In June 2019, I took the plunge back into music retail by volunteering at the Lifelong Thrift Store. This immediate access to the store’s CD stock has reshaped my listening habits. I bring back so many discs from my visits to the store, it’s rare that I’ll listen to something more than once. It makes finding new favorites a challenge.
Hans Abrahamsen, Schnee: Seattle Symphony performed this piece as part of its [untitled] series, and I was so fascinated by it, I had to own a recording.
Ali Wong, Baby Cobra: I heard Baby Cobra was a really good comedy special, but I didn’t realize Wong had filmed the special in Seattle. And I’ve known about Wong back when Chelsea Lately was on the air. I could have seen this show live, dammit.
Easterhouse, Waiting for the Redbird: The classic rock station in Honolulu back in the late ’80s would play an occasional “modern rock” track. I may have caught Easterhouse’s “Come Out Fighting” once on that station, but it was enough to make me curious about the band — a curiosity I would not explore till more than 30 years later.
Kalapana, Kalapana: I didn’t realize how pervasive this album was on Hawaii pop radio when I was growing up. I was 3 years old when this album was released, but it would continue to dominate the airwaves as I grew more aware of my surroundings.
Infomatik, Technologies: Sometimes, the Internet does forget.
My Bloody Valentine, Isn’t Anything: I missed out on the 2018 vinyl reissue of this album, so I settled for a bootleg pressing.
Robert Palmer, Secrets: This album was the pivot between the blue-eyed funk of Palmer’s early work and his embrace of a more new wave sound. It’s also one of his finest.
Rick Springfield, Tao: I’m a sucker for albums that forgo gaps and fades between tracks.
Boston, Boston: This album is against what punk music rebelled, but I like it anyway.
Roberta Flack, First Take: Stop underrating Roberta Flack!
This year was pretty slim on reissues. To be honest, I haven’t gotten through Massive Attack’s Mezzanine and Sigur Rós’ Ágætis byrjun.
Re-Flex, The Politics of Dancing: I can’t believe this album isn’t a towering classic of ’80s new wave. Cherry Pop thankfully gives it the deluxe treatment it deserves
The Replacements, Dead Man’s Pop: The Matt Wallace mix of Don’t Tell a Soul is ahead of its time. The drier sound would not become fashionable till after 1991, but heard today, Dead Man’s Pop feels contemporary.
Janet Jackson, Control: The Remixes: I didn’t realize how much I loved the mixes featured in Janet’s videos.
Anthony De Mare, Pianos and Vocals (Music of Meredith Monk and John Cage)
Given how well De Mare sequenced the pieces on this album, I bet recitals featuring these works would have been amazing.
Easterhouse, Waiting for the Redbird
Contenders is the album that has remained in print, but Waiting for the Redbird appealed to me more as it played on the turntable.
Janet Jackson, Janet Jackson
The Janet we know today began with Control, and it’s the furthest Miss Jackson will go in live performances. Of the two albums that preceded it, this self-titled debut has the better songs.
Justin Timberlake, Futuresex / LoveSounds
I think I reacted more to the production of this album than to the actual songs.
Kacey Musgraves, Same Trailer Different Park
I didn’t find Golden Hour terribly impressive, but I didn’t want to dismiss Kacey Musgraves out of hand. So I picked up Same Trailer Different Park when I found it at the thrift store. That’s when I understood.
I didn’t realize just how much Kalapana’s first album dominated radio broadcast in Hawaii during the 1970s. I picked up a vinyl copy of the album on a whim, having grown up with the name but not necessarily the music. It turns out I heard them a lot when I was still too young to care about building a music collection.
I’ve been fascinated by the third mode of limited transposition since we covered them in a music theory class I took in 2017. The Turangalîla Symphony is one of those works you’re told to know, even if takes you a while to get around to listening to it. The 2-disc vinyl edition of this recording includes Toru Takemitsu’s November Steps, which gets dropped on subsequent CD reissues.