Archives

Purchase log, 2021-04-13

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Sturgill Simpson, Cuttin’ Grass, Vol. 2: The Cowboy Arms Session

Catalog

CD
  • 98 Degrees, 98 Degrees
  • Carlo Gesualdo, Quarto libro di Madrigali a cinque voci 1596 (Ensemble Music D’Arte)
  • En Vogue, The Best of En Vogue
  • Franz Schubert, 21 Lieder (Dietrich Fischer-Deskau)
  • Giya Kancheli, Symphonies Nos. 4 and 5 (State Symphony of Georgia, Djansug Kakhidze)
  • Glass Tiger, The Thin Red Line
  • Gustav Mahler, Symphony No. 2 (San Francisco Symphony and Chorus, Herbert Blomstedt)
  • Joe Satriani, Surfing with the Alien
  • John Legend and The Roots, Wake Up!
  • Kylie Minogue, Hits+
  • Kylie Minogue, Kylie Minogue
  • Mike Mills, Concerto for Violin, String Orchestra and Rock Band (Robert McDuffie, MCS Ensemble, Wade Stare)
  • Ludwig Van Beethoven, Violin Concerto / Sonata No. 10 (Pinchas Zukerman, Zubin Mehta, Los Angeles Philharmonic)
  • Soundtrack, The Hunt for Red October

Reissues

Vinyl
  • Soundtrack, Cowboy Bebop

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Favorite Edition Rewind: 1992

[Helmet - Meantime]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

We’ve actually revisited 1992 earlier in the year, and this list hasn’t changed, although I did tack on L7 and Helmet in the extended list.

  1. Wayne Horvitz / The President, Miracle Mile
  2. Máire Brennan, Máire
  3. Henryk Górecki, Symphony No. 3 (Dawn Upshaw, David Zinman, London Sinfonietta)
  4. k.d. lang, Ingenue
  5. Sade, Love Deluxe
  6. En Vogue, Funky Divas
  7. Prince and the New Power Generation, 0(+> (Love Symbol Album)
  8. Emmylou Harris and the Nash Ramblers, At the Ryman
  9. Kronos Quartet, Pieces of Africa
  10. Robin Holcomb, Rockabye

Other favorites from the year:

  • The Sugarcubes, Stick Around for Joy
  • Faith No More, Angel Dust
  • Sonic Youth, Dirty
  • Helmet, Meantime
  • L7, Bricks Are Heavy

Helmet got caught up in the grunge craze of the early ’90s, even though they were clearly not grunge. Wikipedia says Helmet’s staccato riffage would influence Mastodon, Marilyn Manson, Nine Inch Nails, Korn and Linkin Park.

I’ll admit I picked up Meantime because of the grunge-adjacent marketing hype. I didn’t hold onto it, but like Shudder to Think’s Pony Express Record, I couldn’t shake it. So I brought it back into my collection when it was reissued on vinyl earlier in the year.

Bricks Are Heavy also suffered a bit of guilt by association. Butch Vig had been doing miraculous work with Smashing Pumpkins, Nirvana and Sonic Youth. Surely, L7 would follow in that vein. I didn’t warm up to it. I’m not sure how 25 years turned around my perception of the album, but it did.

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Reconsidering the year in music 1992

[Wayne Horvitz/The President - Miracle Mile]

Back in 2008, I wrote a series of entries detailing my favorite albums from various decades. For the longest time, I held an incredibly dim view of 1992. Compared the years preceding and following, 1992 felt like a creative malaise had spread throughout the music industry.

Bands that used to be underground found themselves to be popular, and under this newfound, wide-scale scrutiny, some of them cracked.

Or so I thought.

I had only turned 20 years old, an age when the dopamine hit from discovering new music left a neophyte intoxicated. I wanted every album to matter, and the ones that didn’t received a harsh judgment.

Twenty-five years later, I’ve got more of an education on where 1992 fit in the larger scheme of things, and of course, I got it wrong. This old entry details all the ways I got it wrong. So let’s make it right.

Here’s a revised list of the Favorite Edition 1992.

  1. Wayne Horvitz/The President, Miracle Mile
  2. Máire Brennan, Máire
  3. Henryk Górecki, Symphony No. 3 (Dawn Upshaw, David Zinman, London Sinfonietta)
  4. k.d. lang, Ingenue
  5. Sade, Love Deluxe
  6. En Vogue, Funky Divas
  7. Prince and the New Power Generation, 0(+> (Love Symbol Album)
  8. Emmylou Harris and the Nash Ramblers, At the Ryman
  9. Kronos Quartet, Pieces of Africa
  10. Robin Holcomb, Rockabye

Honorable mention

  • The Sugarcubes, Stick Around for Joy
  • Faith No More, Angel Dust
  • Sonic Youth, Dirty

The original list stopped at five items, with a longer list of albums accompanied by explanations for why they weren’t favorites. In some cases, I’ve completely changed my mind.

At the time, Love Deluxe was such a drastic turn for Sade that I thought something went wrong. It would take another 18 years for Love Deluxe to reveal itself as the start of a new creative era, one marked by extreme pauses between albums. This early ’90s album shares more with its successors in 2000 and 2010 than it did with 1988’s Stronger than Pride.

I also got a chance to revisit Ingenue after the entry was written, and it’s place on the favorite list is well anchored.

Other albums would not have appeared on the list at the time it was written. Prince was unexplored territory for me in 2008, so I wouldn’t have even thought to include the Love Symbol album. En Vogue wouldn’t have gotten past my raging rock snobbery.

The rest of the albums on the list could have only been included after much research. Dirty makes a lot more sense if a Sonic Youth novice also considers Sister and EVOLAt the Ryman would not make sense to someone who’s only exposure to Emmylou Harris was Wrecking Ball.

I’ve even had a change of heart regarding Faith No More and R.E.M.

So it turns out 1992 wasn’t as bad as I remembered. It just took 25 years to reach that realization.

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Looking ahead: May-June 2017

[U2 - The Joshua Tree (30th Anniversary Edition)]

It seems all the bands in which I’m interested all decided to release their albums in May and June. To date, I have a total of four 2017 releases since the start of the year. Putting together the Favorite Edition Half Year is going to be tricky.

At the Drive-In, in*ter al*li*a, May 5

I can’t figure out why I’m looking forward this late-coming follow-up to Relationship of Command, an album I like but can’t listen to very often. And I wasn’t enough of a fan to follow either Mars Volta or Sparta.

Café Tacvba, Jei Beibi, May 5

I find it interesting that Café Tacvba is releasing this album through CD Baby. That means they’ve gone completely independent.

Midnight Oil, Full Tank, May 7
Midnight Oil, Overflow Tank, May 7

Tempting as these complete boxed sets may be, my current Midnight Oil collection occupies quite a bit of shelf space. Also, the import markup makes these sets fiscally untenable. Hey Sony, fans outside of Australia might be interested in some of these releases.

Juanes, Mis Planes Son Amarte, May 12

It’s a visual album about a man going into outer space to find the woman of his dreams. I would be interested to see how Café Tacvba would tackle the same plot.

PWR BTTM, Pageant, May 12

Anyone who has Grindr or Scruff installed on his phone would probably check out a band called PWR BTTM.

Art of Noise, In Visible Silence (Deluxe Edition), May 19

The weirdest album I acquired in 1986. The b-sides are terrific.

Kishida Shigeru, Symphony No. 1, May 24

If the orchestral work Kishida released last year as a digital single is any indication, don’t expect a musical metamorphosis on the level of C. Kip Winger.

Sam Amidon, The Following Mountain, May 26

His first album of original music.

Cody Chesnutt, My Love Divine Degree, June 2

It’s been a while. I had wondered if another 10 years would pass before another Cody Chesnutt album would arrive.

U2, The Joshua Tree (30th Anniversary Deluxe Edition), June 2

I already have the 20th Anniversary edition, so really, I just want the white cover with the color photo.

Kronos Quartet, Folk Songs, June 9

For a while there, I thought Kronos had moved on from Nonesuch, given the number of albums the ensemble has released on other labels. This collaborative album with Sam Amidon, Natalie Merchant, Rhiannon Giddens and Olivia Chaney is the first Kronos has released on Nonesuch since 2012, not counting various anthologies.

Dan Messe, Amelie: A New Musical, June 9

I’m not sure what draws me to this cast recording — the fact it’s based on Amelie or the fact it was written by a member of Hem.

Sufjan Stevens, Bryce Dessner, Nico Muhly, James McAlister, Planetarium, June 9

Well, somebody had to update Gustav Mahler’s The Planets

The Drums, Abysmal Thoughts, June 16

Jonny Pierce goes full Roland Orzabal ca. 1993, becoming the sole member of his band The Drums.

Jason Isbell and 400 Unit, The Nashville Sound, June 16

I would be OK with Jason Isbell and Sturgill Simpson releasing albums on alternating years.

Vinyl

Midnight Oil, The Vinyl Collection, May 7

I would like to get Redneck Wonderland, Breathe and Head Injuries on vinyl. I could do without Capricornia, Earth and Sun and Moon and Place Without a Postcard. Maybe separate releases down the line? Outside Australia, even??

Emmylou Harris and the Nash Ramblers, At the Ryman, May 12

Harris’ shows at the Ryman gave the venue new life, and she returns for the venue’s 125th anniversary. So of course a reissue (on vinyl!) is in order.

En Vogue, Funky Divas, June 9

I’m disappointed rock bands haven’t turned “Free Your Mind” into a crossover classic.

Enya, A Day Without Rain, June 16
Enya, Amaratine, July 14

A Day Without Rain is Enya’s weakest album, and Amaratine went a long way to rectify it. That won’t stop me from getting both of them.

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