I usually publish this entry at the start of July. Unfortunately, all the releases in which I’m most interested came out in June, and I didn’t want to make hasty judgements. So I held off till I had a few weeks to live with these latecomers.
Labels, why did you all wait till the middle of the year? Couldn’t you have spread some of this joy over the previous 6 months?
- Onitsuka Chihiro, Syndrome: This album really recaptures the sound and mood of her debut album.
- Royal Wood, Ghost Light: This album was released in 2016 but limited to Canada. So I’m calling it a 2017 album because of its worldwide release in January. The Burning Bright is so far Wood’s best album, but Ghost Light isn’t a slump for a follow-up.
- Renée Fleming, Distant Light: I’m not sure Fleming’s sound suits Samuel Barber’s Knoxville 1915, but the orchestral arrangements of Björk songs works really well.
- RADWIMPS, Kimi no Na wa: I’m pretty much throwing this soundtrack on the list because the movie was amazing, and it’s impossible to hear “Katawaredoki” without tearing up. (You just have to watch the movie to understand.) The English version of the songs came out really well.
- Sam Amidon, The Following Mountain: Amidon does some strange things with traditional material, but this time around he writes his own songs and lets his jazz side out a bit more.
- Kronos Quartet, Folk Songs: Kronos takes a back seat to the singers — who include Amidon, Olivia Chaney, Rhiannon Giddens and Natalie Merchant — but these arrangements of mostly traditional songs are far from genteel.
- Jason Isbell and 400 Unit, The Nashville Sound: Isbell is the kind of songwriter whose music continues to play in your head after it’s finished on the player.
- Gaytheist, Let’s Jam Again Soon: Oh, it’s loud!
- Sufjan Stevens / Nico Muhly / Bryce Dessner / James McAlister, Planetarium: I don’t know if this album needs to be 75 minutes long, but it’s a fascinating listen nonetheless.