Twenty years ago, I was on the receiving end of an economic slump. I’ve gone through two more slumps since then, and I’ve so far dodge the bullet in both cases.
It doesn’t mean I don’t feel skittish.
All that to say that my disposable income had not diminished this past year, despite the economic devastation SARS-CoV2 has wrought, and I’m thankful I can even compile a list.
Sam Sparro, Boombox Eternal: I’m not sure why I feel nostalgic for a style of music I actually disliked when I was younger, but Sparro nailed it.
My Very Own Familiar, Dear Listener: Lawnchairs for the Apocalypse: I may have a bit of a bias since a friend of mine is in this band.
Timo Andres / Jeremy Denk / Brad Mehldau / Randy Newman, I Still Play: A fitting tribute to Nonesuch emeritus executive Bob Hurwitz, for whom the pieces on this album were commissioned.
… And You Will Know Us By the Trail of Dead, X: The Godless Void and Other Stories: No signs of mellowing out even after 25 years.
Perfume Genius, Set My Heart on Fire Immediately: I thought it was going to be hard to top No Shape.
Jason Isbell and 400 Unit, Reunions: Isbell has been on such a sustained winning streak that it seemed at some point he needed to stumble. He hasn’t.
Fiona Apple, Fetch the Bolt Cutters: I’m not even a Fiona Apple fan, and I like this album.
Kylie Minogue, DISCO: My first Kylie purchase since Aphrodite. I wasn’t on board for the last two albums.
Jean-Efflam Bavouzet, The Beethoven Connection: I like this idea of exploring Beethoven-adjacent composers to puzzle out how they influenced Beethoven himself.
Mr. Bungle, The Raging Wrath of the Easter Bunny Demo: Straight up hardcore.
Other favorites of the year:
Brooklyn Rider, Healing Modes
The Streets, None of Us Are Getting Out of This Life Alive
I started running out of things to say just as the SARS-CoV2 spread in the US, and when the lockdown happened, I threw myself into recording a pair of cover albums. I wasn’t buying much music, nor listening to anyone other than myself. By the time I finished making the albums, stores were opening up, and my music buying eventually resumed.
But I still don’t have much to say.
That doesn’t mean I’ve run out of opinions. So here are my favorites of the year so far.
New releases
Sam Sparro, Boombox Eternal
Timo Andres / Brad Mehldau / Jeremy Denk / Randy Newman, I Still Play
Perfume Genius, Set My Heart on Fire Immediately
Jason Isbell and 400 Unit, Reunions
The Streets, None of Us Are Getting Out of This Life Alive
Fiona Apple, Fetch the Bolt Cutters
… And You Will Know Us by the Trail of Dead, X: The Godless Void and Other Stories
My Very Own Familiar, Dear Listener: Lawnchairs for the Apocalypse
A friend of mine posted he was releasing an album recorded during the lockdown in Washington that started in March. This is that album, and it’s available only on YouTube. Also, it’s damn good.
Robyn, Body Talk
I’m disappointed in myself for not grabbing a copy of this album on vinyl on Record Store Day 2019.
Perfume Genius, Set My Heart on Fire Immediately
I’m slowly coming around to Perfume Genius. I don’t know if I’ll explore the early albums, but these last two have appealed to me greatly.
Jason Isbell and 400 Unit, Reunions
I like this album more than The Nashville Sound, but I don’t like it as much as Here We Rest or Something More Than Free. But finding a bad Jason Isbell album is like trying to find a bad Emmylou Harris album.
Timo Andres / Jeremy Denk / Brad Mehldau / Randy Newman, I Still Play
I’m going to miss Bob Hurwitz’s leadership of Nonesuch Records. The label seems to be moving in a more Americana direction since his retirement, and while the partnership with New Amsterdam Records is tailor made, I can’t help but feel Nonesuch is outsourcing its A&R for modern classical music.