A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Here’s my matrix of the most important years in music for the last 4 decades:
2010s: 2015 (so far)
2000s: 2002
1990s: 1998
1980: 1987
The years adjacent to the ones listed are also pretty pivotal, which is the case for 1999. The list doesn’t change much, but a lot of great music came out that year.
NUMBER GIRL, SCHOOL GIRL DISTORTIONAL ADDICT
Shiina Ringo, Muzai Moratorium
Utada Hikaru, First Love
ACO, absolute ego
Nina Hynes, Creation
SUPERCAR, Jump Up
The Flaming Lips, The Soft Bulletin
Port of Notes, Complain Too Much
Mandy Barnett, I’ve Got a Right to Cry
The Kiss Offs, Goodbye Private Life
Other favorites from the year:
L’Arc~en~Ciel, ray
Jordan Knight, Jordan Knight
eX-Girl, Kero! Kero! Kero!
NUMBER GIRL, DESTRUCTION BABY
OBLIVION DUST, Reborn
UA, turbo
Moby, Play
Maná, MTV Unplugged
Dr.StrangeLove, Twin Suns
The Roots, Things Fall Apart
Fantastic Plastic Machine, Luxury
Asylum Street Spankers, Hot Lunch
Café Tacuba, Revés/Yo Soy
A retrospective addition of SUPERCAR bumps L’arc~en~Ciel to the extended list. Futurama was the first SUPERCAR album I owned, and I liked it so much, I was hesitant to explore the band’s early work, out of fear it wouldn’t live up.
As it turns out, Futurama was the last of SUPERCAR’s great albums. The first two albums are classics in their own right. I’ve yet to dig into Ookeah! and Ooyeah!
I’ve only added Moby, The Roots and Fantastic Plastic Machine to the extended list, but albums by Wilco, Rage Against the Machine, Built to Spill and Mos Def could have made it on there. I just wanted to avoid the kind of crowding we saw in 2002 and 2003.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
… And You Will Know Us by the Trail Of Dead, Source Code and Tags
Kronos Quartet, Nuevo
The Streets, Original Pirate Material
Hajime Chitose, Hainumikaze
NUMBER GIRL, NUM-HEAVYMETALLIC
Quruli, THE WORLD IS MINE
Zoobombs, love is funky
Hatakeyama Miyuki, Diving into your mind
Patty Griffin, 1,000 Kisses
Other favorites from the year:
UA, Dorobou
Queens of the Stone Age, Songs for the Deaf
Damien Jurado and Gathered In Song, I Break Chairs
Pedro the Lion, Control
Wilco, Yankee Hotel Foxtrot
Missy Elliott, Under Construction
The Decemberists, Castaways and Cutouts
Sonic Youth, Murray Street
Sleater-Kinney, One Beat
Kylie Minogue, Fever
The Roots, Phrenology
ISIS, Oceanic
The White Stripes, White Blood Cells
The Hives, Veni Vidi Vicious
Catilin Cary, While You Weren’t Looking
BUGY CRAXONE, Northern Hymns
N.E.R.D., In Search Of …
The Books, Thought for Food
Nappy Roots, Watermelon, Chicken & Gritz
Minako, Suck It till Your Life Ends mata wa Shine Made Sono Mama Yatte Iro
The Flaming Lips, Yoshimi Battles the Pink Robot
Shiratori Maika, Hanazono
The Back Horn, Shinzou Orchestra
Joan Jeanrenaud, Metamorphosis
I picked up Original Pirate Material for $1 at Lifelong Thrift Shop, and now I understand why it was all over the place in 2002. I couldn’t open a music magazine without seeing Mike Skinner mentioned in it. I’m pretty sure the sample of Dvorak’s Symphony No. 9 sealed my admiration for the album.
THE WORLD IS MINE is something of a mea culpa. At the time of its release, I recognized the album as being Quruli’s most complex, but I just couldn’t get into it. I probably felt that it didn’t go far enough if it was going to be ambitious.
Well, the joke’s on me. I listened to it again before its reissue on vinyl, and I really dug it, much more than Antenna, which I praised effusively at the time. So it knocked Minako’s one and only album off the Favorite 10. UA also had to make room for the Streets.
The extended list includes albums I originally dismissed: Murray Street by Sonic Youth and One Beat by Sleater-Kinney.
I remember stocking Nappy Roots during my shifts at Waterloo Records and wondering what the big deal was. A $1 copy from Lifelong Thrift Shop 16 years later educated me. I probably wouldn’t have been exposed to Nappy Roots, The Decemberists or ISIS without having worked at Waterloo.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
At the time, SLOTH LOVE CHUNKS edged Utada Hikaru for the top spot of 2006, but Ultra Blue has proven far more durable. This list has gone through quite a number of changes.
Utada Hikaru, Ultra Blue
SLOTH LOVE CHUNKS, Shikakui Vision
VOLA & THE ORIENTAL MACHINE, Waiting for My Food
Furukawa Miki, Mirrors
Tokyo Jihen, Otona (Adult)
Gnarls Barkley, St. Elsewhere
Boris, Pink
The Roots, Game Theory
Lorraine Hunt-Lieberson, Neruda Songs
Nick Lachey, What’s Left of Me
Other favorites of the year:
ACO, mask
J Dilla, Donuts
Hajime Chitose, Hanadairo
Now It’s Overhead, Dark Light Days
Envy, Insomniac Doze
The Gossip, Standing in the Way of Control
ASIAN KUNG-FU GENERATION, Fan Club
I’ve known about Boris for as long as I’ve been following Japanese music, but I never made time for them until I picked up Pink at Goodwill for $2. Well, hell …
I wouldn’t have listened to the Roots or J Dilla at the time. Hip-hop had diversified to have its own underground, and that was just so much history that I wasn’t willing to unpack. I’ve only started exploring hip-hop with any seriousness in the last year.
Lorraine Hunt-Lieberson was quite the late discovery. I didn’t pick up Neruda Songs till 2008, but it quickly became a favorite, dislodging Ex-Boyfriends completely off the list.
When I was first introduced to ASIAN KUNG-FU GENERATION, I dismissed them as “eastern youth lite”. The joke was on me — I don’t even own an eastern youth album anymore, and I’ve purchased ASIAN KUNG-FU GENERATION on vinyl.