A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.
Shiina Ringo, Shouso Strip
Cocco, Rapunzel
NUMBER GIRL, SAPPUKEI
SUPERCAR, Futurama
eX-Girl, Big When Far, Small When Close
Sleater-Kinney, All Hands on the Bad One
Idlewild, 100 Broken Windows
FEED, Make Every Stardust Shimmer!
Tomosaka Rie, “Shoujo Robot”
Sade, Lovers Rock
Other favorites from the year:
Do As Infinity, Break of Dawn
Yaida Hitomi, daiya-monde
PJ Harvey, Stories from the City, Stories from the Sea
OBLIVION DUST, Butterfly Head
At the Drive-In, Relationship of Command
L’Arc~en~Ciel, REAL
Bonnie Pink, Let Go
MISSILE GIRL SCOOT, Fiesta!
Smashing Pumpkins, MACHINA/The Machine of God
m-flo, Planet Shining
Juanes, Fíate Bien
Emmylou Harris, Red Dirt Girl
U2, All That You Can’t Leave Behind
La Ley, Uno
Sinéad O’Connor, Faith and Courage
Soundtrack, High Fidelity
BBMak, Sooner or Later
At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.
Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯
Idlewild’s 1000 Broken Windows takes the spot vacated by U2.
Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.
I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.
The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.
A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
The first half of the 2004 list has remained unchanged. The last half has undergone extensive revision.
Arcade Fire, Funeral
Eluvium, An Accidental Memory in Case of Death
Kicell, Mado Ni Chikyuu
Dylan Rice, Wandering Eyes
The Killers, Hot Fuss
Madvillain, Madvillainy
Loretta Lynn, Van Lear Rose
The Streets, A Grand Don’t Come for Free
Mindy Smith, One Moment More
STRAIGHTENER, LOST WORLD’S ANTHOLOGY
Other favorites from the year:
Pinback, Summer in Abaddon
SUPERCAR, ANSWER
Kanye West, The College Dropout
ASIAN KUNG-FU GENERATION, Solfa
Bonnie Pink, Even So
Fuji Fabric, Fuji Fabric
Sacha Sacket, Shadowed
m-flo, Astromantic
The Butchies, Make Yr Life
Scissor Sisters, Scissor Sisters
ZAZEN BOYS, ZAZEN BOYS II
A lot of these revisions are retrospective. I listened to SUPERCAR’s ANSWER when it was reissued on vinyl, and I didn’t find the album as engaging as I originally thought. I’ve come to like Hot Fuss more as time has passed, and I don’t feel as much attachment to Van Lear Rose.
My growing appreciation for hip-hop means Madvillain and The Streets knock Quruli’s Antenna off the list entirely.
I’m still a bit skeptical about keeping Mindy Smith in the Favorite 10, or bumping STRAIGHTENER into the upper echelon. I picked up Pinback’s Summer in Abaddon from Goodwill out of curiosity, and I have a sense that in short time, it will nudge Smith or STRAIGHTENER down to the extended list.
As we go further back to the start of the Aughts, the extended list grows longer. A lot of great music came out at the start of the century. If the Internet hadn’t splintered the mass market, it might have been a galvanizing golden age of popular music.
![[Robbie Williams - Life Thru a Lens]](https://musicwhore.org/wp-content/uploads/2021/09/RobbieWilliamsLifeThrua275450_f.jpg)
![[Tomosaka Rie - Shoujo Robot]](https://musicwhore.org/wp-content/uploads/2018/11/200032388_f-300x267.jpg)
![[Madvillain - Madvillainy]](https://musicwhore.org/wp-content/uploads/2018/11/MadvillainMadvillainy2004167285_f-300x300.jpg)