A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.
Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.
Duran Duran, The Wedding Album
Bill Frisell, Have a Little Faith
John Zorn / Naked City, Absinthe
Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
Spiny Norman, Crust
The Love Gods, Hujja Hujja Fishla
Michael Nyman, The Piano
Wayne Horvitz / Pigpen, Halfrack
Clannad, Banba
Emerson Sting Quartet, American Originals: Ives / Barber String Quartets
Other favorites from the year:
Kate Bush, The Red Shoes
Emmylou Harris, Cowgirl’s Prayer
Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
Cypress Hill, Black Sunday
Digable Planets, Reachin’
U2, Zooropa
Julee Cruise, The Voice of Love
Sting, Ten Summoner’s Tales
This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.
That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.
The extended list includes music that would have been ignored by the person who compiled the Favorite 10.
My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.
Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.
Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.
All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.
I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.
The monthly $0.10 CD Sale at Lifelong Thrift Shop was particular fruitful where classical music is concerned.
Catalog
CD
Anton Bruckner, Symphony No. 4 (Herbert Karajan, Berlin Philharmonic)
Anton Bruckner, Symphony No. 9 (Christoph Dohnányi, Cleveland Orchestra)
Benjamin Britten, Seven Sonnets of Michelangelo / Music of Bali / British Folk Songs (Benjamin Britten; Peter Pears)
Benjamin Britten, String Quartets Nos. 1 & 3 / Alla marcia / Three Divertimenti (Sorell Quartet)
Clara Schumann, Complete Works for Piano 3 (Jozef De Beenhouwer)
Dmitri Shostakovich / Sergei Prokofiev, Shostakovich: Symphony No. 5 / Prokofiev: The Love for Three Oranges (Eugene Ormandy, Philadelphia Orchestra)
Dmitri Shostakovich, Symphony No. 6 / Theme and Variations / Scherzo / Suite “Alone” (Gennadi Rozhdestvensky, USSR Ministry of Culture Symphony Orchestra)
Dmitri Shostakovich, Symphony No. 7 (Yuri Temirkanov, St. Petersburg Philharmonic Orchestra)
Emerson String Quartet, Bach: The Art of Fugue
Fugazi, The Argument
Gustav Mahler, Symphony No. 1 (Sir Georg Solti, Chicago Symphony Orchestra)
Percy Grainger, Themes of Grainger (Academy of St. Martin-in-the-Fields Chamber Ensemble)
Peter Lawson, American Piano Sonatas, Vol. 1
Sam Smith, The Thrill of It All (Deluxe Edition)
Samuel Barber, Music of Samuel Barber (Leonard Slatkin, St. Louis Symphony)
Samuel Barber / Charles Ives / Aaron Copland, Barber: Adagio for Strings / Ives: Symphony No. 3 / Copland: Quiet City (Academy of St. Martin-in-the-Fields, Sir Neville Marriner)