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Favorite Edition Rewind: 1987

[Sonic Youth - Sister]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I go on and on about how much I love 1987 that I should just shut up and let the list speak for itself. Unsurprisingly, the Favorite 10 hasn’t changed, saved one correction.

  1. U2, The Joshua Tree
  2. Sting, … Nothing Like the Sun
  3. 10,000 Maniacs, In My Tribe
  4. Sinéad O’Connor, The Lion and the Cobra
  5. Bulgarian State TV & Radio Women’s Choir, Le Mystère de Voix Bulgares
  6. John Adams, The Chairman Dances
  7. Andrew Lloyd Webber, The Phantom of the Opera
  8. Wendy & Lisa, Wendy & Lisa
  9. Guns N’ Roses, Appetite for Destruction
  10. R.E.M., Document

Other favorites from the year:

  • Kronos Quartet, White Man Sleeps
  • Depeche Mode, Music for the Masses
  • Dolly Parton / Linda Ronstadt / Emmylou Harris, Trio
  • The Art of Noise, In No Sense? Nonsense!
  • Swing Out Sister, It’s Better to Travel
  • Hiroshima, Go
  • The Smiths, Strangeways, Here We Come
  • Eurythmics, Savage
  • INXS, Kick
  • Sonic Youth, Sister
  • The Dukes of the Stratosphear, Psonic Psunspot
  • Dead Can Dance, Within the Realm of a Dying Sun
  • Icehouse, Man of Colours
  • In Tua Nua, Vaudeville
  • Johnny Hates Jazz, Turn Back the Clock

I originally listed the cast recording of Into the Woods in the Favorite 10, but I discovered it was actually released in 1988.

The extended list is shorter than the one for 1988, but I’ve actually added fewer titles from 1987 since the original list was compiled. I think I also like these albums more intensely because I had discovered them at the time, and they’ve made a lasting impression.

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Favorite Edition Rewind: 1988

[The Waterboys - Fisherman's Blues]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I had discovered so much music in 1987 that at the time, I thought 1988 was a dud by comparison. Over the years, I’ve discovered that is not the case. The Favorite 10 doesn’t change from the original list, but look at that expanded list.

  1. In Tua Nua, The Long Acre
  2. Midnight Oil, Diesel and Dust
  3. Kronos Quartet, Winter Was Hard
  4. The Sugarcubes, Life’s Too Good
  5. Enya, Watermark
  6. Tracy Chapman, Tracy Chapman
  7. Living Colour, Vivid
  8. Duran Duran, Big Thing
  9. Sonic Youth, Daydream Nation
  10. The Dead Milkmen, Beelzebubba

Other favorites from the year:

  • Stephen Sondheim, Into the Woods
  • John Adams, Nixon in China
  • Shadowy Men on a Shadowy Planet, Savvy Show Stoppers
  • Camper Van Beethoven, Our Beloved Revolutionary Sweetheart
  • Sarah McLachlan, Touch
  • Erasure, The Innocents
  • Sade, Stronger Than Pride
  • The Pogues, If I Should Fall from Grace with God
  • The Waterboys, Fisherman’s Blues
  • The Godfathers, Birth, School, Work, Death
  • Camouflage, Voices & Images
  • Ambitious Lovers, Greed
  • Iron Path, Iron Path
  • Toni Childs, Union
  • R.E.M., Green
  • Throwing Muses, House Tornado
  • Pixies, Surfer Rosa
  • N.W.A., Straight Outta Compton
  • Information Society, Information Society
  • Ofra Haza, Shaday
  • The Smiths, Rank
  • Lucinda Williams, Lucinda Williams

I guess I really limited the expanded list 10 years ago so I wouldn’t have to do so much writing. The Pogues, the Waterboys, the Godfathers, Ambitious Lovers, Ofra Haza, the Smiths and Lucinda Williams would not have appeared on that list — I’ve discovered those albums only in the last 6 years.

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45 Albums for 45 Years: A Birthday Retrospective (1980s)

[The Art of Noise - In Visible Silence]

In 1987, I turned 15 years old, an age when music discovery exerted its strongest pull. The same Spotify analysis that charted music tastes over time claims most teen-agers highly identify with popular titles. Had the same study been done when I was a teen, I probably would have been an outlier point.

Kronos Quartet, Black Angels

The first Kronos Quartet album I purchased was Winter Was Hard, and it was something of a Reader’s Digest for modern classical music. Then Black Angels followed, and it exploded my perception of what music could be.

John Zorn, Naked City

I was a pissed-off teen for a lot of reasons, most of them mundane. But it gave me drive to find music that would alienate everyone around me, and the howls of Yamantaka Eye and John Zorn fit the bill nicely.

In Tua Nua, The Long Acre

This album introduced me to the idea that popularity is not the same thing as merit. I couldn’t find a filler track anywhere on this album, and the confrontational “The Innocent and the Honest Ones” mirrored my own dissatisfaction with being raised in a monotheistic culture. It should have been a hit, but mostly, you’ll find it in the 99 cent bins.

U2, The Joshua Tree

U2 had to score a number one album in order for radio stations in Hawaii to pay attention. I knew about the band beforehand but hadn’t taken the plunge till I saw the video for “With or Without You.”

Andrew Lloyd Webber, The Phantom of the Opera

Andrew Lloyd Webber gets a lot of flack for his signature hit tunes, but for a young burgeoning composer, his scores are incredibly instructional. I’ve yet to encounter another pop writer who can make a hook out of an atonal melody.

The Art of Noise, In Visible Silence

Before I learned about Kronos Quartet, John Zorn or Andrew Lloyd Webber, I encountered the Art of Noise. I would later learn (Who’s Afraid Of …?) The Art of Noise! had some bonafide songcraft, but its follow-up, In Visible Silence, essentially jettisoned all that.

Arcadia, So Red the Rose

Of the two Duran Duran splinter projects from 1985, Arcadia hews closest to the parent band and engenders the most sentiment from long-time fans.

Stephen Sondheim, Sunday in the Park with George

Sunday in the Park with George arrived at time in my life when I was just starting to learn about modern classical music. I looked to Lloyd Webber to bridge my interests in classical and pop musics, and I turned to Sondheim to go further into modernism.

Eurythmics, Sweet Dreams (Are Made of This)

I loved Eurythmics singles, but their albums tended to have quite a bit of filler. Sweet Dreams is the deserved obvious choice, but Savage and In the Garden deserve some props.

Duran Duran, Rio

This tops my Desert Island Disc list, so of course, it’s going to be here.

Wendy Carlos, TRON Original Soundtrack

I listened to this soundtrack to death because I loved the computer graphics of the movie. It wasn’t till much later that I discovered how rich Carlos’ harmonic language was. This soundtrack pretty much planted the seed that would be nourished by the Art of Nosie, Kronos Quartet, John Zorn and classical music after 1900.

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