. Tears for Fears, Songs from the Big Chair
  2. Sting, The Dream of the Blue Turtles
  3. Arcadia, So Red the Rose
  4. ABC, How to Be a Zillionaire!
  5. 10,000 Manaics, The Wishing Chair
  6. Clannad, Macalla
  7. Kate Bush, Hounds of Love
  8. Soundtrack, Macross Song Collection
  9. Midnight Oil, Red Sails in the Sunset
  10. Andrew Lloyd Webber, Requiem

Other favorites from the year::

  • Camper Van Beethoven, Telephone Free Landslide Victory
  • Eurythmics, Be Yourself Tonight
  • Hiroshima, Another Place
  • The Pogues, Rum Sodomy and the Lash
  • Simple Minds, Once Upon a Time
  • Sade, Promise
  • Hüsker Dü, New Day Rising
  • The Replacements, Tim
  • The Outfield, Play Deep
  • INXS, Listen Like Thieves
  • Lisa Lisa and Cult Jam with Full Force, Lisa Lisa and Cult Jam with Full Force
  • The Power Station, The Power Station
  • The Family, The Family
  • Prince and the Revolution, Around the World in a Day

Younger Me would approve of most of this list.

He would have gasped at the inclusion of Prince, considering the Sibling Rivalry Collection Race was at its height, and this kind of intrusion would be accompanied by a drubbing.

And he would groaned at the inclusion of The Outfield. Older Me would then advise him to wait 20 years before a real appreciation could begin.

I capped this survey at 1985 because my collection before that year wasn’t extensive enough for much punditry. Weekly visits to thrift shops in the last three years have allowed me to fill in enough gaps to keep going till 1978.

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Favorite Edition Rewind: 1988

[The Waterboys - Fisherman's Blues]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I had discovered so much music in 1987 that at the time, I thought 1988 was a dud by comparison. Over the years, I’ve discovered that is not the case. The Favorite 10 doesn’t change from the original list, but look at that expanded list.

  1. In Tua Nua, The Long Acre
  2. Midnight Oil, Diesel and Dust
  3. Kronos Quartet, Winter Was Hard
  4. The Sugarcubes, Life’s Too Good
  5. Enya, Watermark
  6. Tracy Chapman, Tracy Chapman
  7. Living Colour, Vivid
  8. Duran Duran, Big Thing
  9. Sonic Youth, Daydream Nation
  10. The Dead Milkmen, Beelzebubba

Other favorites from the year:

  • Stephen Sondheim, Into the Woods
  • John Adams, Nixon in China
  • Shadowy Men on a Shadowy Planet, Savvy Show Stoppers
  • Camper Van Beethoven, Our Beloved Revolutionary Sweetheart
  • Sarah McLachlan, Touch
  • Erasure, The Innocents
  • Sade, Stronger Than Pride
  • The Pogues, If I Should Fall from Grace with God
  • The Waterboys, Fisherman’s Blues
  • The Godfathers, Birth, School, Work, Death
  • Camouflage, Voices & Images
  • Ambitious Lovers, Greed
  • Iron Path, Iron Path
  • Toni Childs, Union
  • R.E.M., Green
  • Throwing Muses, House Tornado
  • Pixies, Surfer Rosa
  • N.W.A., Straight Outta Compton
  • Information Society, Information Society
  • Ofra Haza, Shaday
  • The Smiths, Rank
  • Lucinda Williams, Lucinda Williams

I guess I really limited the expanded list 10 years ago so I wouldn’t have to do so much writing. The Pogues, the Waterboys, the Godfathers, Ambitious Lovers, Ofra Haza, the Smiths and Lucinda Williams would not have appeared on that list — I’ve discovered those albums only in the last 6 years.

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Favorite Edition Rewind: 1990

[Uncle Tupelo - No Depression]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1990 has always felt more like 1989 v.2.0 than 1990 v.1.0. It was clearly the start of a pivot that wouldn’t really end till 1992, but the ’80s held its grip on that first year of the decade (if you’re using a 0-based system.)

  1. Kronos Quartet, Black Angels
  2. Robin Holcomb, Robin Holcomb
  3. John Zorn / Naked City, Naked City
  4. Midnight Oil, Blue Sky Mining
  5. Sonic Youth, Goo
  6. The Waitresses, Best of the Waitresses
  7. Geinoh Yamashirogumi, Akira Original Soundtrack
  8. Madonna, I’m Breathless
  9. The Sundays, Reading, Writing and Arithmetic
  10. Living Colour, Time’s Up

Other favorites from the year:

  • Duran Duran, Liberty
  • Depeche Mode, Violator
  • Deee-Lite, World Clique
  • Enigma, MCMXC a.D.
  • Meredith Monk, Book of Days
  • Joan Tower, Silver Ladders / Island Prelude / Music for Cello and Orchestra / Sequoia
  • Uncle Tupelo, No Depression
  • Jane’s Addiction, Ritual de lo Habitual
  • Fugazi, Repeater
  • Information Society, Hack
  • Björk, Gling-Gló
  • Wendy and Lisa, Eroica
  • Lisa Stansfield, Affection
  • Sinéad O’Connor, I Do Not Want What I Haven’t Got

1990-me would have protested the inclusion of Uncle Tupelo on this list. 1995-me would have had to slap some sense into him.

1990-me would have also questioned the addition of Lisa Stansfield, and 2008-me would have had to confront him about how he secretly loved “All Around the World.”

1990-me would have also wondered why 2008-me didn’t include Jane’s Addiction the first time around. 2008-me would have shrugged.

I would like to think 2008-me relished introducing 1990-me to Fugazi. 1990-me would not have been prepared for them, however.

All of us are still wondering how I Do Not Want What I Haven’t Got manages to stay on the list.

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Favorite Edition Rewind: 1996

[Café Tacuba - Avalancha de Exitos]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

1996 was my final year in college, a year before I would earn the kind of disposable income that would go into building a music collection. While the Favorite 10 of 1996 remains mostly unchanged, the extended list includes many more discoveries I couldn’t afford to hear at the time.

  1. Soundtrack, William Shakespeare’s Romeo + Juliet
  2. Värttinä, Kokko
  3. Soundtrack, Robotech Perfect Collection
  4. Asylum Street Spankers, Spanks for the Memories
  5. Various Composers, Gay American Composers
  6. Original Cast Recording, Rent
  7. Marilyn Manson, Antichrist Superstar
  8. Everything But the Girl, Walking Wounded
  9. Shawn Colvin, A Few Small Repairs
  10. Robin Holcomb, Little Three

Other favorites from the year:

  • Midnight Oil, Breathe
  • Dead Can Dance, Spiritchaser
  • Emmylou Harris, Portraits
  • Kronos Quartet, Howl USA
  • UA, 11
  • Yen Town Band, Montage
  • Neutral Milk Hotel, On Avery Island
  • Aphex Twin, Richard D. James Album
  • Weezer, Pinkerton
  • Sleater-Kinney, Call the Doctor
  • Clannad, Lore
  • Café Tacuba, Avalancha de Exitos

I could actually add more titles from Wilco, Helmet, Gillian Welch, DJ Shadow and Amuro Namie to the extended list, but I haven’t lived with them as long as the ones I’ve already added.

I owned the Richard D. James album at one point. It was a promo from the student newspaper, but I was such a neophyte with EDM that I couldn’t make heads or tails of it. As it turns out nobody could really make heads or tails of it.

The original extended list didn’t include Lore because it had already fallen victim to a collection purge. I rediscovered the album after the death of Padraig Duggan.

Avalancha de Exitos was the first album by Café Tacuba I would encounter, but I wouldn’t purchase it till many years later. I borrowed it from a friend and liked it. But I stayed away from it because it’s a cover album of music of which I had no reference.

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Favorite Edition Rewind: 1998

[Neutral Milk Hotel - In the Aeroplane Over the Sea]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

As much as I loved the ’80s, I can’t say the ’90s holds as much sentiment. I feel more affinity for the Aughts than I do the ’90s. That said, 1998 has proven to be rich with favorites, and I would consider it the pinnacle year in the decade. This list has gone through extensive revision from the original.

  1. Neutral Milk Hotel, In the Aeroplane Over the Sea
  2. Madonna, Ray of Light
  3. Lauryn Hill, The Miseducation of Lauryn Hill
  4. Lucinda Williams, Car Wheels on a Gravel Road
  5. Fastball, All the Pain Money Can Buy
  6. Patty Griffin, Flaming Red
  7. SUPERCAR, Three Out Change
  8. Various Artists, For the Masses: A Tribute to Depeche Mode
  9. Bruce Robison, Wrapped
  10. Cocco, Kumuiuta

Other favorites from the year:

  • Shakira, ¿Dónde Están Los Ladrones?
  • Wendy and Lisa, Girl Bros.
  • Midnight Oil, Redneck Wonderland
  • 8 1/2 Souvenirs, Happy Feet
  • UA, Ametora
  • Kronos Quartet, Alfred Schnittke: The Complete String Quartets
  • the brilliant green, the brilliant green
  • Bang on a Can All-Stars, Music for Airports
  • Craig Armstrong, The Space Between Us
  • Julieta Venegas, Aquí
  • Aterciopelados, Caribe Atómico
  • Macha, Macha
  • Idlewild, Hope Is Important
  • Pansy Division, Absurd Pop Song Romance
  • Orgy, Candyass

A number of titles that held positions in the Favorite 10 switched places with ones in the extended list.

I didn’t give Fastball much credit 10 years ago because the album had been all over Austin at the time of its release. I got caught up in that hype, then dismissed it as such later. I was wrong. All the Pain Money Can Buy needs to be in the Favorite 10.

For the Masses actually turned me into a Depeche Mode fan. Some of the covers on the tribute album rival the originals. In the case of “Shake the Disease” and “Everything Counts”, they straight up improve them.

Madonna dominated the top position of this list for 10 years before Neutral Milk Hotel nudged her down a notch. SUPERCAR makes another revisionist ranking, pushing 8 1/2 Souvenirs off.

Idlewild makes an appearance with a debut album that’s at times bratty and tuneful. It’s a mess compared to its follow-up, 1000 Broken Windows. But it’s a riveting mess.

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Purchase log, 2018-11-20

[Hajime Chitose - Hajime Uta]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Hajime Chitose, Hajime Uta ~Hajime Chitose Amami Shimauta-shuu~
  • Midnight Oil, Armistice Day: Live at the Domain, Sydney

Catalog

CD
  • ABC, Absolutely
  • Brooklyn Rider, Spontaneous Symbols
  • Dead Can Dance, Spleen and Ideal
  • Franz Josef Hadyn, String Quartets, Op. 20 “Sun”, 1-3 (Kodály Quartet)
  • Franz Josef Hadyn, String Quartets, Op. 20 “Sun”, 4-6 (Kodály Quartet)
  • Godspeed You! Black Emperor, F# A# ∞
  • Scissor Sisters, Ta-Dah
  • The Notwist, Neon Golden
  • The Rustavi Choir, Georgian Voices
Vinyl
  • Olivia Newton-John, Physical
  • Renée Fleming, Dark Hope
  • The Pointer Sisters, Break Out

Reissues

CD
  • Art of Noise, In No Sense? Nonsense! (Deluxe Edition)
  • Fastball, All the Pain Money Can Buy (Deluxe Edition)
Vinyl
  • Eurythmics, Peace
  • Fastball, All the Pain Money Can Buy (Deluxe Edition)

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Looking ahead: November 2018-January 2019

[Kate Bush - The Red Shoes]

Just in time for the holiday season, a whole slew of box sets make it on the release calendar.

Thought Gang, Thought Gang, Nov. 2

So essentially a Julee Cruise album, minus Julee Cruise? David Lynch and Angelo Badalamanti recorded the material on this album from 1992-1993, but only now does it become public.

Midnight Oil, Armistice Day: Live at the Domain, Sydney, Nov. 9

You can’t watch a Midnight Oil performance without wanting to be Rob Hirst when you grow up.

Kate Bush, Remastered on CD 1, Nov. 16
Kate Bush, Remastered on CD 2, Nov. 30

Kate Bush’s early works suffered the fate of many albums rushed to a CD release — the vinyl masters were used without any consideration of the medium’s expanded dynamic range. Fans have been clamoring for better sound, and in fell swoop, Kate unleashes her entire catalog remastered.

ASIAN KUNG-FU GENERATION, Hometown, Dec. 5

Yeah, it seemed about time for a new AKFG album.

MONO, Nowhere Now Here, Jan. 19

Tamaki on vocals? Electronics? Are they going glitchy like tourmates Low?

Vinyl

Brian Eno, Ambient 1: Music for Airports, Nov. 16

I was wondering when this album was going to get reissued on vinyl.

The Police, Every Move You Make: The Studio Recordings, Nov. 16

In addition to the five studio albums remastered at 45 r.p.m., this box also includes a disc of rarities. I just might find an old copy of Message in a Box instead.

Kate Bush, The Red Shoes, Nov. 16
Kate Bush, Aerial, Nov. 30
Kate Bush, Remastered in Vinyl, Nov. 30

The remastered releases also include vinyl issues, but in the UK, the records will be available in four boxed sets as well as individually. One box set includes remixes and covers. I don’t feel the need to upgrade the vinyl I already have, but I’ve had my eye on The Red Shoes and Aerial.

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Purchase log, 2018-09-04

[Jayne Cortez - Everywhere Drums]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

Labor Day sales at thrift stores are a dangerous combination.

New releases

CD
  • Blood Orange, Negro Swan
  • Troye Sivan, Bloom
Files
  • Molotov, MTV Unplugged: El Disconecte
  • Santigold, I Don’t Want: The Gold Fire Sessions

Catalog

CD
  • Anonymous 4, Love’s Illusion
  • Bob Marley and the Wailers, Legend
  • Boris, Akuma no Uta
  • Edgard Varèse, The Complete Works
  • Fleet Foxes, Fleet Foxes
  • Giovanni Palestrina, Palestrina Masses (Tallis Scholars)
  • Iron and Wine, Around the Well
  • Jayne Cortez, Everywhere Drums
  • John Coltrane, Soultrane
  • Joni Mitchell, Hejira
  • Loretta Lynn, Country Music Hall of Fame
  • McCoy Tyner, Echoes of a Friend
  • Midnight Oil, Scream In Blue
  • Miles Davis, Sketches of Spain
  • Moby, Everything Is Wrong
  • Semisonic, All About Chemistry
  • The Books, The Lemon of Pink
  • The Jimi Hendrix Experience, Axis: Bold as Love
  • Various Artists, If I Were a Carpenter
  • Various Composers, la Quinta essentia (Huelgas-Ensemble)
  • Various Composers, Musica Nova (Consort Veneto)
  • Vivian Green, A Love Story
Vinyl
  • Bananarama, True Confessions
  • Giovanni Palestrina, Missa “De Beata Virgine” (Chorus “Jeunesses Musicales”)
  • Madonna, You Can Dance
  • Rupert Holmes, Partners in Crime

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Favorite Edition 2017 Catalog

[Nakamori Akina - Fushigi]

2017 marked the largest year-over-year increase in my CD collection, and the biggest recipient of that largesse is the Lifelong Thrift Shop.

I crunched the numbers, and the store provided 168 of the 458 items bought in 2017. At an average of $0.73 per CD and $1.46 per record, I contributed more than $130 to Lifelong coffers. I wouldn’t have made a charitable payroll deduction that large.

The Friends of the Seattle Public Library Book Sale is another source for discount music, and I parted with $75 of my cash to them.

Essentially, weekly visits to the thrift shop has crowded out my interest in new releases. That, and being old.

Reissues

  1. Art of Noise, In Visible Silence: This album started my fascination with the Art of Noise and, more importantly, introduced me to the term musique concrète. It was the weirdest album I encountered in my tween years, and it primed me to discover Kronos Quartet.
  2. Wendy and Lisa, Eroica: A woefully underrated album.
  3. k.d. lang, Ingenue: The MTV Unplugged bonus material didn’t seem like much of an enhancement on paper till you actually listen to it
  4. The Smiths, The Queen Is Dead: The demos don’t stray too far from what eventually appeared on record, but it’s nice to hear how these tracks evolved.
  5. Prince and the Revolution, Purple Rain: I have to admit I was more enamored of the Eroica reissue, despite the bonus material in this special edition.
  6. Deee-Lite, World Clique: I’m usually not a fan of remixes, but the bonus disc on this special edition actually worked.
  7. Moondog, Moondog: I had been curious about Moondog for a long time, and the Record Store Day reissue of his self-titled Columbia debut was a good excuse to fill in a gap finally.
  8. Shawn Colvin, A Few Small Repairs: Yes, you can find this album at Lifelong for $1, but I still like it. And it’s on vinyl to boot!
  9. Emmylou Harris and the Nash Ramblers, At the Ryman: OK, I ended up with two copies of this album on vinyl because I hadn’t anticipated I could get the Ryman special edition when I visited Nashville in August 2017.
  10. Geinoh Yamashirogumi, Symphonic Suite AKIRA: The sequencing of the album had to change to accommodate the limitation of vinyl, but that doesn’t work against it.

Catalog

  1. Nakamori Akina, Fushigi: I have a number of middling Nakamori Akina albums,
    so out of curiosity, I did a search for what’s considered her best work. I wasn’t expecting an album that actually gets nods by the American indie music press. It puts to rest who I like better in the Akina vs. Seiko debate.
  2. The Streets, Original Pirate Material: I so dug “Geezers Need Excitement”, I used it as part of an assignment for an ear training/sight singing class I’m taking.
  3. New York Dolls, New York Dolls: I picked this album up from Lifelong Thrift Shop purely on reputation, and I didn’t expect how prescient it was.
  4. Loretta Lynn, Don’t Come Home a Drinkin’ (With Lovin’ on Your Mind): Don’t let the country weepies fool you — this album is all about how women have to be strong because men are just no good.
  5. Perfume, GAME: It took nearly a decade for me to discover the sublimity of “Polyrhythm.”
  6. The Roots, Game Theory: I want to call this album punk AF.
  7. Low, Things We Lost in the Fire: I’m not sure how much further I want to explore the Low catalog.
  8. Midnight Oil, Head Injuries: For the American Midnight Oil fan who wants to reach back into the Australian catalog, this album is where to start.
  9. Charles Mingus, The Black Saint and the Sinner Lady: Similarly, I’m not sure how much further I want to explore Mingus after hearing this work. I feel everything else would pale by comparison.
  10. Weezer, Pinkerton: This album is the one to own if you can’t stand Weezer fans.
    I don’t think I’d mind Weezer if it weren’t for the fans.

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Concert Edition 2017

[Janet Jackson, Key Arena, Sept. 27, 2017]

I’m not the kind of person who has to post selfies or photograph everything I’m eating or doing.

Except concerts.

That would be Janet Jackson pictured with this entry.

JACK Quartet, Meany Hall, Jan. 10

I ran into my music theory TA at this concert, and we both we a bit meh about the program. JACK is a great quartet, but I honestly can’t remember much beyond the Morton Feldman piece which opened the concert.

Seattle Symphony, [untitled 2], Benaroya Hall, Jan. 27

The [untitled] series introduces me to a lot of new music of which I never follow up after hearing it. I still love going to these concerts, though.

University of Washington Modern Music Ensemble, John Zorn: Cobra, Meany Hall, March 1

I’ve known about Cobra for years, but this performance was the first I’ve attended. Recordings can’t do this piece justice. It must be experienced live to understand it.

Seattle Symphony, Aaron Jay Kernis: Violin Concerto, Benaroya Hall, March 18

Violinist James Ihnes has a lot of creative capital in Seattle as director of the seasonal chamber music festival, so I think the audience was willing to give Kernis’ concerto a chance. The piece and the performance went over well.

Japan Nite Tour, Chop Suey, March 22

Damn, had it been five years since I’ve attended a Japan Nite concert?

Emerson String Quartet, Meany Hall, April 21

There’s no way I would miss an Emerson concert with Shostakovich or Bartok on the program.

Seattle Symphony, [untitled 3], Benaroya Hall, April 28

A program centered around Andy Warhol concluded with a “popera”, which actually was far more engaging that I expected.

University of Washington Harry Partch Ensemble, Oedipus: A Music Theater Drama, Meany Hall, May 6

UW has a number of Harry Partch’s custom instruments, which were put to use in a production of Oedipus. Without the visual element, they pretty much sound like gamelan.

Midnight Oil, Moore Theatre, May 31

Yeah, definitely my favorite show of the year. The set list covered the entire span of their career, and just about everything I wanted to hear live I did.

Low + MONO, Neptune Theatre, June 16

I’ve known about Low for a long time — mostly through the band’s cover of “Africa” by Toto — but I was never curious enough to seek them out. I was duly impressed, even if I don’t think I’ll own anything other than Things We Lost in the Fire. MONO, of course, brought it.

The Revolution, Showbox, July 15

The band crafted the set list incredibly well. It started off with some obscure but recognizable stuff, but the second half kicked off the favorites. And everyone left pleased.

Jason Isbell and 400 Unit, Paramount Theatre, Sept. 12

Jason Isbell delivered a flawless performance as usual. The audience, though, was weird. It was a Tuesday night, and the Seattle Freeze was in full force, with half the audience sitting and the other half standing.

Sam Amidon, Fremont Abbey, Sept. 22

If nothing else, you really must go to a Sam Amidon show just to hear him talk between songs.

Janet Jackson, Key Arena, Sept. 27

I held onto my ticket after two cancellations, and I was glad I did. No opening act. Just Janet dishing out hit after hit in an epic DJ mix, only live.

Seattle Symphony, [untitled 1], Benaroya Hall, Oct. 13

I think this concert was the first where only one piece on the program was entirely unfamiliar to me. It’s always nice to hear Steve Reich’s Different Trains live.

Depeche Mode, Key Arena, Oct. 21

I think Depeche Mode 101 ruined this concert for me. I hadn’t really followed the band since the early aughts, and much of the set list drew from more recent albums.

Kronos Quartet, Federal Way Performing Arts Center, Nov. 4

Kronos has a way of upending expectations. Just when you think you’ve seen them do something new, some composer has them attach bowstring to a plastic toy.

 

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