eMusic pivots again, says goodbye to major labels
Not even a few hours after I posted an entry about why I choose to own my music do I see my point demonstrated.
eMusic announced it would return its focus on independent music, thus taking major label content out of its catalog. WEA-distributed labels have already been taken down. Universal and Sony albums are still listed on the site, but no time table has been given on when those titles will disappear.
The decision to offer major label content back in 2009 sparked a lot of controversy among eMusic users, and it even resulted in a number of labels such as Merge and Beggars Group leaving the service.
I was most interested in the WEA catalog since a lot of the artists I like are signed to WEA labels. WEA was one of the last to sign on with eMusic, and now, they’re the first to go.
I had been saving this month’s quota to use on Sept. 30, when Nonesuch is scheduled to release new albums by Steve Reich and Nico Muhly. Well, that plan is shot to hell.
I signed up with the service in 2006, when iTunes still locked its files with DRM and Amazon was months away from launching its own music download store. I used eMusic as a way to preview albums before I made any decision to buy a physical copy.
The tenor of the site changed drastically when it started offering major label artists. The accounting system changed from credits per download to dollar amounts per album. Slowly, I found myself getting less for the same price I’d been paying.
In the past, I could download 50 files per month. Now, my subscription can net me half that number.
I realized a few months ago that eMusic had become a Columbia House for digital downloads. My subscription was just enough to get me an album or two every month.
But I’m a budget-conscious listener, and eMusic had consistently undercut iTunes and the Amazon MP3 Store on catalog titles. The only thing cheaper would be to buy a used CD. In some cases, even new CDs were cheaper than eMusic. Those bargains are now on their way out.
I plan on keeping my subscription because I’m still part of eMusic’s target audience — indie music fans. But the download market is declining, and this pivot may not come in time to rescue eMusic.
UPDATE, 09/30/2014, 07:58: The New York Times reports Oct. 1 will be the last day major label titles will be available on eMusic.
Tags: digital music