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Favorite Edition Rewind: 2015

[Gaytheist / Rabbits - Gay*Bits]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

2015 started strong with the return of Sleater-Kinney, and it stayed strong all the way through the release of the Hamilton cast recording. That said, the list goes through quite a number of changes, consolidating some stragglers and bouncing a few titles off.

  1. Lin-Manuel Miranda, Hamilton: An American Musical
  2. Kendrick Lamar, To Pimp a Butterfly
  3. Sleater-Kinney, No Cities to Love
  4. Jason Isbell, Something More Than Free
  5. Torche, Restarter
  6. Björk, Vulnicura
  7. Deebs and Jarell Perry, Shift
  8. Steve Grand, All-American Boy
  9. Janet Jackson, Unbreakable
  10. Gaytheist/Rabbits, Gay*Bits

Other favorites from the year:

  • Software Giant, We Are Overcome
  • Miguel, Wildheart
  • Madonna, Rebel Heart
  • Duran Duran, Paper Gods
  • Enya, Dark Sky Island
  • The Weeknd, Beauty Behind the Madness
  • Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit
  • ASIAN KUNG-FU GENERATION, Wonder Future
  • Andrew Norman, Play
  • Troye Sivan, Blue Neighborhood

The Favorite 10 sees one title switched out — Gaytheist and Rabbit’s split EP for Miguel’s Wildheart. Father John Misty, Takaakira Goto, Seattle Symphony and Kronos Quartet make way for Andrew Norman, Troye Sivan and Software Giant.

Eight years into 2010s, 2015 is so far turning out to be my favorite year for the decade. The hierarchy of the list gives a false sense of preference — some of the albums outside of the Favorite 10 got as much play time as those at the top of the list.

Duran Duran and Enya could have occupied spots in the Favorite 10 if the field weren’t so crowded.

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Favorite Edition 2015: Year final

[Lin-Manuel Miranda - Hamilton]

I didn’t think a comeback this year could top the return of Sleater-Kinney, but I was mistaken. I didn’t realize how much I had missed Janet Jackson till she returned, and Enya quenched a drought of a similar length (7 years.) Even Madonna turned in work that’s some of her best in a while. I also learned the awful term “PBR&B”, which describes the kind of R&B music to which I seem to be drawn.

  1. Lin-Manuel Miranda, Hamilton: An American Musical: The last time the score of a musical had me riveted to my stereo was The Phantom of the Opera. Not only is the story of Hamilton thrilling to follow, but the hip-hop score is jaw-dropping. Policy debates as rap battles? Maybe that should happen in real life.
  2. Kendrick Lamar, To Pimp a Butterfly: Just about every year-end list will include this album near the top. And I don’t even listen that much hip-hop.
  3. Sleater-Kinney, No Cities to Love
  4. Jason Isbell, Something More Than Free: It’s always great to see an artist with a breakthrough album follow up with something just as strong.
  5. Torche, Restarter
  6. Björk, Vulnicura: So now the question is which do you prefer: Vulnicura or Vulnicura Strings?
  7. Deebs and Jarell Perry, Shift: I like how Jarell Perry keeps pushes the borders of what R&B can do. He’s got great company with Shaprece, Santigold, Miguel and Frank Ocean, WHEREVER THE HELL HE IS.
  8. Steve Grand, All-American Boy: I still don’t understand why people call him a country artist. He sounds nothing like Sturgill Simpson.
  9. Janet Jackson, Unbreakable: Janet returns with her most sonically diverse album since The Velvet Rope.
  10. Miguel, Wildheart: He bragged about being better than Frank Ocean, and I hate to say it, but I think there’s something behind that bravado.

Honorable mention goes to …

  • Madonna, Rebel Heart
  • Duran Duran, Paper Gods: Duran Duran tends to misstep after hitting a home run, but that’s not the case here.
  • Enya, Dark Sky Island: You know what you’re getting with Enya. On a few tracks, she does seem to be dipping a tentative toe into more pop styles, by which I mean less Bach.
  • Courtney Barnett, Sometimes I Sit and Think, and Sometimes I Just Sit: Barnett crams a lot of imagery in her songs, but they make for great stories.
  • ASIAN KUNG-FU GENERATION, Wonder Future: When ASIAN KUNG-FU GENERATION take time with their albums, it really pays off.
  • Kronos Quartet, Tundra Songs: No, this isn’t an international crossover album. If anything, it’s some of the most challenging music the quartet has recorded in a while.
  • Seattle Symphony / Ludovic Morlot, Dvorak: Symphony No. 9 / Varese: Ameriques: This album is something of a souvenir for me because I attended this concert, but the live recording of Ameriques would be reason enough to pick it up.
  • Takaakira “Taka” Goto, Classical Punk and Echoes Under Beauty: I didn’t think this album would be very distinct from MONO, but it’s quite a change for Taka and still recognizably him.
  • Father John Misty, I Love You, Honeybear: This album will also appear on a lot of year-end lists, but it didn’t grab me as much as everything else on the list.

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