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Favorite Edition Rewind: 1994

[Soundtrack - Interview with a Vampire]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The original list from 1994 didn’t even include an extended list. That’s how austere the selections from the year were.

  1. Talitha Mackenzie, Solas
  2. Freedy Johnston, This Perfect World
  3. Wayne Horvitz/Pigpen, V as in Victim
  4. Harry Connick, Jr., She
  5. Guided By Voices, Bee Thousand
  6. Everything But the Girl, Amplified Heart
  7. Kronos Quartet, Night Prayers
  8. Jayne Cortez and the Firespitters, Cheerful & Optimistic
  9. John Zorn/Masada, Alef
  10. Madonna, Bedtime Stories

Other favorites from the year:

  • Prince, The Black Album
  • Blur, Parklife
  • Pizzicato Five, Made in USA
  • Shudder to Think, Pony Express Record
  • Elliott Goldenthal, Interview with a Vampire

At the time of its limited release, I was actually very curious about The Black Album. Part of it was all the hype surrounding its initial aborted release, but I was still mostly ambivalent about Prince to pass on it. Its underdog status among Prince’s work makes me like it just a bit more.

A top 10 list I would have compiled in 1994 would have listed the Interview with a Vampire soundtrack. It’s actually a really good score. It’s too bad the movie sucked eggs. I watched twice — the first time to evaluate its faithfulness to the novel (somewhat), the second to evaluate it as a film (awful). The only thing that mars the soundtrack is the unfortunate cover of Sympathy for the Devil by Guns N’ Roses.

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Purchase log, 2018-11-06

[Sasagawa Miwa - Houjou]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Christine and the Queens, Chris
  • Sasagawa Miwa, Houjou -BEST ’03~’18-
Files
  • Wayne Horvitz, Those Who Remain

Catalog

CD
  • Alice in Chains, Dirt
  • Chris Isaak, San Francisco Days
  • David+David, Boomtown
  • Dwight Yoakam, This Time
  • Lizz Wright, Dreaming Wide Awake
  • Lyle Lovett, The Road to Ensenada
  • Thomas Dolby, The Golden Age of Wireless
Vinyl
  • Adele, 21
  • Alban Berg, Wozzeck (Pierre Boulez, Paris National Opera)
  • Everything But the Girl, Eden
  • Iron and Wine, The Creek Drank the Cradle
  • Weezer, Pinkerton
  • Wolfgang Amadeus Mozart, The Great String Quartets (Amadeus Quartet)
  • Soundtrack, Agnes of God

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Purchase log, 2018-10-09

[Wayne Horvtiz - The Snowghost Sessions]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New releases

CD
  • Wayne Horvitz, The Snowghost Sessions

Catalog

CD
  • Beyonce, Dangerously in Love
  • Bill Frisell, Quartet
  • Charles Mingus, Pithecanthropus Erectus
  • D’Angelo, Brown Sugar
  • Love, Forever Changes
  • Ponga, Ponga
  • Soundtrack, Grease

Vinyl

  • Camper Van Beethoven, Take the Skinheads Bowling
  • Doctors’ Mob, Sophomore Slump

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Reconsidering the year in music 1992

[Wayne Horvitz/The President - Miracle Mile]

Back in 2008, I wrote a series of entries detailing my favorite albums from various decades. For the longest time, I held an incredibly dim view of 1992. Compared the years preceding and following, 1992 felt like a creative malaise had spread throughout the music industry.

Bands that used to be underground found themselves to be popular, and under this newfound, wide-scale scrutiny, some of them cracked.

Or so I thought.

I had only turned 20 years old, an age when the dopamine hit from discovering new music left a neophyte intoxicated. I wanted every album to matter, and the ones that didn’t received a harsh judgment.

Twenty-five years later, I’ve got more of an education on where 1992 fit in the larger scheme of things, and of course, I got it wrong. This old entry details all the ways I got it wrong. So let’s make it right.

Here’s a revised list of the Favorite Edition 1992.

  1. Wayne Horvitz/The President, Miracle Mile
  2. Máire Brennan, Máire
  3. Henryk Górecki, Symphony No. 3 (Dawn Upshaw, David Zinman, London Sinfonietta)
  4. k.d. lang, Ingenue
  5. Sade, Love Deluxe
  6. En Vogue, Funky Divas
  7. Prince and the New Power Generation, 0(+> (Love Symbol Album)
  8. Emmylou Harris and the Nash Ramblers, At the Ryman
  9. Kronos Quartet, Pieces of Africa
  10. Robin Holcomb, Rockabye

Honorable mention

  • The Sugarcubes, Stick Around for Joy
  • Faith No More, Angel Dust
  • Sonic Youth, Dirty

The original list stopped at five items, with a longer list of albums accompanied by explanations for why they weren’t favorites. In some cases, I’ve completely changed my mind.

At the time, Love Deluxe was such a drastic turn for Sade that I thought something went wrong. It would take another 18 years for Love Deluxe to reveal itself as the start of a new creative era, one marked by extreme pauses between albums. This early ’90s album shares more with its successors in 2000 and 2010 than it did with 1988’s Stronger than Pride.

I also got a chance to revisit Ingenue after the entry was written, and it’s place on the favorite list is well anchored.

Other albums would not have appeared on the list at the time it was written. Prince was unexplored territory for me in 2008, so I wouldn’t have even thought to include the Love Symbol album. En Vogue wouldn’t have gotten past my raging rock snobbery.

The rest of the albums on the list could have only been included after much research. Dirty makes a lot more sense if a Sonic Youth novice also considers Sister and EVOLAt the Ryman would not make sense to someone who’s only exposure to Emmylou Harris was Wrecking Ball.

I’ve even had a change of heart regarding Faith No More and R.E.M.

So it turns out 1992 wasn’t as bad as I remembered. It just took 25 years to reach that realization.

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Concert Edition 2015

[Duran Duran, Washington State Fair, Sept. 23, 2015]

Concert reviews were always something I wanted to write for this site, but I never drummed up the gumption to jot down my thoughts about shows after I attend them. In reality, I didn’t want shows to become means to an end, in the same way album purchases had become source for reviews.

Still, I go to a lot of concerts, and it feels awkward not mentioning them at least once.

So I’m going to do a year-end overview of all the shows I’ve attended in the past year.

Continue reading »

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Favorite Edition 2014: Year Final

[John Luther Adams - Become Ocean]

 

Something I didn’t anticipate when I moved from Austin to Seattle in 2012 was a classical music scene with an audience receptive to modern works.

Seattle Symphony Orchestra includes a number of commissions throughout its season, and a chamber series focusing on modern works turns the lobby of Benaroya Hall into an informal setting. I got to hear Steve Reich’s Different Trains as part of a chamber music festival, and Town Hall has brought in the likes of Alarm Will Sound, Roomful of Teeth and NOW Ensemble.

So the year-end Favorite Edition for 2014 reflects my rekindled interest in new music. It’s easier to indulge when even the record shops make it a point to separate modern music from the common era.

Continue reading »

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