A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
At the time, SLOTH LOVE CHUNKS edged Utada Hikaru for the top spot of 2006, but Ultra Blue has proven far more durable. This list has gone through quite a number of changes.
Utada Hikaru, Ultra Blue
SLOTH LOVE CHUNKS, Shikakui Vision
VOLA & THE ORIENTAL MACHINE, Waiting for My Food
Furukawa Miki, Mirrors
Tokyo Jihen, Otona (Adult)
Gnarls Barkley, St. Elsewhere
Boris, Pink
The Roots, Game Theory
Lorraine Hunt-Lieberson, Neruda Songs
Nick Lachey, What’s Left of Me
Other favorites of the year:
ACO, mask
J Dilla, Donuts
Hajime Chitose, Hanadairo
Now It’s Overhead, Dark Light Days
Envy, Insomniac Doze
The Gossip, Standing in the Way of Control
ASIAN KUNG-FU GENERATION, Fan Club
I’ve known about Boris for as long as I’ve been following Japanese music, but I never made time for them until I picked up Pink at Goodwill for $2. Well, hell …
I wouldn’t have listened to the Roots or J Dilla at the time. Hip-hop had diversified to have its own underground, and that was just so much history that I wasn’t willing to unpack. I’ve only started exploring hip-hop with any seriousness in the last year.
Lorraine Hunt-Lieberson was quite the late discovery. I didn’t pick up Neruda Songs till 2008, but it quickly became a favorite, dislodging Ex-Boyfriends completely off the list.
When I was first introduced to ASIAN KUNG-FU GENERATION, I dismissed them as “eastern youth lite”. The joke was on me — I don’t even own an eastern youth album anymore, and I’ve purchased ASIAN KUNG-FU GENERATION on vinyl.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The further we get from the present day, the more we’ll find retroactive changes to the Favorite Edition lists. The 2007 list sees a lot of shifting in the Favorite 10, and a number of retroactive additions.
Explosions in the Sky, All of a Sudden I Miss Everyone
UA, Golden green
The Dead Betties, Nightmare Sequence
Björk, Volta
unkie, the Price of Fame
Nico Muhly, Speaks Volumes
Stephen Sondheim, Company (2006 Cast Recording)
Once, Music from the Motion Picture
Sasagawa Miwa, Mayoi Naku
Tokyo Jihen, Goraku (Variety)
Other favorites from the year:
Synapse/Elliott Cole, The Oracle Hysterical
Tommy heavenly6, Heavy Starry Heavenly
Kawai Kenji, Seirei no Moribito
Office, A Night at the Ritz
M.I.A., Kala
The National, Boxer
Band of Horses, Cease to Begin
Jason Isbell, Sirens of the Ditch
The cast recording for 2006 production of Company gets a retroactive boost, missing the Favorite 10 the first time out. A PBS broadcast of the revival directed by John Doyle went a long way in raising its ranking.
I didn’t discover the Dead Betties till a year and some change after the release of Nightmare Sequence, and it would have shot up to the Favorite 10 had I known about it. The album doesn’t lose its punch more than a decade on.
Rufus Wainwright’s Release the Stars and Smashing Pumpkins’ Zeitgeist fall of the list entirely. I think those albums earned their place on the Favorite 10 because I was not paying attention to what was happening in 2007, if the expanded list is any indication.
I’m not sure I actually like The National, but I remember catching the band’s appearance on Live from the Artists Den and thinking Matt Berninger was a tall drink of water. Boxer is rather fine album, nonetheless.
I would not have picked up Band of Horses without Renée Fleming. I get them mixed up with the Band of Heathens and Band of Skulls.
I didn’t actually like Sirens of the Ditch the first time I listened to it. I was just starting to explore Jason Isbell’s work after hearing Southeastern, and I wanted everything to sound like it. I had no context about his work with Drive-By Truckers. Sirens of the Ditch is closer to his work with the Truckers than his more recent albums, and that understanding goes a long way to building appreciation for his solo debut.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
2010 was a solid year in music, led by strong showings from Shiina Ringo and Cocco. So this version of the Favorite Edition list doesn’t stray much from the original.
Tokyo Jihen, Sports
Cocco, Emerald
Renée Fleming, Dark Hope
LOVE PSYCHEDELICO, ABBOT KINNEY
Res, Black.Girls.Rock!
Royal Wood, The Waiting
KIMONOS, Kimonos
ACO, devil’s hands
The Drums, The Drums
Oriental Love Ring, In This World
Other favorites from the year:
Jónsi, Go
LCD Soundsystem, This Is Happening
Sade, Soldier of Love
Friday Night Lights, Original Television Soundtrack, Vol. 2
TOUMING MAGAZINE, Our Soul Music
I was always a bit ambivalent about ranking LCD Soundsystem over Sade, so the late discovery of The Drums banished both from the Favorite 10.
I’ve been waiting for an album by Oriental Love Ring for more than 30 years, so learning it happened — albeit two years after it was released — meant something had to give. And it fell to Jónsi.
The final retroactive addition to the list is the debut album by TOUMING MAGAZINE. I try not to translate foreign language album titles, but since my traditional Chinese is non-existent, it’s safest to give a correct English title than a mangled transliterated one.
Google Translate says 我們的靈魂樂 is pronounced “Wǒmen de línghún lè”. The band says the title is Our Soul Music.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
What I find most remarkable about the 2012 list is the number of albums listed under honorable mentions. The revised list has culled a lot of those titles. I probably listed so many because I didn’t feel passionate enough about any of them.
Solange, True
Santigold, Master of My Make-Believe
Jeremy Denk, Ligeti/Beethoven
… And You Will Know Us By the Trail of Dead, Lost Songs
Frank Ocean, channel ORANGE
Cody Chesnutt, Landing on a Hundred
ASIAN KUNG-FU GENERATION, Landmark
ZAZEN BOYS, Stories
Tokyo Jihen, Shinyawaku
Duran Duran, A Diamond in the Mind
Other favorites from the year:
Scissor Sisters, Magic Hour
Roomful of Teeth, Roomful of Teeth
Gossip, A Joyful Noise
Tokyo Jihen, Tokyo Collection
TOUMING MAGAZINE, TOUMING MAGAZINE FOREVER
OBLIVION DUST, 9 Gates of Bipolar
Gaytheist, Stealth Beats
Cody ChesnuTT dislodges Scissor Sisters from the original list, and Frank Ocean jumps up a few spots. Otherwise, there are no remarkable changes.
If anything, 2012 has turned out to be something of a dud year. When I review my purchases in subsequent years, 2012 releases are scant, and most of the albums I bought that year only garner no more than a 3-star rating.
I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.
This past weekend was the annual Big Book Sale by the Friends of the Seattle Public Library, so I should have enough music to last me for weeks, right? Right.
Catalog
CDs
Anita Baker, Giving You the Best That I Got
Beastie Boys, Check Your Head
Victor Borge, Live(!)
Glenn Branca, Symphony No. 2: Peak of the Sacred
Cameo, Word Up!
Capercaillie, Secret People
John Coltrane, Giant Steps
John Coltrane, Meditations
John Coltrane, My Favorite Things
John Coltrane and Johnny Hartman, John Coltrane and Johnny Hartman
Eazy-E, Eazy-Duz-It
Bill Evans Trio, Waltz for Debby
Fugazi, End Hits
Peter Gabriel, Shaking the Tree
Guns N’ Roses, G N’ R Lies
Heart, Bad Animals
The Jimi Hendrix Experience, Are You Experienced?
Ketsumeshi, Ketsunopolis 4
LL Cool J, Mama Said Knock You Out
Milt Jackson and John Coltrane, Bags and Trane
Joni Mitchell, Court and Spark
Morrissey, The Best of Morrissey
Mother Love Bone, Mother Love Bone
Nirvana, Incesticide
Robert Palmer, Clues
Prince, Musicology
R.E.M., Dead Letter Office
Radiohead, The Bends
Rage Against the Machine, Rage Against the Machine
Einojuhani Rautvaara, Symphony No. 7: Angel of Light / Annunciations
I balked when Barsuk Records released a 10-year anniversary edition of Give Up by the Postal Service. Yes, add 10 to 2003 and you get 2013. But 2003 didn’t seem so distant from 2013, as 2003 did from 1993.
That’s the thing about getting older — there’s more past to remember. In 1987, I had barely any memory of 1977. In 1997, I had only 1987 as a clear reference. Only in 2007 did 1987 start to feel distant. And now I’m shocked to think 1997 — the year I moved away from home — is pretty far chronologically from where I am today.
So yeah, 2007 still feels like yesterday, although 2002 does feel more like history.
Tokyo Jihen, Sports
Shiina Ringo’s albums from earlier in the decade saw her batting a hundred, but with Tokyo Jihen, it took a few albums before the band came into its own.
… And You Will Know Us by the Trail of Dead, The Century of Self
Source Tags and Codes was the obvious choice to include on this list, but recent spins of the album revealed a number of dead spots. Lost Songs wouldn’t show up till the next decade, which leaves The Century of Self next in line on my list of favorite … Trail of Dead albums.
ASIAN KUNG-FU GENERATION, World World World
At first, I dismissed ASIAN KUNG-FU GENERATION as a watered-down version of Eastern Youth. Then World World World came out, and I became a convert.
Explosions in the Sky, All of a Sudden I Miss Everyone
It took a while for me to warm up to The Earth Is Not a Cold Dead Place, but All of a Sudden I Miss Everyone had a clarity that hooked me for good.
Utada Hikaru, ULTRA BLUE
Utada Hikaru’s US debut Exodus went too far to rub out the alt-rock influence in her music, so it was refreshing to hear it come roaring back on ULTRA BLUE.
Sigur Rós, Takk …
I was unfamiliar with Sigur Rós when this album was released, so I asked a friend of mine to describe their albums to me. He told me to imagine a cold, flat icy land, and that was Ágætis byrjun. Then he told me to picture 1,000 angels appearing in bursts of blinding light. That was Takk …
Shiina Ringo, Karuki Zaamen Kuri no Hana
I’m convinced if this album had been released in the US, indie rock fans would have abandoned their Flaming Lips albums.
Molotov, Dance Dense and Denso
US promoters tried and failed to conflate Latin American rap-rock bands as epitomizing Latin alternative rock. Molotov stood head and shoulders above the rest, and they shared more with Café Tacvba and Aterciopelados than with Puya or Control Machete.
Hatakeyama Miyuki, Diving into your mind
The year I started working for Waterloo Records was the year Norah Jones made a splash with her debut album. I wasn’t convinced, mostly because I had spent weeks listening to Hatakeyama Miyuki instead.
AJICO, Fukamidori
UA and Asai Kenichi came together for only one album, but boy is it a keeper. UA had found success on the Oricon charts before this collaboration, but afterward, she embraced a more challenging sound.
fra-foa, Chuu no Fuchi
Every time I put this album on, I feel the need to fuck shit up. It’s that intense.
We’re half way into the second decade of the 2000s, and I haven’t seen much punditry on what albums have been emblematic of the decade. It’s probably because listening habits have moved on from albums even if the release cycle hasn’t.
My friend will be disappointed to learn I consider 2010 the start of the decade, so I’ll restrict my list to its first five years with 2010 included (i.e. 2010-2014.)
Jason Isbell, Southeastern: “Songs That She Sang in the Shower” and “Elephant” pretty much sold me on this album, and everything else was just seduction.
Tokyo Jihen, Sports: Shiina Ringo loosened her writing monopoly with the band, which then internalized her style to produce its best album.
Jarell Perry, Simple Things: Part of me thinks this album is actually better than Frank Ocean’s channel ORANGE.
John Luther Adams, Become Ocean: Does what it says on the tin very, very beautifully
Frank Ocean, channel ORANGE: WHERE YOU AT FRANK??
D’Angelo and the Vanguard, Black Messiah: So many of my friends lost their shit when this album was released that I had to hear it for myself.
Santigold, Master of My Make-Believe: I love her music, but damn, her videos are disturbing.
Sturgill Simpson, Metamodern Sounds of Country Music: What happens to country music when it ingests hallucinogens.
Duran Duran, All You Need Is Now: Thank you, Mark Ronson, for bringing Duran Duran back to itself.
Kuriyama Chiaki, CIRCUS: Getting Shiina Ringo to write a few tracks is a sure way for Japanese actresses to grab my attention.
![[BORIS - PINK]](https://musicwhore.org/wp-content/uploads/2018/11/BorisPink2006191101_f-300x300.jpg)
![[The Dead Betties - Nightmare Sequence]](https://musicwhore.org/wp-content/uploads/2018/11/TheDeadBettiesNightmareSequence-300x300.jpg)
![[TOUMING MAGAZINE - Our Soul Music]](https://musicwhore.org/wp-content/uploads/2018/11/TOUMINGMAGAZINEBokutachin57098_f-300x262.jpg)
![[Cody ChesnuTT - Landing on a Hundred]](https://musicwhore.org/wp-content/uploads/2018/11/CodyChesnuTTLandingOnAH58620_f-300x300.jpg)
![[Roxy Music - Avalon]](https://musicwhore.org/wp-content/uploads/2018/03/RoxyMusicAvalon1983180628_f-300x300.jpg)
![[Shiina Ringo - Karuki Zaamen Kuri no Hana]](https://musicwhore.org/wp-content/uploads/2017/04/ShiinaRingoKarukiZaamenK21432_f-298x300.jpg)
![[Jason Isbell - Southeastern]](https://musicwhore.org/wp-content/uploads/2015/10/JasonIsbellSoutheastern273332_f-300x269.jpg)