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Four questions: Pigpen, Half-Rack

[Pigpen - Half Rack]

Artist

Pigpen

Title

Half-Rack

Original Release Date

May 7, 1993

Purchase Date

Fall 1993

What is the memory you most associate with this title?

I jumped on the bandwagon of shopping for music on the Internet really early. How early? Amazon hadn’t even launched when I was sending checks to complete strangers on the rec.music.marketplace group on USENET.

CD Connection had a TELNET interface where you could buy albums at warehouse prices. Interstate taxation hadn’t yet become an issue, although the markup to ship to Hawaii was obscene.

As terrific as Tower Records was, they couldn’t fit everything in the store, and they couldn’t cater to someone with tastes as esoteric as mine.

I bought Halfrack on the Internet, most likely from CD Connection. I knew it would take Tower weeks, if not months, to stock it, so I cut out the middle man and got it myself.

What was happening in your life when it was released?

In May 1993, I was preparing to move back to Honolulu after spending two semesters in New York City on the National Student Exchange Program.

This program allowed students to attend another university in the country while paying either the in-state tuition of the host school, or the in-state tuition of the visitor’s school.

I had wanted to go to the Mainland for college like a number of my high school friends, but my family couldn’t afford it. My parents’ combined income put us out of reach of financial aid, unless I opted to take out loans, which my mom insisted not happen.

I didn’t appreciate the gesture at the time, but I’m glad for it now. I have no student debt, and I’m sure I would be in a worse financial position now had I saddle myself with it.

What was happening in your life when you bought it?

The Internet wasn’t just the World Wide Web. Before the web gave the internet a graphical user interface, there were mailing lists, newsgroups, talk daemons and IRC.

And I was exploring anything music-related through these command-line interfaces. I sold and bought CDs on USENET. I developed friendships with people I would never meet through a shared love of Duran Duran. I chatted with high school friends if the finger command revealed they were online many time zones away.

I also started to shift my academic focus away from music and onto journalism. I wrote a few reviews for the Hunter College newspaper when I lived in New York, and I liked the experience so much, I kept writing for the paper at the University of Hawaii at Manoa.

The seeds of this web site were pretty much being sown right around the time I picked up this album.

What do you think of it now?

I have to admit I didn’t listen to Halfrack as much as I could have at the time. V as in Victim followed shortly afterward and quickly monopolized my listening time.

Halfrack set the tone for what would follow, including moments of tenderness next to controlled chaos. At five tracks, it whetted the appetite for more, and even 25+ year later, it’s an astonishing piece of work to behold.

The influence of Naked City is inescapable, which means it will always be a perpetual favorite.

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Favorite Edition Rewind: 1993

[Wu-Tang Clan - Enter the Wu-Tang (36 Chambers)]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

Instead of providing an extended list for 1993, I rag on a number of critical favorites from the year. I’ve mellowed out about Björk’s Debut and U2’s Zooropa, but Siamese Dream and janet. are still overrated.

  1. Duran Duran, The Wedding Album
  2. Bill Frisell, Have a Little Faith
  3. John Zorn / Naked City, Absinthe
  4. Judy Dunaway and the Evan Gallagher Little Band, Judy Dunaway and the Evan Gallagher Little Band
  5. Spiny Norman, Crust
  6. The Love Gods, Hujja Hujja Fishla
  7. Michael Nyman, The Piano
  8. Wayne Horvitz / Pigpen, Halfrack
  9. Clannad, Banba
  10. Emerson Sting Quartet, American Originals: Ives / Barber String Quartets

Other favorites from the year:

  • Kate Bush, The Red Shoes
  • Emmylou Harris, Cowgirl’s Prayer
  • Wu-Tang Clan, Enter the Wu-Tang (36 Chambers)
  • Cypress Hill, Black Sunday
  • Digable Planets, Reachin’
  • U2, Zooropa
  • Julee Cruise, The Voice of Love
  • Sting, Ten Summoner’s Tales

This time, I’m providing an extended list, and it demonstrates where I was as a listener and where I am.

That Favorite 10 is stuffed to the gills with some really avant-garde titles, the kind put together by a young person trying to be more cosmopolitan than his peers.

The extended list includes music that would have been ignored by the person who compiled the Favorite 10.

My younger self would have scoffed at my older present self for deigning to include hip-hop, and my older self would tell my younger self to examine what social pressures may be coming to bear for his opposition.

Younger self would complain about how hip-hop culture is fetishized by his ethnic cohorts, which older self would acknowledge but caution against succumbing to the racial dynamics of the country.

Younger self would have no idea what older self would be talking about, since younger self hadn’t yet moved to he Mainland US to see these dynamics in action.

All that to say maybe I’ve been resistant to hip-hop because the music that most appeals to me is made predominantly by upper middle class white men.

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Favorite Edition Rewind: 1994

[Soundtrack - Interview with a Vampire]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The original list from 1994 didn’t even include an extended list. That’s how austere the selections from the year were.

  1. Talitha Mackenzie, Solas
  2. Freedy Johnston, This Perfect World
  3. Wayne Horvitz/Pigpen, V as in Victim
  4. Harry Connick, Jr., She
  5. Guided By Voices, Bee Thousand
  6. Everything But the Girl, Amplified Heart
  7. Kronos Quartet, Night Prayers
  8. Jayne Cortez and the Firespitters, Cheerful & Optimistic
  9. John Zorn/Masada, Alef
  10. Madonna, Bedtime Stories

Other favorites from the year:

  • Prince, The Black Album
  • Blur, Parklife
  • Pizzicato Five, Made in USA
  • Shudder to Think, Pony Express Record
  • Elliott Goldenthal, Interview with a Vampire

At the time of its limited release, I was actually very curious about The Black Album. Part of it was all the hype surrounding its initial aborted release, but I was still mostly ambivalent about Prince to pass on it. Its underdog status among Prince’s work makes me like it just a bit more.

A top 10 list I would have compiled in 1994 would have listed the Interview with a Vampire soundtrack. It’s actually a really good score. It’s too bad the movie sucked eggs. I watched twice — the first time to evaluate its faithfulness to the novel (somewhat), the second to evaluate it as a film (awful). The only thing that mars the soundtrack is the unfortunate cover of Sympathy for the Devil by Guns N’ Roses.

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