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Favorite Edition Rewind: 1993

[Wu-Tang Clan - Enter the Wu-Tang (36 Chambers)]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.

  1. Duran Duran, The Wedding Album
  2. Bill Frisell, Have a Little Faith
  3. John Zorn / Naked City, Absinthe
  4. Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
  5. Spiny Norman, Crust
  6. The Love Gods, Hujja Hujja Fishla
  7. Michael Nyman, The Piano
  8. Wayne Horvitz / Pigpen, Halfrack
  9. Clannad, Banba
  10. Emerson Sting Quartet, American Originals: Ives / Barber String Quartets

Other favorites from the year:

  • Kate Bush, The Red Shoes
  • Emmylou Harris, Cowgirl’s Prayer
  • Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
  • Cypress Hill, Black Sunday
  • Digable Planets, Reachin’
  • U2, Zooropa
  • Julee Cruise, The Voice of Love
  • Sting, Ten Summoner’s Tales

This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.

That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.

The extended list includes music that would have been ignored by the person who compiled the Favorite 10.

My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.

Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.

Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.

All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.

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Favorite Edition Rewind: 2005

[Antony and the Johnsons - I Am a Bird Now]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I remember not being much impressed with 2005. So much so, I made a half-arsed attempt at a Favorite Edition list and didn’t even call it such. It’s taken a lot of sifting to arrive at the present form of the list.

  1. Sigur Ros, Takk …
  2. Antony and the Johnston, I Am a Bird Now
  3. Ann-Sally, Brand-New Orleans
  4. Kate Bush, Aerial
  5. … And You Will Know Us by the Trail of Dead, Worlds Apart
  6. Bob Mould, Body of Song
  7. Sleater-Kinney, The Woods
  8. Yorico, Cocoon
  9. Duran Duran, Beautiful Colours
  10. Kawai Kenji, TV Animation BLEACH Original Soundtrack 1

Other favorites of the year:

  • Enya, Amarantine
  • Grizzly Bear, Horn of Plenty
  • Levi Kreis, One of the Ones
  • Madonna, Confessions on a Dancefloor

The list goes through much shuffling due to some late discoveries. I didn’t pick up Anthony and the Johnsons till 2006 and Ann-Sally much later. BLEACH wouldn’t be appointment viewing till the following year.

The extended list gets pared down a lot. Fuji Fabric, Sasagawa Miwa and toddle make room for Grizzly Bear and Levi Kreis.

I was so desperate to find entries, I included catalog titles from Gang of Four and John Zorn. In hindsight, that was the signal my priorities were starting to shift.

Toward the end of 2005, I relaunched this site as a traditional blog instead of the interactive zine it had been. My interest in Japanese popular music started to wane, and I reached an age where the music of my youth was being reimagined — some would say misinterpreted — by up and coming bands.

2005 marked the beginning of the end of Musicwhore.org ver. 1.0.

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Looking ahead: November 2018-January 2019

[Kate Bush - The Red Shoes]

Just in time for the holiday season, a whole slew of box sets make it on the release calendar.

Thought Gang, Thought Gang, Nov. 2

So essentially a Julee Cruise album, minus Julee Cruise? David Lynch and Angelo Badalamanti recorded the material on this album from 1992-1993, but only now does it become public.

Midnight Oil, Armistice Day: Live at the Domain, Sydney, Nov. 9

You can’t watch a Midnight Oil performance without wanting to be Rob Hirst when you grow up.

Kate Bush, Remastered on CD 1, Nov. 16
Kate Bush, Remastered on CD 2, Nov. 30

Kate Bush’s early works suffered the fate of many albums rushed to a CD release — the vinyl masters were used without any consideration of the medium’s expanded dynamic range. Fans have been clamoring for better sound, and in fell swoop, Kate unleashes her entire catalog remastered.

ASIAN KUNG-FU GENERATION, Hometown, Dec. 5

Yeah, it seemed about time for a new AKFG album.

MONO, Nowhere Now Here, Jan. 19

Tamaki on vocals? Electronics? Are they going glitchy like tourmates Low?

Vinyl

Brian Eno, Ambient 1: Music for Airports, Nov. 16

I was wondering when this album was going to get reissued on vinyl.

The Police, Every Move You Make: The Studio Recordings, Nov. 16

In addition to the five studio albums remastered at 45 r.p.m., this box also includes a disc of rarities. I just might find an old copy of Message in a Box instead.

Kate Bush, The Red Shoes, Nov. 16
Kate Bush, Aerial, Nov. 30
Kate Bush, Remastered in Vinyl, Nov. 30

The remastered releases also include vinyl issues, but in the UK, the records will be available in four boxed sets as well as individually. One box set includes remixes and covers. I don’t feel the need to upgrade the vinyl I already have, but I’ve had my eye on The Red Shoes and Aerial.

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