Billed as the final Midnight Oil, Resist finds the environmentally-conscious Australian band topical as ever. And it’s been four decades since they drew attention to these issues. How much progress have we made since?
Tears for Fears, The Tipping Point, Feb. 22
I saw a lot of people online express excitement over the return of Tears for Fears, and yet, I don’t remember that much attention being drawn to their last album, 2004’s Everybody Loves a Happy Ending. I have to admit, that album is my least played of theirs.
Utada Hikaru, BAD Mode, Feb. 23
I can’t think of a more appropriate title to describe the zeitgeist of the early 2020s. A digital release on Jan. 19 precedes the physical release in February.
Vinyl
Enya, “May It Be”, Jan. 7
Enya has been around long enough for her albums to receive the deluxe reissue treatment, but I also get the sense she’s pretty ambivalent of such reissues. So this vinyl reissue seems more like the label trying to make sure people know Enya is still around. Jan. 7 is a US import release date. The single is already available in the UK.
Soundtrack, Lost in Translation, Jan. 7
This soundtrack gets occasional vinyl reissues that sell out quick and fetch exorbitant prices on Discogs. So yeah, I’m going to try to snag a copy.
PJ Harvey, Let England Shake, Jan. 28
I picked up this album and Rid of Me from the thrift store at the same time, and I like both albums. But Rid of Me monopolized more of my player time. I’ve still eagerly awaited this vinyl reissue, nonetheless.
The White Stripes, Elephant, March 25 The White Stripes, Get Behind Me Satan, March 25 The White Stripes, Icky Thump, March 25
I’d say I’m more interested in the Elephant reissue over Get Behind Me Satan. I haven’t listened to Icky Thump.
Emmylou Harris and the Nash Ramblers, Ramble in Music City: The Lost Concert
In addition to being an impeccable song curator, Emmylou Harris attracts top notch talent to her bands. The Nash Ramblers was one of her best groups, as evidenced by this set of Harris set list standards, refracted through a bluegrass lens.
Ne-Yo, Year of the Gentleman
Ne-Yo pops up on New York Times crossword puzzles regularly because of his vowel-friendly moniker. I picked up this disc from the thrift store based solely on that recommendation. Turns out, he’s a mighty fine singer.
Whiskeytown, Strangers Almanac
I picked up this album alongside Old 97s’ Too Far to Care when I wanted to find out what this “alt-country” thing was all about. I liked them both, but I played Too Far to Care a lot more. I eventually let Strangers Almanac go when cash got tight. I picked it up again from the thrift shop because I’ve been hankering to hear “Excuse Me While I Break My Own Heart.” I’m not interested in Ryan Adams beyond this album, but Strangers Almanac did turn me into a Caitlin Cary fan.
MONO, Pilgrimage of the Soul
I couldn’t get into Nowhere Now Here, but the more extroverted sound on Pilgrimage of the Soul is a departure for the band I more than welcome.
Ensemble of the Bulgarian Republic, Music of Bulgaria
Le Mystère de Voix Bulgares was a nice gateway into Bulgarian folk music, but this Nonesuch Explorer Series album goes further. Yes, there is choir music here, but it shares space with other forms of Bulgarian folk music.
Brothers Johnson, Light Up the Night
“Stomp!” was the big hit from this album, but the rest of it is also tight.
Soundtrack, Heavy Metal
I didn’t realize how much my brother played this album in his car. I could actually hum or sing along to many of the tracks on this soundtrack compilation, and I’m not a big fan of any of these bands.