I usually wait until concrete release dates are announced before listing an album in these previews, but in the last few days, a number of artists have made announcements worth noting.
Tokyo Jihen, News, April 8
I didn’t think I would miss Tokyo Jihen, but I realized I did when their reunion was announced.
Gaytheist, How Long Have I Been on Fire, April 10
I like Gaytheist, but I don’t follow them as closely as I do other bands. So it’s an automated announcement from Bandcamp that informed me of this release.
Roberta Flack, First Take (Deluxe Edition), April 10
Roberta Flack’s debut album turns 50. “The First Time Ever I Saw Your Face” was No. 1 on the week I was born.
Rufus Wainwright, Unfollow the Rules, April 24
When was the last time Rufus Wainwright did a rock album? Right around the time I moved to Seattle in 2012.
Sam Smith, To Die For, May 1
I enjoyed The Thrill of It All more than In the Lonely Hour, so I’m hoping this next album continues that trajectory.
Jason Isbell and 400 Unit, Reunions, May 15
The Nashville Sound was good, but it didn’t monopolize my attention the way Southeastern or Something More than Free did. So my anticipation for this album is a bit on the cool side.
Midnight Oil, The Markarrata Project, Summer 2020 Midnight Oil, TBD, Late 2020
I think I’m more excited over another tour than I am about the new album and EP. At the same time, things are so fucked up that Midnight Oil is the right band for these times.
Janet Jackson, Black Diamond, TBD
Aside from the title, details are scant about the next Janet album, but she’s already announced a tour.
One new song out of a 52-track career retrospective? I think I’m fine.
The Replacements, Dead Man’s Pop, Sept. 27
Don’t Tell a Soul was the first album I bought from the Replacements, so I’m interested to hear this period of the band’s history expanded on this boxed set.
Cocco, Star Shank, Oct. 2
Three years is pretty much the average gap between Cocco albums these days, now that she’s diversified into fashion, films, stage acting and literature. So she’s right on schedule.
Vinyl
Explosions in the Sky, The Rescue, Aug. 16 Explosions in the Sky, How Strange Innocence, Aug. 16
Explosions in the Sky wrote and recorded The Rescue in two weeks, and it’s a surprisingly tight album given its self-imposed constraints. Previously available only at the band’s shows, it gets a vinyl reissue for the band’s 20th anniversary.
Pinback, Summer in Abaddon (15th Anniversary Edition), Sept. 27
During my days as a record store employee, I got the impression Pinback was a fairly mellow band. So when I found this album at the thrift store, I was taken aback by how boisterous it was.
NUMBER GIRL, Kanden no Kioku, Nov. 3 NUMBER GIRL, DESTRUCTION BABY, Nov. 3
Just as Universal was starting to neglect NUMBER GIRL’s albums, the band reunites and gives the label a reason to dig into the archives. Oh, thank goodness.
Midnight Oil, Breathe Tour 97, Nov. 29
I’m unclear about whether this album was actually released on Record Store Day 2019. It showed up on the list, only to disappear as the April date approached. But it’s up on Discogs, so … where was it available? And is this reissue vaporware?
MONO, Hymn to the Immortal Wind (Anniversary Edition), June 14
I’m not usually a sucker for fancy packaging, but the limited edition vinyl reissue looks gorgeous. Also, this album really is MONO’s best.
John Luther Adams, Become Desert (Seattle Symphony, Ludovic Morlot), June 14
I’m not sure a recording will capture the surprise when a men’s chorus emerges from the texture of the orchestra — behind you. Perhaps in surround sound?
Renée Fleming, Lieder, June 14
An album of Brahms, Schumann and Mahler. I’ll pass.
The B-52’s, Cosmic Thing (Expanded Edition), June 28
It took a while for me to warm up to the B-52’s rougher early work because my first exposure to the band was the slick and polished Cosmic Thing.
Torche, Admission, July 12
I have three of the band’s four albums, which gives me enough familiarity with their work to look forward this upcoming release.
The Flaming Lips, King’s Mouth, July 19
Oh, so this was an actual new album? When I spotted it on Record Store Day, I assumed it was another one of their oddball projects.
NUMBER GIRL, Kanden no Kioku, July 24
A new live album! Or rather, raiding the archive to capitalize on the reunion.
Vinyl
Midnight Oil, Armistice Day: Live at the Domain Sydney, June 14
Oh, man, was I ever glad to catch Midnight Oil live on The Great Circle tour.
Solange, When I Get Home, late June
Solage’s Blonde to the Endless that was A Seat at the Table. How’s that for a difficult analogy?
Everything But the Girl, Amplified Heart, July 5
I’m surprised this album hadn’t been reissued on vinyl before now. Could we get a repress of Walking Wounded too?
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT, Aug. 7 NUMBER GIRL, SAPPUKEI, Aug. 7 NUMBER GIRL, NUM-HEAVYMETALLIC, Aug. 7
The Jet Set Records vinyl reissues in 2015 were pretty much sold out before they hit the stores, so jump on these pre-orders if you want to hear NUMBER GIRL in glorious analog.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
1979 is officially the year I started collecting music. And it’s all because of a post-disco hit about the Twilight Zone theme song. This list, though, couldn’t have been compiled till 2006.
Gang of Four, Entertainment!
Andrew Lloyd Webber, Evita
Stephen Sondheim, Sweeney Todd
Philip Glass, Einstein on the Beach
Midnight Oil, Head Injuries
Talking Heads, Fear of Music
The Clash, London Calling
Michael Jackson, Off the Wall
The Police, Reggatta de Blanc
Emmylou Harris, Blue Kentucky Girl
Other favorites from the year:
The Manhattan Transfer, Extensions
The B-52’s, The B-52’s
The hit in question is “Twilight Tone” by the Manhattan Transfer.
Though more renowned as a jazz vocal quartet, the group wouldn’t get on my radar till “Twilight Tone” invaded the airwaves. Search YouTube for a performance of the song on a variety show — it’s amazing what people will endure for art. Or gimmickry.
My parents relented and bought the Extensions album for me. Of course, I played “Twilight Tone” to death, but I also dug the other songs on the album. Unlike “Twilight Tone”, they ranged from doo-wop to a capella. One song was a bizarre novelty with the singers voices rendered at chipmunk speed. You could say this was Manhattan Transfer’s disco album.
I’ve included it in the extended list. As fond as I am of the album, I have a better sense of what 1979 really offered as a year in music.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
From here on out, you’ll see a lot of names repeat on these lists. These selections reflect my tastes as an adult rather than what I would have been listening to at the time.
Duran Duran, Rio
Clannad, Fuaim
ABC, The Lexicon of Love
Bruce Springsteen, Nebraska
Kate Bush, The Dreaming
The Waitresses, Wasn’t Tomorrow Wonderful
Roxy Music, Avalon
X, Under the Big Black Sun
Soundtrack, Tron
Midnight Oil, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1
The only album on this list I actually listened to in 1982 was the soundtrack to Tron. I was all about the video game, and I dug the special effects in the movie. I was, however, too young to understand how awful the screenplay was.
I saw the Waitresses on Solid Gold and absolutely loved “I Know What Boys Like.” By the time I would start collecting music, the Waitresses had already recessed into one-hit wonder memory. But the song left such an indelible print, I would seek it out in my first year of college.
Duran Duran’s Rio was released that year, but I had no inkling of it at the time. Music was a passive activity. The car radio or my siblings’ boomboxes keep me informed of the days’ hits, but my passion lie with video games — an activity my parents curtailed because they equated it with gambling.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
This list is the last of the original years covered in my previous survey. The Favorite 10 hasn’t changed, but the extended list has gotten longer.
Tears for Fears, Songs from the Big Chair
Sting, The Dream of the Blue Turtles
Arcadia, So Red the Rose
ABC, How to Be a Zillionaire!
10,000 Manaics, The Wishing Chair
Clannad, Macalla
Kate Bush, Hounds of Love
Soundtrack, Macross Song Collection
Midnight Oil, Red Sails in the Sunset
Andrew Lloyd Webber, Requiem
Other favorites from the year::
Camper Van Beethoven, Telephone Free Landslide Victory
Eurythmics, Be Yourself Tonight
Hiroshima, Another Place
The Pogues, Rum Sodomy and the Lash
Simple Minds, Once Upon a Time
Sade, Promise
Hüsker Dü, New Day Rising
The Replacements, Tim
The Outfield, Play Deep
INXS, Listen Like Thieves
Lisa Lisa and Cult Jam with Full Force, Lisa Lisa and Cult Jam with Full Force
The Power Station, The Power Station
The Family, The Family
Prince and the Revolution, Around the World in a Day
Younger Me would approve of most of this list.
He would have gasped at the inclusion of Prince, considering the Sibling Rivalry Collection Race was at its height, and this kind of intrusion would be accompanied by a drubbing.
And he would groaned at the inclusion of The Outfield. Older Me would then advise him to wait 20 years before a real appreciation could begin.
I capped this survey at 1985 because my collection before that year wasn’t extensive enough for much punditry. Weekly visits to thrift shops in the last three years have allowed me to fill in enough gaps to keep going till 1978.