Rhino released the full concert on YouTube, so do yourself a fever and watch it whlie it’s still available. Ronstadt filmed this concert for HBO around the time she released Mad Love.
Jason Isbell and the 400 Unit, Live from the Ryman, Vol. 2
Many of the tracks on this second edition of live recordings from the Ryman Auditorium in Nashville come from Weathervanes, probably Isbell’s best album since Southeastern. So I’m inclined to rank it favorably over the first volume.
Various Artists, Club Epic
This compilation of remixes has some top notch hits from the ’80s: “Fantastic Voyage” by Lakeside, “Saturday Love” by Cherrelle and Alexander O’Neal, “Lover Girl” by Teena Marie, to name a few. I didn’t realize how much I missed hearing these songs.
Painkiller, Samsara
Mick Harris has traded live drums for electronics on this album reuniting the former Napalm Death drummer with bassist Bill Laswell and saxophonist John Zorn. It’s no less frenetic and still mixes well with the wild abandon for which Painkiller is known.
Ray Chen, Player One
I can’t confess to being any sort of video game soundtrack listener, so those tracks which bookend this album are pretty much adornment for the Erich Korngold Violin Concerto, the crunchiest piece of repertoire I’ve heard Chen tackle so far.
Tim McGraw, Standing Room Only
I don’t mind that Tim McGraw engages in a bit of gay-baiting, and he doesn’t move in the same creative circles of Jason Isbell or Sturgill Simpson. But I have to admit Standing Room Only sounds like an album that could imagine a Venn diagram where McGraw, Isbell and Simpson intersect.
Marshall Crenshaw, Field Day
I hadn’t explored much of Crenshaw’s early albums till a number of them showed up at the thrift store. Now I understand how the press was flummoxed that Crenshaw just never stormed the charts.
Back at the dawn of the recorded music industry, albums did little more than collect an artist’s last few singles onto a compilation, a model Japan still follows to some extent. Most of the tracks on BAD Mode was released as singles, and I have to admit, I couldn’t see how they all worked as an album. Then Utada provided the last few tracks, and it became apparent BAD Mode just might be their best album. I’m still very much attached to Ultra Blue, DISTANCE and First Love, but BAD Mode is quickly rising up the ranks.
Black, Wonderful Life
How is this album not more popular than it is? Hatakeyama Miyuki even covered the title track. It’s actually quite popular in the UK, but the US needs to catch up.
Tears for Fears, The Tipping Point
Similar to Duran Duran, Tears for Fears has never really recorded the same album twice, and The Tipping Point follows that tradition. This album resembles Duran Duran’s FUTURE PAST in the way it tips a hat to earlier work while still sounding modern. Roland Orzabal and Curt Smith know what works for each other, and The Tipping Point reflects that ease, despite the difficulty in getting the album made.
Midnight Oil, RESIST
The modus operandi of a Midnight Oil album hasn’t changed in 40 years, but what’s unfortunate is how much dire the world has become for not heeding the band’s warnings in all that time.
Seawind, Seawind
My mom bought the single “Whatcha Doin’?” for me when I was 8 years old, so I didn’t exactly have quite the appreciation for the song that I do now. Decades later, I picked up the self-titled album from whence the single came at the Austin Record Convention, and not being an expert on late 70s funk, I really dug it. The band is tight. Pauline Wilson sounds incredible. And the songwriting? Top notch. Seawind has been reissued a number of times in Japan, which indicates this album is vastly underrated here in the States.
Various Artists, Living in Oblivion, Vol. 4
Just look at this track list and tell me this compilation isn’t crack for 80s music fans.
MF DOOM, MM FOOD?
Kate Bush sang the digits of pi and wrote a song about doing laundry. So a hip-hop album about food should not be outside the realm of plausibility.