Craig Armstrong, Nocturnes: Music for Two Pianos, Sept. 3
Armstrong wrote and recorded this album during lockdown, as pretty much every other musician trying to make sense of this awful zeitgeist.
James Blake, Friends That Break Your Heart, Sept. 10
I really liked Assume Form, but man, I hate the cover of this album.
MONO, Pilgrimage of the Soul, Sept. 17
Takaakira Goto hints that this album might have the fastest tempi on a MONO album, which is a direction I didn’t expect but more than welcome.
Andrew Lloyd Webber, Jesus Christ Superstar (50th Anniversary), Sept. 17
Whatever you may think of Andrew Lloyd Webber now, back in the day, he was gutsy enough to make rock bands sound like Prokofiev, and that blur between electric guitars and dissonant harmonies has shaped my musical tastes ever since. So yeah, I’m all about an expanded version of Jesus Christ Superstar.
Perfume, Polygon Wave, Sept. 22
I find it cool that 20+ years into a storied pop career, Perfume releases their first ever EP. They have tons of singles and a lot of albums. But EPs? Nah.
BADBADNOTGOOD, Talk Memory, Oct. 8
My enthusiasm for this new album is based entirely on III, which means I have three other albums with which I can either enhance or temper that enthusiasm.
Vinyl
Garbage, Garbage, Aug. 27
A repressing of a 2015 reissue.
Tokyo Jihen, Education (Kyouiku), Sept. 29 Tokyo Jihen, Adult (Otona), Sept. 29 Tokyo Jihen, Variety (Goraku), Sept. 29 Tokyo Jihen, Sports, Sept. 29 Tokyo Jihen, Discovery (Daihakken), Sept. 29 Tokyo Jihen, Music, (Ongaku), Sept. 29
You’re damn right I’m getting all 6 albums, even if I really only like two of the them.
I’m old enough now that I can no longer be mistaken for someone remotely connected to the zeitgeist. A phrase I would often employ was, “I know of them, but I’ve not heard from them.” These days, the first part of that phrase is a stretch.
That said, I’m surprised by the number of R&B titles that have crept into my playlist rotation. I’m still a rockist at heart, but rock is loosening its grip on my attention.
Sturgill Simpson, Sound & Fury: How was Sturgill Simpson ever going to top A Sailor’s Guide to Earth? He didn’t. He veered so drastically in a different direction that the albums can’t be compared. None of his albums can be compared to each other.
Torche, Admission: Torche can be found under the metal section of most music stores, but when I play their albums, I hear post-rock.
Weezer, Weezer (Teal Album): It’s a karaoke album, but a painstakingly created one.
Jeremy Denk, c.1300-c.2000: It’s a tall order to compile eight centuries of music into a single program.
John Luther Adams, Become Desert: It was also stirring to hear this piece live.
Cocco, Star Shank: We hear hints of clouds covering the sunniness of Cocco’s later work.
BBMAK, Powerstation: I will not lie — I’ve anticipating this album for most of the year, and I do not care who knows.
Shiina Ringo, Sandokushi: This album is a glorious mess.
Solange, When I Get Home: Similar to Sound and Fury, this album is confounding and fascinating at the same time. There’s nothing on here that matches the tunefulness of A Seat at the Table, and it would be too disruptive to the album’s flow if there were.
Jamila Woods, Legacy! Legacy!: “Basquiat” was playing on the in-store system at Sonic Boom, and it pretty much clinched my decision to get this album.
One of these years, I’m not going to have a big enough pool from which to draw a mid-year Favorite Edition list. This year got close.
Weezer, Weezer (Teal Album): The big criticism of this cover album is the slavish reproduction of the originals, as if Weezer did nothing to inject its own personality in these songs. The studio geek in me, however, marvels at such a feat. It may be a karaoke exercise, but it’s a painstaking one, not unlike art students reproducing the masters.
Jeremy Denk, c.1300-c.2000: It’s a tricky proposition to distill seven centuries of music in a single program, but Denk takes an admirable stab at it. I have no objections to his choices.
James Blake, Assume Form: Blake’s previous album was lengthy and not terribly engaging. He rights the ship on this one.
John Luther Adams, Become Desert: Where Become Ocean explored the Seattle Symphony’s lower and middle registers, Become Desert hovers almost exclusively in the upper ends.
Shiina Ringo, Sandokushi: Shiina’s first three albums looms large over the rest of her work, Tokyo Jihen included. Sandokushi is a fascinating mess — lots of seemingly disparate songs threaded together as a single program. It’s jarring but coherent, and probably the best summation of her style thus far.
Jamila Woods, Legacy! Legacy!: Like Parquet Courts’ Wide Awake, Legacy! Legacy! was playing on a record store sound system and made me stop to find out who is Jamila Woods.
Solange, When I Get Home: There are no obvious singles on this album, which is fine because it’s not intended to be a singles album.
Madonna, Madame X: A quotation of Tchaikovsky’s signature work could have backfired, but when the Nutcracker interrupts “Dark Ballet,” it doesn’t feel forced. The singles preceding the release of Madame X didn’t hint at this kind of creative stretch.
The Drums, Brutalism: Jonny Pierce tones down the Joy Division influence and brings forth the beats.
I had high but cautious hope for 57th and 9th. That will learn me.
Shiina Ringo, Sandokushi, May 27
This album adds six new tracks to the seven already released in various downloads and singles. Does anyone else get the sense Ringo-chan is phoning it in? I would think a 20-year anniversary would warrant a big reissue campaign in addition to a new album.
Eluvium, Piano Works, May 31
The deluxe edition vinyl release of this new album of piano works includes a sheet music book of Eluvium’s keyboard works.
Madonna, Madame X, June 14
Rebel Heart turned out better than I expected, but that seems to be the exception than the rule in recent years.
Prince, Originals, June 21
This compilation brings together demos of songs Prince wrote for other singers. I wonder if in the distant future we’ll hear The Family with Prince’s vocals.
Sigur Rós, Ágætis byrjun (Deluxe Edition), June 21
I like Sigur Rós, and Ágætis byrjun is a fine album. I’m not sure I love it enough for 4-CDs or 7-LPs.
Vinyl
James Blake, Assume Form, May 31
I hesitated on getting James Blake’s latest album till I found an unopened copy at the thrift store for $3. It’s turned out to be one of the better releases of 2019.
Sometimes, you just can’t argue with conventional wisdom.
Del tha Funky Homosapien, No Need for Alarm
There’s something about beats made around 1993 that I really dig.
James Blake, Assume Form
The Colour in Anything made me approach Assume Form with caution. It turns out this album is vying for a spot on the year-end Favorite Edition list.
James Tenney, Postal Pieces
It’s amazing how much music can be generated by scores that fit on postcards.
Jeremy Denk, c.1300-c.2000
This survey of Western classical music spanning seven centuries is another album vying for a spot on the year-end Favorite Edition list.
Lou Reed, Transformer
“Satellite of Love” and “Walk on the Wild Side” are obvious choices for why this album should be in my collection, but really, it’s because it has “Perfect Day”, which Duran Duran covered on Thank You.
Phoenix, Wolfgang Amadeus Phoenix
I dismissed Phoenix back in 2009 as that band in the car commercial. Thing is, “Listzomania” is damn catchy, as is the rest of the album.
Sly and the Family Stone, Greatest Hits
Most of this collection consists of tracks from Stand! It also includes “I Wanna Take You Higher”, which Duran Duran also covered on Thank You.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Spotify finally arrived in the US in 2011, and at the time, digital releases meant iTunes downloads. Vinyl album releases still came with CDs to go with them.
Like 2012, the 2011 Favorite Edition doesn’t alter the original list very much, and releases from that year haven’t really made its way into my collection since then.
Duran Duran, All You Need Is Now
Kuriyama Chiaki, CIRCUS
Chiara String Quartet, Jefferson Freidmann: String Quartets Nos. 2 and 3
SuiseiNoboAz, THE (OVERUSED) END OF THE WORLD and I MISS YOU MUH-FUH
MO’SOME TONEBENDER, MO’SOME TONEBENDER
Matt Alber, Constant Crows
James Blake, James Blake
Steve Reich, WTC 9/11 / Mallet Quartet / Dance Patterns
Jason Isbell and 400 Unit, Here We Rest
Frank Ocean, nostalgia, ULTRA
Other favorites from the year:
Edwin Outwater, From Here On Out (Kitchener-Waterloo Symphony)
Kronos Quartet / Kimmo Pohjonen / Samuli Kosminen, Uniko
NOW Ensemble, Awake
The Decemberists, The King Is Dead
itsnotyouitsme, Everybody’s Pain Is Magnificent
John Lunn, Downton Abbey
Death Cab for Cutie, Codes and Keys
Abigail Washburn, City of Refuge
Jason Isbell and Frank Ocean are retroactive additions. I wouldn’t have been aware of either artist before 2011. nostalgia, ULTRA is probably Ocean’s best album, and Here We Rest shows Isbell prepared for the breakthrough of Southeastern two years later.
Kronos Quartet and The Decemberists get bumped from the Favorite 10 as a result.
Edwin Outwater is a late discovery but also emblematic of the music I was exploring at the time. His album with the Kitchener-Waterloo Symphony is about as literal as you can get with the term “indie classical”.
2011 was also the final year I lived in Austin, Texas. I didn’t get around to posting the year-end list till March 2012 because I was busy with my move to Seattle in January.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I relaunched this site in early 2014 to focus more on discovering catalog music than newer artists. As a result, I didn’t get a chance to revise the Favorite Edition 2013 list after I discovered a number of critical favorites.
Jason Isbell, Southeastern
Jarell Perry, Simple Things
Patty Griffin, Silver Bell
Sam Amidon, Bright Sunny South
James Blake, Overgrown
Sigur Rós, Kveikur
Hem, Departure and Farewell
Blood Orange, Cupid Deluxe
Emmylou Harris and Rodney Crowell, Old Yellow Moon
LEO Imai, Made from Nothing
Other favorites from the year:
Rhye, Woman
Kanye West, Yeezus
Johnny Hates Jazz, Magnetized
TV Mania, Bored with the Internet and Prozac?
Ty Herndon, Lies I Told Myself
Res, Refried Mac
Janelle Monáe, The Electric Lady
Jason Isbell had caught my eye with the stark but stunning cover of Southeastern, but I didn’t follow up on that fascination till well into 2014. Nor did I make the connection between Blood Orange and Solange till after 2013 had passed.
Isbell and Blood Orange bumped Johnny Hates Jazz and TV Mania, while Rhye and Kanye West nearly crack the Favorite 10.
I dug The College Dropout, but West can teach Billy Corgan lessons in being insufferable. Yeezus, though, sounded like an indie rock record, so I could overlook the man and focus on the art. I wouldn’t cut him that slack nowadays.
Ty Herndon came out of the closet in 2014, and he was cute enough for me to take a listen to his greatest hits collection, This Is Ty Herndon. I ended up liking it more than I expected, mostly because I really can’t stand country radio.
Lies I Told Myself shows up on this list because it sounds way more confident than anything on This Is Ty Herndon.
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![[Tokyo Jihen - Sports]](https://musicwhore.org/wp-content/uploads/2019/12/TokyoJihenSports.jpg)
![[Sturgill Simpson - Sound and Fury]](https://musicwhore.org/wp-content/uploads/2019/10/SturgillSimpsonSoundandF22161304K7_f-300x300.jpg)
![[Jamila Woods - Legacy! Legacy!]](https://musicwhore.org/wp-content/uploads/2019/06/JamilaWoodsLegacyLegacy211023_f-300x262.jpg)
![[Shiina Ringo - MoRA]](https://musicwhore.org/wp-content/uploads/2019/06/MoRA2008212167LD72_f-288x300.jpg)
![[Shiina Ringo - Sandokushi]](https://musicwhore.org/wp-content/uploads/2019/05/shiina-ringo-sandokushi-300x296.jpg)
![[James Blake - Assume Form]](https://musicwhore.org/wp-content/uploads/2019/02/JamesBlakeAssumeForm201204560_f-300x292.jpg)
![[Edwin Outwater - From Here on Out]](https://musicwhore.org/wp-content/uploads/2018/11/EdwinOutwaterFromHereOn57867DBVJ_f-300x300.jpg)
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