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Favorite Edition 2014: Year Final

[John Luther Adams - Become Ocean]

 

Something I didn’t anticipate when I moved from Austin to Seattle in 2012 was a classical music scene with an audience receptive to modern works.

Seattle Symphony Orchestra includes a number of commissions throughout its season, and a chamber series focusing on modern works turns the lobby of Benaroya Hall into an informal setting. I got to hear Steve Reich’s Different Trains as part of a chamber music festival, and Town Hall has brought in the likes of Alarm Will Sound, Roomful of Teeth and NOW Ensemble.

So the year-end Favorite Edition for 2014 reflects my rekindled interest in new music. It’s easier to indulge when even the record shops make it a point to separate modern music from the common era.

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Looking ahead: MONO, … Trail of Dead, U2

[MONO - Rays of Darkness]

I forgot to include a few titles from the last round-up.

U2, Songs of Innocence, Oct. 14

Yeah, I’m old enough to have actually downloaded this album from the iTunes, and yes, I know exactly who U2 is. Giving away an album for free can really backfire if the album in question doesn’t spur a fan to buy a physical copy. I may drop the cash because Songs of Innocence is better than No Line on the Horizon. Unfortunately, it’s as forgettable as anything the band has produced since the end of the last century.

MONO, The Last Dawn, Oct. 28
MONO, Rays of Darkness, Oct. 28

I’m rather glad MONO has finally realized that their orchestral sound can only go so far, and I look forward to hearing the reportedly rawer sound. But two albums?

… And You Will Know Us by the Trail of Dead, IX, Nov. 4

What can I say? I’m a sucker for the grandeur.

Fugazi, First Demo, Nov. 11

As a latecomer to Fugazi, the news of a release of music I’ve so far not yet encountered is pretty much equivalent to saying it’s a new album.

And these releases just hit retail:

John Luther Adams, Become Ocean

Part of me was really tempted to catch the premiere of this work by the Seattle Symphony, but I’m not as familiar with John Luther as I am with John Coolidge. NPR First Listen previewed the album, and skeptic though I may be of accolades — including a Pulitzer — this one was well deserved.

yMusic, Balance Problems

I think my fascination with New Amsterdam Records has cooled off a bit, but the label still grabs my attention from time to time. This collection includes pieces by Nico Muhly, Timo Andres and Sufjan Stevens. What? No Bryce Dessner or Richard Reed Parry?

 

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