SARS-CoV2. Silicon Valley companies would give their left tits to emulate the kind of disruption you’ve wrought.
The spring release schedule was slowly coming together when the virus shredded the calendar. Dates have always been subject to change, albeit never with this level of uncertainty.
Mandy Barnett, A Nashville Songbook , Aug. 21
Barnett has a wonderful voice that often has served unspectacular music, so the things that would sink this album are uninspired arrangements. A single of “It’s Now or Never” bodes none too well.
Johnny Hates Jazz, Wide Awake, Aug. 21
Magnetized was a favorite in 2013, so I’m looking forward to this long-awaited follow-up.
Prince, Sign O the Times (Deluxe Edition), Sept. 25
I’m actually going to settle for the remastered regular edition. I’m still waiting for any news on the Love Symbol album.
Jónsi, Shiver, Oct. 2
Does Sigur Rós even record albums any more? I know they’ve released collaborative projects, but what about a boring, traditional album with at least 10 tracks and a total running time around 40 minutes? No? I guess a Jónsi solo album it is.
The Replacements, Pleased to Meet Me (Deluxe Edition), Oct. 25
I might check this one out, but I’m totally dropping cash on deluxe editions for Tim and Let It Be.
Kylie Minogue, DISCO, Nov. 6
Intriguing though the idea of Kylie in Nashville may have been, I couldn’t actually bring myself to get Golden. In fact, I’ve passed over the last two albums. I’m hoping DISCO is not the third.
Vinyl
Guided by Voices, Alien Lanes (25th Anniversary), Aug. 21
I had this album on CD, but I didn’t keep it. Then I downloaded it from eMusic. Why am I interested in this vinyl edition?
PJ Harvey, Rid of Me, Aug. 21
I nearly bought a bootleg version of this album on vinyl.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The original list from 1994 didn’t even include an extended list. That’s how austere the selections from the year were.
Talitha Mackenzie, Solas
Freedy Johnston, This Perfect World
Wayne Horvitz/Pigpen, V as in Victim
Harry Connick, Jr., She
Guided By Voices, Bee Thousand
Everything But the Girl, Amplified Heart
Kronos Quartet, Night Prayers
Jayne Cortez and the Firespitters, Cheerful & Optimistic
John Zorn/Masada, Alef
Madonna, Bedtime Stories
Other favorites from the year:
Prince, The Black Album
Blur, Parklife
Pizzicato Five, Made in USA
Shudder to Think, Pony Express Record
Elliott Goldenthal, Interview with a Vampire
At the time of its limited release, I was actually very curious about The Black Album. Part of it was all the hype surrounding its initial aborted release, but I was still mostly ambivalent about Prince to pass on it. Its underdog status among Prince’s work makes me like it just a bit more.
A top 10 list I would have compiled in 1994 would have listed the Interview with a Vampire soundtrack. It’s actually a really good score. It’s too bad the movie sucked eggs. I watched twice — the first time to evaluate its faithfulness to the novel (somewhat), the second to evaluate it as a film (awful). The only thing that mars the soundtrack is the unfortunate cover of Sympathy for the Devil by Guns N’ Roses.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
As I mentioned in the original entry for the 2001 list, 75 percent of the year was actually really decent, especially where music was concerned. The Favorite 10 from that year remains unchanged.
AJICO, Fukamidori
fra-foa, Chuu no Fuchi
Quruli, Team Rock
eX-Girl, Back to the Mono Kero
ACO, Material
the brilliant green, Los Angeles
Cocco, Sangrose
Res, How I Do
Utada Hikaru, Distance
Onitsuka Chihiro, Insomnia
Other favorites from the year:
Hajime Chitose, Kotonoha
MONO, Under the Pipal Tree
Fugazi, The Argument
Low, Things We Lost in the Fire
Death Cab for Cutie, The Photo Album
bloodthirsty butchers, Yamane
Kicell, Yume
Shea Seger, The May Street Project
Rufus Wainwright, Poses
Semisonic, All About Chemistry
Missy Elliott, Miss E … So Addictive
Gillian Welch, Time (The Revelator)
The Shins, Oh, Inverted World!
soulsberry, The end of vacation
Sigur Rós, Agætis Byrjun
Guided By Voices, Isolation Drills
Like 2002 and 2003, the extended list for 2001 overruns with quality stuff, and I’ve only added to it.
I got Gillian Welch’s Hell Among the Yearlings as part of a gift bag from a Waterloo Records holiday party. I didn’t get around to listening to it till about 15 years later, and I had to play catch-up.
I’ve known about Low for years, but I didn’t hear them till MONO shared a bill with them in concert.
The annual Friends of the Library Book Sale hooked me up with Fugazi’s End Hits for $1, so I sought out The Argument to round out my collection. I vaguely remember the news of Fugazi’s hiatus upsetting my Waterloo coworkers. I hadn’t yet jumped on the bandwagon.
Why should I be surprised the vinyl bug that bit me hard in 2013 has expanded its scope to include reissues never released on vinyl? It’s because I’ve already back-filled my pre-owned collection, and I still can’t get enough. Record Store Day doesn’t make it any easier.
Guided By Voices, Please Be Honest, April 22
Back again? Oh, it’s another configuration.
Dolly Parton / Emmylou Harris / Linda Ronstadt, Complete Trio Collection, Sept. 9
Finally! This reissue was rumored to be available back in October 2015, on the same day as Henryk Górecki’s Symphony No. 4. Now it’s turned into a bigger deal, with simultaneous vinyl releases.
Vinyl
Lin-Manuel Miranada, Hamilton, April 15
This musical is more than two-hours long. I don’t think it’s all going to fit on two LPs.
Sonic Youth, Murray Street, April 22
I remember this album getting overplayed on the Waterloo Records in-store stereo system. I think it’s why I sold it for cash after a few years.
Rufus Wainwright, Poses, May 6
I didn’t like Rufus Wainwright at first. His nasal voice is an acquired taste, but the writing on Poses won me over, and I’ve been a fan ever since. This album appears on vinyl for the first time.
Moby, Play, May 13
I haven’t listened to this album in more than 15 years. I didn’t really need to because it wasn’t licensed to holy hell at the time.
Dolly Parton / Emmylou Harris / Linda Ronstadt, Trio II, Sept. 9
At the time this album was released, it seemed the trio couldn’t really give it a heavy promotional push. I remember one TV appearance where Linda Ronstadt lost it, and then everyone was back to boy bands and pop idols.
Record Store Day
Emmylou Harris, Wrecking Ball
Why limit this album to Record Store Day? Really, it should just be in print on vinyl. Period.
Clint Mansell / Kronos Quartet, Requiem for a Dream
I saw Requiem for a Dream with some friends during its theatrical release. I left the theater recognizing it was a good film. I just didn’t like it. I don’t own the soundtrack, and while I collect Kronos on vinyl when I can, I’m pretty ambivalent about this release.
Death Cab for Cutie, “Tractor Rape Chain / Black Sun”
I was nicely surprised by Death Cab for Cutie’s cover of “Bad Reputation” by Freedy Johnston. “Tractor Rape Chain” is also one my favorite Guided By Voices songs.
Shadowy Men on a Shadowy Planet, I Guess We’re a Fucking Surf Band After All
I have no doubts I won’t get my hands on this release, but I’m only interested in Savvy Show Stoppers. I hope at some point Yep Roc splits this box set into individual reissues.
Barely two weeks into 2015, and the release schedule for the rest of the first quarter looks incredibly busy. Some of them are Musicwhore.org favorites, and others ought to be.
Sleater-Kinney, No Cities to Love, Jan. 20
NPR First Listen has featured No Cities to Love in this week before the album’s release, and damn if it doesn’t sound like Sleater-Kinney never went away.
The Decemberists, What a Terrible World, What a Wonderful World, Jan. 20
It’s probably too much to ask for this album to be the best R.E.M. has recorded since splitting up.
Exposé, Exposure (Deluxe Edition), Jan. 20
For an ’80s radio pop album, Exposure is pretty enduring. A deluxe edition, though, means endless remixes of the album’s four hit singles.
Kate Pierson, Guitars and Microphones, Feb. 17
Cindy Wilson’s absence was sorely felt on the B-52’s Good Stuff, the follow-up to the massive hit Cosmic Thing. So it’ll be interesting to hear how Kate Pierson sounds without the rest of the band around her.
Gang of Four, What Happens Next, Feb. 24
That’s the question with only Andy Gill as the only remaining original member of the band.
Shiina Ringo, “Shijou no Jinsei”, Feb. 25
Post-Tokyo Jihen Shiina Ringo has been sparse with new music, but with a new single arriving barely three months after an album, does this mean the drought has ended?
Madonna, Rebel Heart, March 10
I’m so past hoping this album is anywhere within league of Like a Prayer, Ray of Light or, heck, even Bedtime Stories. MDNA was just plain forgettable.
Inventions, Maze of Woods, March 17
Now, that’s a quick turn-around.
Death Cab for Cutie, Kintsugi, March 31
Chris Walla is no longer with the band and consequently no longer at the producer’s desk. Codes and Keys is the closest Death Cab has reached to the sublimity of The Photo Album or Transatlanticism since signing to a major label. So this album is pretty much make-or-break.
Björk, Vulnicura, March 2015
The most interesting aspect of this announcement, for me, is the silence from Nonesuch Records regarding its release.
Vinyl reissues
Guided By Voices, Bee Thousand, Jan. 27
On my list of Albums I Want Reissued on Vinyl, Bee Thousand resides in the upper echelon. Previous entries on said list included The Woods by Sleater-Kinney, The Photo Album by Death Cab for Cutie, the self-titled Metallica album and Floating Into the Night by Julee Cruise. All these titles appeared in 2014.
Sigur Rós, Ágætus Byrjun, Feb. 17
I’m also holding out hope for a Takk … reissue.
LOVE PSYCHEDELICO, ABBOT KINNEY, Feb. 18
All of LOVE PSYCHEDELICO’s albums are getting a vinyl reissue to coincide with a pair of retrospectives coming out the same day. ABBOT KINNEY, however, is the duo’s best.