Rewind takes a look at past Musicwhore.org reviews to see how they hold up today. The albums featured on Rewind were part of my collection, then sold for cash only to be reacquired later.
What happens when you want to write about mainstream pop music without knowing anything about mainstream pop music? You get something that looks like my review of Sugababes’ One Touch.
The then-teenaged trio hooked me in with “Overload”, a single as infectious today as it was back in 2000. I picked up the album on the strength of that song alone, and I ended up liking it.
And as any good music blogging cheerleader should do, I wanted to share that enthusiasm. Just one problem: I was a raging rock snob back then. I knew of Destiny’s Child and TLC only indirectly — I owned nothing by either group, but it didn’t stop me from using them as straw women.
Back then, Disney pop from the likes of Britney Spears, ‘NSync and Backstreet Boys shoved aside alternative rock, which had devolved to Creed and Nickelback. In retrospect, that may have been a blessing. Still, it was tough covering music at the turn of the century when most of what flew off shelves held little to no interest for me.
So I sought refuge in Japanese indie rock and rock en Español.
Nearly two decades later, I’m merely a rock snob instead of a raging rock snob, and my collection now includes TLC and En Vogue. I don’t have any Destiny’s Child, but I do have Beyoncé’s Lemonade. After listening to these groups, the folly of my earlier comparison is writ large.
Sugababes come from a different club culture than En Vogue and TLC. Comparing them would have been as helpful as pitting Perfume against Adele. I do stand by the assessment that the rougher production on One Touch is a softer sell. It’s probably why I preferred Sugababes over American pop acts.
Of course, that reveals a deeper problem. If I knew nothing of American pop music, I would know even less about UK pop music. So I wrote the review I’ve got, not the one I want.
Two months after publishing that review, I lost my job, and Sugababes went on the chopping block when cash got tight. But every so often, I would find myself humming the opening bass line of “Overload”. It reached a point where I found a cutout of One Touch on Amazon and welcomed the album back in my collection.