If I were honest, I don’t think Nobody Lives Here is as cohesive as the albums preceding it, but the first half of 2025 was scant on albums that provided a dopamine hit on each listen. And I fully expect the album to have a spot on the year-end list, if not on the strength of “White Light of the Morning” alone.
Parlando / Ian Niederhoffer, Censored Anthems
Mieczyslaw Weinberg and Edvard Mirzoyan take up most of the playing time on this album of composers working under the Soviet regime. Dmitri Shostakovich is on there too with an overture. These works are hidden gems that deserve programming by more orchestras.
Kendrick Lamar, GNX
My flimsy excuse for including a late-2024 album on a mid-2025 overview is the fact the physical release of the album didn’t happen till February. So I didn’t really start living with this album till I could make my own rip of the CD. I needn’t tell you how good this album is at this point.
Henki Skidu, Spring Water
A collaborator with comedian Matt Rogers, Henry Koperski goes in an indie-folk direction as Henki Skidu, and Spring Water offers a set of earnest songs that hint at a more ambitious orchestral sound lurking beneath. I also like album cover.
Cynthia Erivo, I Forgive You
I’m never going to finish watching Wicked because the score is just not appropriate to the darkness of the story. I Forgive You is a better showcase for Cynthia Erivo’s vocal skills anyway. But are there longer versions of the covers she hints at on the album?
Reissues
Robert Palmer, Live at the Apollo
This live show recorded in 1988 features Palmer at the height of his fame, but it also serves as a retrospective of his varied career, which included funk and new wave. Even the big hits of the era don’t feel out of place.
U2, How to Re-Assemble an Atomic Bomb
This alternate version of How to Dismantle an Atomic Bomb was released as part of a massive boxed set, then separately as a Record Store Day Black Friday exclusive in 2024. I’m almost inclined to say it’s a better album than the one the band would eventually release.
Steve Reich, Collected Works
Nonesuch reached out to other labels to gather the most comprehensive collection of Steve Reich’s recorded works to date.
Catalog
Little Anthony and the Imperials, Goin’ Out of My Mind
If you grew up on Linda Ronstadt’s version of “Hurt So Bad,” you should give the original by Little Anthony and the Imperials a chance. Then listen to this album in its entirety.
These Trails, These Trails
This album serves as a blueprint for how experimental music can work within the context of Hawaiian music. Hawaiian music tend to play it safe when infusing Hawaiian music with other genres.
DO AS INFINITY, EIGHT
I liked this album when it was first release, but I never bought a physical copy. Hearing it again made me realize it needs a permanent spot in my collection.
Women have so thoroughly dominated 2024 that I almost wanted to ban men entirely from this year-end list. But then sungazer and Johnny Blue Skies had to go and record some year-end worthy stuff, so it’s not a shut out.
Beyoncé, Act II: Cowboy Carter
Is Cowboy Carter a country album? No, it’s the sound of country music paying for its lack of vision.
Shiina Ringo, Hojoya
Collaborating with other women artists has really rejuvenated Shiina Ringo. The last few albums have felt like formalities. This album feels truly new.
Charli XCX, brat
I first criticized brat for drawing upon too little material for the entire length of an album. Over time, I would discover that criticism was actually its strength.
Tiffany Poon, Diaries: Schumann
Tifanny Poon is not like most YouTubers. Her vlogs often feel like miniature art films, with scenic shots underpinned by her performances. And you see her contend with the music on her recital programs, the piano given a voice (through subtitles) in how the performance turns out. The care with which she champions Schumann’s music comes through on her first album as an adult concert performer.
Perfume, Nebula Romance: Zenpen
Perfume albums are often just compilations of the last half dozen singles, and Nebula Romance: Zenpen isn’t too different in that regard. But as the trio approaches 25 years of performing, this album feels much more organic. Producer Nakata Yasutaka lightens his touch, letting the voices of Kashiyuka, A-chan and Nocchi to come through. It’s also part one of two albums, with the second expected in 2025.
Sleater-Kinney, Little Rope
After a successful return on 2015’s No Cities to Love, Sleater-Kinney wandered a bit on the subsequent albums. Little Rope course corrects just enough to remind listeners why they loved this band in the first place.
Kim Gordon, The Collective
Give Kim Gordon the damn Grammy.
Cocco, Beatrice
Similar to Onitsuka Chihiro, Cocco’s first albums cast a long shadow over everything that came after. She’s occasionally met the expectations set by that body work, and sometimes she hasn’t. Beatrice definitely does. Cocco’s most recent work is far sunnier than her early albums, but Beatrice shows some of storm and stress piping below the surface.
sungazer, Against the Fall of Night
The songs on this album are all in a 4/4 time signature, but how those four beats are divided up is the real question.
Johnny Blue Skies, PASSAGE DU DESIR
Sturgill Simpson the brand is dead. But I have no doubt Johnny Blue Skies will be no less chameleonic, starting with this album steeped in a 1970s Gram Parsons vibe.
More favorites:
Ray Chen, Player One
Jason Isbell and the 400 Unit, Live from the Ryman, Vol. 2