Purchase log picks, January 2020

[The Dismemberment Plan - Change]

The Dismemberment Plan, Change

I spent years filing The Dismemberment Plan’s albums at Waterloo Records, and I don’t think I ever listened to their music. So I picked up Change at the thrift store purely out of curiosity. Listening to this album transported me back to those record store days in the early 2000s.

The Ordinaires, One

I owned this album on cassette, and I actually liked it at the time. The only problem was I liked a lot of other albums at the same time a bit more. In a crunch for cash, I sold it. But the band’s cover of Led Zeppelin’s “Kashmir” has haunted me ever since. So I picked it up on vinyl at the Northwest Record Show, then eventually on CD.

Anton Bruckner, Symphonies Nos. 1-9 (Staatskapel Dresden, Eugene Jochum)

I had an unofficial goal of collecting Bruckner symphonies on my visits to thrift shops until this budget boxed set showed up at Lifelong. ACHIEVEMENT UNLOCKED! I learned about Bruckner in college, but I didn’t feel compelled to explore his work because of a joke: he wrote nine symphonies at one time, or one symphony nine times.

Soundtrack, Death Note

I’ve been dragging my feet on getting this soundtrack for nearly a decade now, but what finally spurred me to take action was a vinyl reissue from Tiger Lab.

Gary Numan, The Pleasure Principle

I bugged my mom to buy me the 7-inch single of “Cars” when I was 8 years old, but by the time I started collecting on my own 5 years later, Gary Numan felt like ancient history. The Pleasure Principle has grown in stature since then, so it was high time I followed up on that single purchase.

Clipse, Lord Willin’

Yeah, I went through a Neptunes phase in the early 2000s, but this album slipped through my grasp. 2002 was a fruitful year in music, so it faced a lot of competition.

Billie Eilish, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Now that everyone else has published their best of 2019 lists, I get to play catch up with everything I’ve been ignoring. So far, only Billie Eilish has managed to punch through.

Peter Gabriel, Us

I probably wouldn’t have come around to this album if I hadn’t run across Secret World Live first. Us got middling reviews, but I find it hits more than it misses.

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