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Favorite Edition Rewind: 2000

[Tomosaka Rie - Shoujo Robot]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

I’m flabbergasted by the idea that, as of this writing, the year 2000 is nearly 20 years ago. As much as I lionize the music I heard in high school, the music of my late 20s has been incredibly influential, perhaps professionally as well as personally. Thus, we don’t see much change from the original list.

  1. Shiina Ringo, Shouso Strip
  2. Cocco, Rapunzel
  3. NUMBER GIRL, SAPPUKEI
  4. SUPERCAR, Futurama
  5. eX-Girl, Big When Far, Small When Close
  6. Sleater-Kinney, All Hands on the Bad One
  7. Idlewild, 100 Broken Windows
  8. FEED, Make Every Stardust Shimmer!
  9. Tomosaka Rie, “Shoujo Robot”
  10. Sade, Lovers Rock

Other favorites from the year:

  • Do As Infinity, Break of Dawn
  • Yaida Hitomi, daiya-monde
  • PJ Harvey, Stories from the City, Stories from the Sea
  • OBLIVION DUST, Butterfly Head
  • At the Drive-In, Relationship of Command
  • L’Arc~en~Ciel, REAL
  • Bonnie Pink, Let Go
  • MISSILE GIRL SCOOT, Fiesta!
  • Smashing Pumpkins, MACHINA/The Machine of God
  • m-flo, Planet Shining
  • Juanes, Fíate Bien
  • Emmylou Harris, Red Dirt Girl
  • U2, All That You Can’t Leave Behind
  • La Ley, Uno
  • Sinéad O’Connor, Faith and Courage
  • Soundtrack, High Fidelity
  • BBMak, Sooner or Later

At the time of its release, I was just glad All That You Can’t Leave Behind was not a continuation of Pop. The recent vinyl reissue of the album, unfortunately, reveals its shortcomings. Thus, it loses its original ranking in the Favorite 10.

Plot twist: I panned 2004’s How to Build an Atomic Bomb, but that album has endured far better than All That You Can’t Leave Behind. ¯\_(ツ)_/¯

Idlewild’s 1000 Broken Windows takes the spot vacated by U2.

Do As Infinity probably could have held onto its place in the Favorite 10 on the strength of “Raven” alone. At the time, most J-Pop I had encountered relied heavily on keyboards and drum machines, so a karaoke-ready band with crunchy guitars felt novel to me.

I can’t say I love Break of Dawn as much now. It’s rare that singles displace albums for the Favorite 10, but all three tracks on “Shoujo Robot” hint at an awesome album I wish Shiina Ringo and Tomosaka Rie recorded.

The extended list is really just all the titles that could have legitimately competed for that bottom spot on the Favorite 10.

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Favorite Edition Rewind: 2004

[Madvillain - Madvillainy]

A decade ago, I wrote a series of entries ranking my favorite albums from 1985 to 2004. My collection has expanded greatly since then, particularly in the last five years. So I wanted to see what has changed in 10 years.

The first half of the 2004 list has remained unchanged. The last half has undergone extensive revision.

  1. Arcade Fire, Funeral
  2. Eluvium, An Accidental Memory in Case of Death
  3. Kicell, Mado Ni Chikyuu
  4. Dylan Rice, Wandering Eyes
  5. The Killers, Hot Fuss
  6. Madvillain, Madvillainy
  7. Loretta Lynn, Van Lear Rose
  8. The Streets, A Grand Don’t Come for Free
  9. Mindy Smith, One Moment More
  10. STRAIGHTENER, LOST WORLD’S ANTHOLOGY

Other favorites from the year:

  • Pinback, Summer in Abaddon
  • SUPERCAR, ANSWER
  • Kanye West, The College Dropout
  • ASIAN KUNG-FU GENERATION, Solfa
  • Bonnie Pink, Even So
  • Fuji Fabric, Fuji Fabric
  • Sacha Sacket, Shadowed
  • m-flo, Astromantic
  • The Butchies, Make Yr Life
  • Scissor Sisters, Scissor Sisters
  • ZAZEN BOYS, ZAZEN BOYS II

A lot of these revisions are retrospective. I listened to SUPERCAR’s ANSWER when it was reissued on vinyl, and I didn’t find the album as engaging as I originally thought. I’ve come to like Hot Fuss more as time has passed, and I don’t feel as much attachment to Van Lear Rose.

My growing appreciation for hip-hop means Madvillain and The Streets knock Quruli’s Antenna off the list entirely.

I’m still a bit skeptical about keeping Mindy Smith in the Favorite 10, or bumping STRAIGHTENER into the upper echelon. I picked up Pinback’s Summer in Abaddon from Goodwill out of curiosity, and I have a sense that in short time, it will nudge Smith or STRAIGHTENER down to the extended list.

As we go further back to the start of the Aughts, the extended list grows longer. A lot of great music came out at the start of the century. If the Internet hadn’t splintered the mass market, it might have been a galvanizing golden age of popular music.

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Purchase log, 2018-05-01

[The Streets - Original Pirate Material]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New Releases

CD
  • Janelle Monáe, Dirty Computer
  • SUPERCAR, PERMAFROST

Catalog

CD
  • The Jimi Hendrix Experience, Electric Ladyland
  • J Dilla, Donuts
Vinyl
  • Tomita, Firebird

Reissues

Vinyl
  • The Art of Noise, In Visible Silence (Deluxe Edition)
  • The Streets, Original Pirate Material

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Purchase log, 2018-04-04

[Diana Ross - Diana]

I catalog my music purchases on Collectorz and Discogs, but they don’t give me a sense of change over time. So I’m noting them here weekly as well.

New Releases

Vinyl
  • Steve Reich, Pulse / Quartet

Catalog

CDs
  • Diana Ross, Diana
  • Everything But the Girl, The Language of Life
  • Miles Davis, In a Silent Way
  • Prince, The Gold Experience
  • Thelonious Monk, Brilliant Corners
  • Thelonious Monk, Monk’s Blues

Reissues

Vinyl
  • SUPERCAR, ANSWER
  • SUPERCAR, HIGHVISION

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Looking Ahead: April-May 2018

[Janelle Monáe - Dirty Computer]

I like April Fools Day and Halloween, but I’m never ambitious enough to pull of a prank or a costume.

SUPERCAR, PERMAFROST, April 25

I think I’m covered in terms SUPERCAR best albums, but the special edition of this compilation comes with a Blu Ray edition of the video collection P.V.D. COMPLETE 10th Anniversary Edition. I would have gotten that Blu Ray without the CD.

Janelle Monáe, Dirty Computer, April 27

I have to admit I would rather much see Janelle Monáe on screen than in sound. She was terrific in both Hidden Figures and Moonlight, and I would watch the hell out of a Cindy Mayweather movie. But the only album of hers I remotely like is the Metropolis EP.

Courtney Barnett, Tell Me How You Really Feel, May 18

Sometimes I Sit and Think, and Sometimes I Just Sit was one of many great albums to emerge in 2015, but I’ve not yet cottoned to anything else.

Various Artists, Adam to Eve no Ringo (Shiina Ringo Tribute), May 23

The artists contributing to this Shiina Ringo tribute album don’t seem to be very adventurous. Given the two volumes of Reimport albums, I would have thought Tomosaka Rie or Kuriyama Chiaki would have participated. And did anyone ask Mukai Shuutoku?

Vinyl

U2, All That You Can’t Leave Behind, April 13

All That You Can’t Leave Behind was the mea culpa album for Pop, which is also being reissued on vinyl at the same time.

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Looking ahead: January-February 2018

[Steve Reich - Pulse / Quartet]

The fact I can actually post a preview entry this early in the year makes me hopeful we won’t see a repeat of last year’s lopsided schedule.

Igor Stravinsky, Chant Funébre / Le Sacre du Printemps, Jan. 12

This album featuring a newly discovered work by Igor Stravinsky comes out a week after I’ll have heard the Seattle Symphony perform it. I’ll own yet another version of The Rite of Spring, though.

Sasagawa Miwa, Atarashii Sekai, Jan. 31

Last time I checked in with Sasagawa Miwa, she was moving in a jazz direction.

Rhye, Blood, Feb. 2

The singles preceding this album release make me think I ought to place a pre-order.

Steve Reich, Pulse / Quartet, Feb. 2 (vinyl on March 30)

The cover of this album almost fooled me into thinking Reich had gone back to ECM. For proof, compare the Reich cover with John Surman’s forthcoming album Invisible Threads on ECM:

[John Surman - Invisible Threads]
[Steve Reich - Pulse / Quartet]

 

Kronos Quartet and Laurie Anderson, Landfall, Feb. 16

Anderson contributed to Kronos’ Fifty for the Future initiative, and they’ve included the piece in recent concerts. I’m curious to hear more of this collaboration.

Vinyl

My Bloody Valentine, Loveless, Jan. 18 (UK)

Kevin Shields sure went to a lot of trouble remastering this album for vinyl, when it wasn’t really recorded for analog in the first place.

SUPERCAR, HIGHVISION, March 30
SUPERCAR, ANSWER, March 30

I became a SUPERCAR fan just as the band changed its sound, so the recent vinyl reissues of Three Out Change!! and JUMP UP allowed me to discover its early work. I’m coming around to the idea that maybe that first era was better than what followed.

Shiina Ringo, Gyakuyunyuu ~Kuukoukyoku~, March 30

Have you seen how much the Shiina Ringo vinyl reissues from 2009 are going for on the secondhand market? I’ve got mine pre-ordered.

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